The Featured Image is one of my outtakes from San Diego Comic-Con 2026. On the first full day, I left the convention center and strolled over to the adjacent Hyatt Hotel in search of coffee. Back at the main venue, lines snaked seemingly forever at any Starbucks. I found something more manageable next door.
A surprising number of attendees carried portable fans to cool themselves. How odd. Inside temperature sure seemed comfortable enough to me. The young woman waited in line behind me.
The greatest pop culture event concluded one week ago today—and I was there for the second time in four days and for the first Sunday since 2017. I had been perennially unlucky gaining access to buy passes during one of two public registration sessions. After long hiatus, I purchased passes for Thursday and Sunday.
Quick recap: Day One (July 23, 2026); Day Four (July 26) Part One and Part Two. I primarily used Nikon Zf and NIKKOR Z 40mm f/2 lens, supported by Samsung Galaxy S26 Ultra for my first SDCC expedition. For the other day, I used the camera exclusively with NIKKOR Z 28mm f/2.8 (SE) lens, which proved to be exceptional choice.
Sunday, July 26, 2026, may be my last Comic-Con sojourn. I suffered a nine-year gap in attendance for inability to secure passes. Even then, the one-day, ah, golden ticket for 2017 was acquired indirectly. Twenty-sixteen marks my last participation from passes purchased through one of the official registration days. People enter the online purchase queue randomly, and I had been unquestionably unlucky. That is until November 2025 Open Registration, when I luckily secured Thursday and Sunday passes for this year’s SDCC. I can’t be sure to get any again.
San Diego Comic-Con 2026 was a last chance to brandish a camera during the, arguably, greatest pop culture event on Earth. I did okay shooting Day One, using Nikon Zf and NIKKOR Z 40mm f/2 lens. However, overall, I was dissatisfied with the photos. For Day 4, I attached the NIKKOR Z 28mm f/2.8 (SE) lens, which I had never before used. The simple, and affordable (currently $309.95 direct from Nikon USA), lens delivered. Take that, pricey Leica Summilux!
For my sojourn to the country’s premiere pop-culture event, I returned following a nine-year hiatus—and not by choice. Every attempt to secure passes failed until finally I had opportunity to buy two—for Thursday and Sunday—during Open Registration, November 2025. SDCC runs for four full days plus the Preview Night. As I write, Day Two wraps up at San Diego Convention Center.
I had considered several options for documenting the event, including video interviews. That was a strategy more workable for full event attendance. I chose instead to keep things simple and shoot photos. My SDCC EDC: Nikon Zf and NIKKOR Z 40mm f/2 lens; Samsung Galaxy S26 Ultra.
What surprises me about San Diego Comic-Con is how little—and yet how much—has changed since my last attendance for a single day in 2017. Virtually every venue was where I remember: Disability services in area A. Major celebrity panels in Ballroom 20 and Hall H. Layout of the exhibitor floor, with artists at the end nearest Hall H and smaller seller booths and gameplay nearer to area A. Everything in the middle, from big Hollywood studios to booksellers, all where they have been previously.
The same can be said for the upstairs pavilion and meeting rooms. In the Mezzanine, nothing really changed. Board games are in the same meeting rooms, and the Medieval fighters gather and joust where they always have, for example.
Thirteen years ago today, I worked the show floor during my fifth San Diego Comic-Con. On hand, the X100—first in what would be a series of compact cameras from Fujifilm. Auto-focus was sluggish and depth of field narrow when shooting wide open. That said, tactile controls (can you say dials), diminutive size, and hybrid digital-optical viewfinder made the X100 unique and fun to use.
Meandering about, I searched for people to interview, with the intention of compiling twelve attendee profiles into a book—later self-published as Comic-Con Heroes: The Fans Who Make the Greatest Show on Earth. I have since released it into the public domain, which means if so inclined you can read for free.
San Diego Comic-Con 2016, I was functionally blind—and the realization how much came during Preview Night 10 years ago this evening. My daughter accompanied me to the Convention Center, where she received a complimentary companion full-event pass as the helper for a disabled attendee—a status I never imagined myself as being.
Crippling cataracts clouded my eyesight, and I saw how severely when scanning the show floor and realizing I couldn’t read any of the large numerical signs hanging from the ceiling. Disheartened, I walked into the crowd, blindly pointed iPhone 6s, and shot the Featured Image, which essentially is the only photographic record I have of the event. Vitals: f/2.2, ISO 80, 1/15 sec, 29mm; 6:41 p.m. PDT.
Fourteen years ago today, San Diego Comic-Con wrapped up for another annual gathering. Sunday is my favorite day of the entire event. Locals, particularly families, dominate attendance. Most of the Hollywood crowd has left the building, so to speak.
But pulp media presence is full-force present by way of brands. Star Trek is one of the biggest, considerably more so currently than 2012. One booth used to sell authentic sci-fi uniforms from several prominent TV series—I’m partial to those from Battlestar Galactica, thank-you. Star Trek was among them, but Anovos, the company producing the uniforms, no longer exists.
Saturday at San Diego Comic-Con is by far the busiest day and most jam-packed, whether measured by attendance size or number of panels featuring actors, content creators, showrunners, and more.
Fourteen years ago today, a throng of people pushed past the G4 booth—as you can see from the Featured Image. Vitals: f/2.8, ISO 125, 1/17 sec, 3.4mm; 1:43 p.m. PDT.
Ho-ho, the on-this-date review from San Diego Comic-Con continues—reaching back to July 13, 2012. My attendance started in 2009, although I had a press pass for 2008—about nine months after the Wilcox family moved to Southern California. My return for two days next week will be my first appearance since 2017.
The Featured Image is intriguing for a couple of reasons. The kilt is obvious. You can see that. You have to wonder what impression a brigade of like-adorned stormtroopers would make. Would rebel forces laugh and not take their adversaries seriously enough, ending up even more dead?
Like eleven years ago, July 12 is a Sunday. While the dates and days sync up, something else doesn’t: San Diego Comic-Con concluded on this date in 2015. The 2026 gathering won’t start for another 10 days, with Preview Night. I will be there on Thursday and Sunday, my first dalliance since 2017.
The Featured Image is among the last dozen photos taken using Fujifilm X-T1 and XF18-55mmF2.8-4 R LM OIS lens on this date 11 years ago. Vitals: f/3.2, ISO 250, 1/60 sec, 18mm; 1:49 p.m. PDT.
Over four days and Preview Night, San Diego Comic-Con presents people opportunity to cosplay as someone whom they aspire to be. Cosplayers are popular with any camera-carrying attendees, which could be anyone and everyone because of ubiquity and versatility of smartphones.
But the event is demanding, especially when costumes and accompanying gear are bulky or heavy. People tire, as you can see from the Featured Image, which hardly shows two people in character.