Intimacy best descibes the photographs of Giandomenico Jardella. He close-crops on face or hands, capturing nuances that define the moment’s humanity. Self-titled “Christian’s Workshop” is among a series of images shot on March 14, 2014. […]

Intimacy best descibes the photographs of Giandomenico Jardella. He close-crops on face or hands, capturing nuances that define the moment’s humanity. Self-titled “Christian’s Workshop” is among a series of images shot on March 14, 2014. […]
Outside Apple Store, people excitedly line up to buy iPhone 6. The crowd is remarkably eclectic. Tattoos here. Mohawk there. Someone wearing a prim business suit chats with a burly biker wearing sleeveless T-Shirt. Everyone’s clothes beam bright, vibrant colors. Loud laughter and uproarious chatter is everywhere. This is one happy group of buyers.
The store’s doors exit onto a green pasture of sheep. Each wears a chain around its neck, with iPhone 6 attached. Cow bells appear on the screens, and clanging sounds against the chirping of birds. One animal looks up: “Baaaaaaa!” Then another, and another. An announcer asks: “Do you really want to be an iSheep?” Then the Android logo and robot flash across the screen.
That’s the kind of TV commercial Google and/or its manufacturing partners need to air now that in the United States iPhone market share nudges ahead of Android handsets (fourth quarter 2014, according to Kantar Worldpanel Comtech). Such circumstance was unfathomable 12 months ago. What happens in the four quarters ahead depends much on who wins the mindshare wars. I got to admit: Apple’s lead is momentous.
Cat photos on the Internet are just so cliché. Your, eh, Caturday selection is not, which is why I chose it. The composition is lovely, and photographer Alexis Bross wisely chose to make the feline […]
Street smart best describes the photographic style of Chris Ford. From Appleton, Wisc., he now lives in New York City, which is principal location for his atmospheric art. Composition is his talent, by which he creates sense of presence—being there—whether it’s the Big Apple or his fantastic travel photography.
Among the 37 Flickr photostreams viewed to date, Chris’ is by far the most difficult to cull. The challenge is greater than the images; he generally tells a story behind each, providing historical or current context. The guy just kills me—and causes me to also hunger for the City, where I hope to one day live again.
Fresh and free is how I describe the photographic style of Argentinian Xava du (@xavadu around social networks). He joined Flickr in April 2007, and his pics with the most style are from that year […]
Websites without comments feel barren, like there are no visitors or no one is home. Reader reaction makes a site feel lively, and it generates energy—desire to participate. More importantly, comments can extend the storytelling. But as you survey my site, most posts stand solitary, creating, perhaps, impression that no one reads them. So why should you?
For numerous reasons—among them my putting priority on social networks during 2011-14—interaction is so seemingly limited. Engagement takes place, but mostly on social networks like Google+ where I have audience and where links to posts from here also appear. Readers engage where they share community, so the majority of interaction is elsewhere. I could flush out more commenting here by using Disqus, which spreads community across many thousands of sites. The choice to stick with WordPress’ system is quite deliberate.
Oh happy day. Today’s selection is courtesy of search “smile”. Shumona Sharna snapped the photo on March 20, 2010—and it’s popular, with more than 13,000 views. She explains about the context: “Two boys were actually […]
Objects and animals, particularly cats, define the photographic style of Beverley Goodwin, who joined Flickr in April 2009. She volunteers for an animal rescue organization and, additionally, tries “to help by featuring cats on my photostream, […]
Compressed audio gives up so much, I am surprised by the fidelity Nexus 6 gives back. Shocked is better word. I ordered the smartphone from T-Mobile on January 21 and received it the following day. As I will explain in my forthcoming review—tentatively planned as an “I love you” post on BetaNews (and here), Nexus 6 is amazing. I haven’t enjoyed using a handset this much in years. The overall user experience is spectacular.
My audio expectations were modest, when first connecting my Grado Labs Rs1e headphones and streaming from Google Music. Soundstage and detail exceed streaming from iTunes to iPhone 6, or—I do not lie—listening to music stored on MacBook Pro SSD. The differences in detail are shockingly apparent. On all three devices, graphic equalizer is not enabled.
Perhaps you’ve heard of concept “six degrees of separation”, which during the Internet era often is applied to social media connections. But its origin is much older. Hungarian writer Frigyes Karinthy proposed the idea in 1929 short story “Chains”—that no two people are separated by more than five intermediaries, which works out to six degrees of separation. Sometimes, online, the connections surprise for being so seemingly far removed, yet close. That’s how I see today’s photo selection.
Searching Flickr for “Groundhog Day”—and it’s today—summoned everything but the oversized rodent. Self-titled “A Fast Car” caught my attention for perspective and panning. In scanning the Flickr profile for the photographer, Takashi Hososhima, a familiar picture greeted me. Turns out Takashi and I are previously acquainted. I must apologize for forgetting. My return to him and his photostream is roundabout.
Anywhere from two to three times a week, Cox sends offers to join Flex Watch, which would add $19.99 to my $59.99 Internet service. The cable company guarantees the price for 12 months—no contract—and would provide HD set-top box with access to local networks and some premium, subscription channels. Last year’s offer: HBO and Starz. Last month’s adds Encore. This week, Cox sweetens by tempting with Cinemax and Flix for just $5 more.
The HD box and local channel access doesn’t tempt the slightest. Cox would have to rewire our setup to enable access from the living room, but I’m a believer in the “If it ain’t broke don’t fix it” approach to networking. I’ve got 120Mbps Internet pumping down to the bedroom, where there is no TV, and don’t want to risk mucking up what we’ve got. But I am tempted to pay $19.99, or $24.99, for the subscription channels and stream to the tellie content in their apps—which I find offer better experience and more options. But does that cross the line? Is it still cord-cutting?
You don’t select a Javi Sánchez de la viña image, it chooses you. His street photography is immersive—each picture pulls you into perspective, motion, and time stopped. I came to his photostream by way of […]