Category: Media

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‘We Are Web Journalists’

Three days ago I laughed hysterically at Nate Dern’s Funny or Die post “The First Rule Of Web Journalism Is You Don’t Fact Check Web Journalism“. This poke-in-the-gut missive is so close to the truth, I almost couldn’t chuckle. The second rule is the same as the first, by the way.

Snippet:  “The eighth rule of web journalism is that if it’s too good to be true, you have to post it. The story goes up. It goes viral. It’s revealed to be fake. The apology goes up. The apology goes viral. You forget about it in a day and we’ll do it again in a week”. Funny because it’s true! 

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Defending Rolling Stone

Editor’s Note: Dateline April 5, 2015, Rolling Stone retracted story “A Rape on Campus” when publishing a forensic analysis prepared by Columbia School of Journalism. Please see my follow-up post.

I subscribe to five magazines: Entertainment Weekly and Vanity Fair (print and digital) and Economist, New Yorker, and Rolling Stone (digital only). EW is cheap (as little as $10 a year), while the business weekly offers news analysis I mostly trust. New Yorker is for culture and the occasionally exceptional long-form feature. The other two deliver some of the best investigative journalism available anywhere. Today, I defend one of them, but also criticize its archaic news reporting methods.

Over the past few weeks, Washington Post leads blasting criticism against RS for story “A Rape on Campus: A Brutal Assault and Struggle for Justice at UVA“, which appears in issue 1223, Dec. 4, 2014. Online the dateline is November 19. The furor over the investigative report’s credibility is, ironically given the headline, a rape on Rolling Stone‘s credibility—and makes me just want to puke for the outrageous, holier-than-thou repudiation that should be pointed elsewhere. Mountains of irresponsibly-reported online news stories overshadow the amount of trustworthy content, yet the Post and other media outlets choose to gang-bang a magazine with standards for accuracy and accountability but also advocacy. The misdirected, and sometimes self-serving, attacks are shameful for their shamelessness.

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The #ArtofSocial is What?

This morning, on Google+, successful self-promoter Guy Kawasaki posted about the #ArtofSocial quiz, which promotes his new book co-written with Peg Fitzpatrick  You can see from the screen grab my score, which isn’t as good as I expected. Dammit. (By the way, I didn’t take nearly 6 minutes to complete the quiz. I had a cat interruption midway through.)

Grumble. Grumble. Now I must buy another Guy Kawasaki book, with hopes this time there’s gold. I’ve yet to earn a living writing ebooks, even after reading APE: Author, Publisher, Entrepreneur—How to Publish a Book. Yeah, yeah, go ahead and blame the author—meaning me, not him. 🙂

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Finding Flickr

Closing the storytelling loop from my thinking-out-loud writing, an update: I let my Flickr Pro account renew on December 6. That may surprise some people after I questioned the photo-sharing service’s trustworthiness for plans to resell Creative Commons Commercial images and  for recommending that anyone concerned should change the license (technically CC isn’t revocable when applied).

I seriously considered closing down my Flickr, and moving everything to my SmugMug or even to 500px. But something stung my ambitions. I still believe in Yahoo, and announcements yesterday and today—mobile developer conference and new opportunity for advertisers—demonstrate a company in upward motion. My oldest online identity is with Yahoo. Call me sentimental, even though my Yahoo mail account collects more spam than all the others combined by several times. That given I rarely use the address. 

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Like I Said About the New Republic…

In an opinion piece published by the Washington Post last evening, New Republic owner Chris Hughes confirms what I asserted two days ago: The publication seeks to remain relevant, which won’t happen staying the current course, and that massive staff and contributor resignations are not a clash of journalistic values. My followup published yesterday, explains how I came to see the wisdom behind the magazine’s move to become a “vertically integrated digital media company”, as stated by CEO Guy Vidra.

You could sum up my original post in sentence: “Hughes and Vidra seek profitability and visibility for the New Republic“. The magazine’s owner confirms in the Post opinion: “I didn’t buy the New Republic to be the conservator of a small print magazine whose long-term influence and survival were at risk. I came to protect the future of the New Republic by creating a sustainable business so that our journalism, values and voice—the things that make us singular—could survive”. 

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News Gatherers, Follow the Reporting!

When starting to write last night’s commentary on the upheaval at the New Republic, I sided firmly with the resigning staff. After all, they apparently stand firm for journalistic integrity and preserving an institution that reached a century’s publication in September. But the more I researched, the more obvious the wisdom changing the magazine’s editorial distribution approach and relocating to New York. I followed the reporting rather than personal preconceptions, or biases.

I started with headline: “Say Goodbye to the Old Republic”, choosing the above photo of stormtroopers snapped during Comic-Con 2014. I assumed that anyone who ever watched Star Wars—and who hasn’t—would get the hed and art combo. But midway through writing and research, which I often do simultaneously in one draft, the story shifted somewhere else. When finished writing, I changed headline to “Say Hello to the New Republic” and photo to Manhattan’s Soho district. After some deliberation about burying the lede, I tacked on an addition to the first paragraph: “which, by the way, is totally sensible”, referring to the “magazine’s massive makeover”. The top half remains as written, which I hope doesn’t confuse the reader or misshape the storytelling. 

