Category: Media

Photo by Joe Wilcox
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Flickr a Day 42: ‘Mobilgas’

I discovered photographer Wes Peck while searching for art to illustrate post “Where are the Comments?” His primary focus: Objects. But behind each photo is a learning exercise, as he reveals in contextual captions. His Flickr stream is rich with learning-teaching lessons that extend beyond the story each image tells to the one behind.

Today’s selection is no exception and presents back-to-back snow photos (see Day 41 for the other). Forgive the indulgence. This is February, and I grew up in Northern Maine—where the white precipitation is visible six months (or more) a year. 

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Photo by Joe Wilcox
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Flickr a Day 41: ‘Snow in Rome’

The camera you have with you is better than none, and sometimes it’s better than most. When first selecting today’s pic, discovered by searching for “snow”, I missed an important detail: iPhone 4. Hell, yeah. Show me a dSLR that delivers this good—of course, in competent hands. Composition is splendid. The eye’s delight.

Among the official “Most Popular Cameras in the Flickr Community” ranking, smartphones take the top-five spots—three going to Apple mobiles. I remember when iPhone 4, which the company released in June 2010, topped them all. That distinction now belongs to the 5s. 

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Storytelling by Joe Wilcox
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Dank Deep Eyes the Darkness

Some days creativity is like the California drought. I sit down to write, and no rain falls. But wanting to post something, I reach into my personal, secret archive of treasures, which for 2015 opens publicly. Sporadically, over the past six weeks, I posted lyrics to three songs: “Disco Queen“, “Empire State“, and “Surrealistic Pillow“—all written in the late 1970s. Today’s contribution is quite a bit newer but still not recent: March 27, 2004, finished at 12:30 a.m. ET. Others lyrics will follow over the months ahead.

This verse stands without melody and, honestly, lacks reading rhythm that would make a good song. Like most of my lyrics, the subject is a young woman—no one I know, and from none inspired. The only inspiration here is the dusty basement office where I worked, where unwelcome late-night pests came out of hiding. 

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Apple by Joe Wilcox
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iPhone, Android, and the Need to Belong

Outside Apple Store, people excitedly line up to buy iPhone 6. The crowd is remarkably eclectic. Tattoos here. Mohawk there. Someone wearing a prim business suit chats with a burly biker wearing sleeveless T-Shirt. Everyone’s clothes beam bright, vibrant colors. Loud laughter and uproarious chatter is everywhere. This is one happy group of buyers.

The store’s doors exit onto a green pasture of sheep. Each wears a chain around its neck, with iPhone 6 attached. Cow bells appear on the screens, and clanging sounds against the chirping of birds. One animal looks up: “Baaaaaaa!” Then another, and another. An announcer asks: “Do you really want to be an iSheep?” Then the Android logo and robot flash across the screen.

That’s the kind of TV commercial Google and/or its manufacturing partners need to air now that in the United States iPhone market share nudges ahead of Android handsets (fourth quarter 2014, according to Kantar Worldpanel Comtech). Such circumstance was unfathomable 12 months ago. What happens in the four quarters ahead depends much on who wins the mindshare wars. I got to admit: Apple’s lead is momentous. 

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Photo by Joe Wilcox
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Flickr a Day 37: ‘Bushwick Dreams’

Street smart best describes the photographic style of Chris Ford. From Appleton, Wisc., he now lives in New York City, which is principal location for his atmospheric art. Composition is his talent, by which he creates sense of presence—being there—whether it’s the Big Apple or his fantastic travel photography.

Among the 37 Flickr photostreams viewed to date, Chris’ is by far the most difficult to cull. The challenge is greater than the images; he generally tells a story behind each, providing historical or current context. The guy just kills me—and causes me to also hunger for the City, where I hope to one day live again. 

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Web by Joe Wilcox
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Where are the Comments?

Websites without comments feel barren, like there are no visitors or no one is home. Reader reaction makes a site feel lively, and it generates energy—desire to participate. More importantly, comments can extend the storytelling. But as you survey my site, most posts stand solitary, creating, perhaps, impression that no one reads them. So why should you?

For numerous reasons—among them my putting priority on social networks during 2011-14—interaction is so seemingly limited. Engagement takes place, but mostly on social networks like Google+ where I have audience and where links to posts from here also appear. Readers engage where they share community, so the majority of interaction is elsewhere. I could flush out more commenting here by using Disqus, which spreads community across many thousands of sites. The choice to stick with WordPress’ system is quite deliberate. 

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