Category: Living

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The Cats of University Heights: BeBe

Grey May descended yesterday, as persistent clouds preceded expected weekend rains. As my wife and I trudged up Maryland Ave., not far beyond Morla the tortoise’s house—but across the street—Anne spied in an alley a cat perched by a woman sitting on a ledge talking to another neighbor. The lady explained that the all-outdoor furball responds to name BeBe, or nothing. The animal’s mother is a feral grey tiger-stripe that no longer breeds (she was fixed). The daughter had one litter before her operation.

BeBe accepts food and attention from people whom she knows. As I am a stranger, she shot round a car when I approached. But she stayed to the side rather than scurry beneath, allowing me a dozen shots while not moving too close to her. Vantage point is important. I like to get down low, and she let me. The Featured Image is last among the 12, captured using the Fujifilm X-T1 and XF18-55mmF2.8-4 R LM OIS kit lens at 4:56 p.m. PDT, with Classic Chrome simulation set. Vitals: f/4, ISO 200, 1/140 sec, 55mm. The portrait is straightened and cropped but not enhanced. 

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Living by Joe Wilcox
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The Ring Returns

Yesterday, I put on my wedding ring for the first time in 13 years. The saga starts in January 2004, in an incident described in missive: “Man on the Train“. I got poison ivy—in Winter, no less—after giving a homeless guy money while riding the DC Metro. That was the suspected scenario from my then doctor, now retired, Gabe Mirkin, a well-known fitness physician whose office was around the block from our house. Dr. Mirkin surmised that the homeless dude had residue on his hands and clothes from sleeping outdoors. Brrrr.

I closed the blogpost recounting the incident: “My left hand is so swollen, today I may ask a jeweler to cut off my wedding ring”. And I did, returning to White Flint Mall, where was the store from which my wife and I bought matching gold bands in 1989. The shop had closed, but another jeweler expertly performed a clean hackjob. Whoa, color returned to my finger! White Flint is gone now, BTW. The upscale mall was torn down in summer 2015. WTH? 

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Photo by Joe Wilcox
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The Cats of University Heights: Cocoa

As my wife and I walked up Maryland Ave. late yesterday afternoon, something hiding in the flowers caught my attention—and I missed the perfect portrait when the meower came out to greet us. The Featured Image isn’t from the feline’s first approach but second, when she temporarily moved up the steps, before coming back to the street for more pats. Vitals: f/3.6, ISO 200, 1/1700 sec, 35.6mm. I captured the moment using the Fujifilm X-T1 and XF18-55mmF2.8-4 R LM OIS kit lens at 5:59 p.m. PDT, with Classic Chrome simulation set.

The day marked the first return to service for the digital camera. I boxed up the X-T1 and posted for sale on Craigslist twenty-nine days ago, after seeing selling prices for new hadn’t budged from $1,699—despite release of the X-T2. I decided to recover some of my investment, being satisfied enough with the Fuji X100F received on February 28th. About an hour-and-a-half before our couple’s walk, a potential buyer from Orange County contacted me. He wondered about the X-T1’s condition and probed on price, seeing as mine was so high ($1,100 in prime condition). He surprised me. The bottom had fallen, and I hadn’t seen: Adorama, Amazon, and B&H all are discounting the mirrorless-and-lens kit by $500. As such, no one, if anyone, would buy from me for even $900. It’s pointless giving up so much value; it’s a wonderful shooter. I unboxed the kit, attached Hard Graft Atelier Hang Camera Strap, and updated the body’s firmware to version 5.10. 

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Photo by Joe Wilcox
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The Cats of University Heights: Bonde

What could the owners possibly call this fine specimen? My nickname comes from our chance encounter, as I almost missed the kitty while walking down Monroe Ave. nearby North. The furball crouched just outside an open door, from which I could hear the television inside. I shot six photos at three different manually set apertures, using the Fujifilm X100F, with Velvia film simulation. I chose not to approach and risk causing a scaredy-cat calamity. The Featured Image is a 75-percent crop. Vitals: f/4, ISO 200, 1/105 sec, 23mm; 6:38 p.m. PDT.

I recognize the house, BTW. My wife and I walked through it in 2016, or perhaps the year before, when up for sale. Guess that means a new cat moved into the neighborhood—and I remain surprised finding more to add to this series. 

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Society by Joe Wilcox
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Fly the Unfriendly Skies

Spanning most of my career, whether working as analyst or journalist, I have repeatedly railed against how U.S. law treats businesses—essentially as people. Reason: Moral dichotomy, where the ethical priorities of publicly-traded companies vastly differ from—and often contradict with—values of the people founding, running, or working for them. Keyword is value, where one usage refers to beliefs and another to money; meaning stock price and proceeds returned to shareholders.

My first, best articulation of this concept came during an April 2006 radio interview—I believe for NPR marketplace—when discussing major U.S. search providers Google, Microsoft, and Yahoo censoring results in China, at the government’s insistence. Behind the action there loomed censorship’s morality, such as restricting search terms like “democracy”. I expressed that there is no moral high ground in business. The high ground is quagmire, because all public companies share a single, moral objective: Make profits for stockholders. Plain, pure, and simple. Sadly, that moral agenda explains why United Airline’s PR week from Hell is Heaven for shareholders. Overbooking means the carrier fills seats; operations are lean and mean (quite literally, the latter). 

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Photo by Joe Wilcox
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The Cats of University Heights: Mellow

On the same block where is the three-legged Bengal, Mini, whom visited with my wife and I yesterday, and where was the hit-and-run tiger-tabby last week, there lives a Calico—or so we learned while walking down Cleveland Ave. this afternoon. She earns nickname Mellow, for letting me shoot so many photos over the course of three minutes. I tried various vantage points, seeking memorable composition, and the closest came in post-production cropping.

Like other recent captures, I used the Fujifilm X100F, with Velvia film simulation—perfect choice for the lingering lush green and red foliage following unusually heavy winter rains. Featured Image vitals, aperture manually set: f/5.6, ISO 200, 1/280 sec, 23mm; 4:10 p.m. PDT. 

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