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Say Hello to the New Republic

The New Republic boggles the mind for what its changes represent: Large number of staff resignations as the publication relocates and transforms into something else. I can’t but think the defections make way for a new blood transfusion and clear out editorial cholesterol that could slow down the transition from the old New Republic to the new New Republic. How ironic that by quitting, the exiting editors enable the iconic magazine’s massive makeover, which, by the way, is totally sensible.

The story goes like this: Facebook cofounder Chris Hughes, whose social media magic ignited Barack Obama’s 2008 Presidential campaign, purchased the New Republic in March 2012. Following foreshadowings, on Dec. 4, 2014, recently appointed CEO Guy Vidra announced the departures of editor-in-chief Frank Foer and long-time literary editor Leon Wieseltier. (Three decades!) Gabriel Snyder takes over the top editorial spot. 

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I Started Tech Reporting 20 Years Ago

Sometimes I joke about working my way down from editor to reporter. In autumn 1993, I was employed by a now defunct general interest magazine, commissioning, editing, and processing stories—the whole gamut right through design and pagination. For five years a note hung over the light switch to my workspace: “What’s the point?” It’s the question I asked when reading every story, many of them from academics who never seemed capable of making a point or just getting to one.

My career path changed after reading “The Future is Now” by Kate McKenna in what was then called Washington Journalism Review. The lede cajoled: “The last time newspapers were this interested in new technology, they were looking for ways to keep the ink from rubbing off on their readers’ hands. Now they’re exploring how a newspaper can survive, even thrive, without ink—and maybe without paper”. She convinced me the Internet would irrevocably change publishing. 

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Now This is Different

Last night, I moved this site from hosted WordPress (at Media Temple) to WordPress.com. This is the first post at the new locale, which is both strange and familiar. I considered one of two Cyber Monday deals: From MT, moving my two sites from the service’s standard Grid Server to three-blog hosted WordPress—half off for $145/year and substantial savings over my existing setup. WordPress.com offered free, one-year themes package with $99 Premium upgrade, which I would have paid for regardless.

Tipping the decision: Difficulty migrating within Media Temple versus promised ease exporting/importing to WordPress.com; the value of the premium themes, which I will play around with; two-factor authentication; and potentially-improved community connections, among other considerations. I presume there will be some SEO hit, which matters little to me, as readers rather than pageviews are the objective. I don’t use many plugins, and so their limited-availabilty also isn’t a concern. I would want more control over URLs, perhaps, and that’s something sacrificed. 

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The Flickr That Lights a Firestorm

My good high school buddy Winchell Chung shares Dazed story “Flickr is about to sell off your Creative Commons photos (And no, you won’t see a single penny from it)” today on Google+. Now there’s a clickable headline, eh? Zing Tsjeng’s article is an aggregated synopsis of good reporting done by the Wall Street Journal (naughty, naughty, do you’re own work, Zing). Herein, I reference the November 24th piece, “Fight Over Yahoo’s Use of Flickr Photos” with dek “Yahoo Starts Selling Canvas Prints From Free Pictures Uploaded to the Internet Sharing Site”.

Gist of the news is this: Flickr plans to sell photos with Creative Commons Commercial license—50,000,000 from a staggering 300,000,000 CC pics on the site . Yikes. My photos are licensed CC non-commercial, so I shouldn’t give a frak about the plans of Yahoo (Flickr’s owner). But I don’t trust the license will be observed, and there is no easy way for me to confirm this. 

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‘If I Stay’ Review

Yesterday, at my suggestion, the Wilcox couple watched If I Stay, which I grabbed from iTunes. The movie is much better than expected, and, reading professional reviews later on, grossly underrated by the critics. First-time fictional director R.J. Cutler delivers a poignant, if at times disjointed, coming-of-age drama.

The tonal quality reminds of two other family-centrics films fitting the genre: The Lovely Bones, directed by Peter Jackson, and Sidney Lumet’s Running on Empty. All three focus on a teen in transition, where the family dynamics are canvas for a larger love story. The Cutler and Jackson films bring tears, while Lumet might just make a liberal, or perhaps radical, out of you. 🙂 

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Black Friday’s Best Deal is Original Content

Matt Burns’ “The Black Friday Survival Guide” is original content as it should be: Clever, funny, provocative, and unique. This piece of craftsmanship, posted yesterday to TechCrunch, stands apart from the dribble that all looks alike, because it is—lazy aggregators copying news someone else reports, or too often similarly regurgitates. Puke is gross. Let’s not remake and rebake as dinner.

His piece of brilliance evokes the classic survival guide recast to the urban landscape, where dangerous predators roam shopping malls huntings deals and around whom anyone with even 10 meters distance risks being collateral damage. The safest place to be on Black Friday is somewhere else. But if you must go out, Matt has your back.