What a welcoming way to start the second half of 2020, following a tumultuous first six months: some spirit of cooperation—and it will be desperately needed as a pandemic-fractured humanity presses onward. Oh, and let’s […]
Tag: Flickr
Flickr a Week 26a: ‘Purple Fields–Hitchin Lavender, Cadwell Farm, Hertfordshire’
First-half of turbulent 2020 ends with soothing self-titled “Purple Fields—Hitchin Lavender, Cadwell Farm, Hertfordshire“, which Barbara Asboth captured on Aug. 22, 2015 using Canon EOS 5D Mark III and 28-75mm lens.
“This lady was dressed as the perfect subject in orange against the sea of purple”, Barbara says of the moment. “Processed to have a magical feel to it, just like I felt in person. They were already harvesting the lavender that day, though, so if you want to go see this, you will have to wait until next year for the most beautiful views. It’s worth it, though”. Lovely composition and stunning ethereal feeling take the Sunday spot—and oh, so well-deserved.
Flickr a Week 26: ‘Follow at Your Peril’
Classic car makes an iconic moment—self-titled “Follow at Your Peril“, which David Ingram captured on Nov. 9, 2013 using Canon EOS 5D Mark II and EF 70-200mm f/2.8L IS USM lens. Vitals: f/5, ISO 400, […]
Flickr a Week 25b: ‘Zombie Movie’
For Father’s Day, we present something sublime and classic—for timeless composition and subject: Self-titled “Zombie Movie“, by Robert Couse-Baker. The television may be analog and archaic but the camera is digital (Canon EOS 5D Mark […]
Flickr a Week 25a: ‘Happy Midsummer’
The week gets an extra entry, and surely self-titled “Happy Midsummer” reveals why. “Just after two o’clock, in wilderness”, on June 19, 2019, yrjö jyske captured the moment, using Canon EOS 700D and EF 70-300mm […]
Flickr a Week 25: ‘The Last Walk’
Grim self-titled “The Last Walk” takes the week for composition and emotion—the latter evoked by the caption that shooter Zoltán Vörös gives: “This is probably one of the most poignant memorials of the world, commemorating […]
Flickr a Week 24a: ‘Logs on the Bus, Sullivan County’
Can someone please explain self-titled “Logs on the Bus, Sullivan County” to me? Shooter Doug Turetsky doesn’t, and I really want to know. Mystery and storytelling are principal reasons for claiming the Sunday Spot. He […]
Flickr a Week 24: ‘Rockin’ Rabbi’
There’s something you don’t see everyday—least not in my neighborhood. It’s the Orthodox busker, self-titled “Rockin’ Rabbi“, which Michael Summers captured on July 9, 2018 using Olympus E-M5 Mark II and M.Zuiko ED 12-40mm F2.8 […]
Flickr a Week 23a: ‘Selfmade Man’
We pivot unexpectedly, following entries “I Can’t Breathe” and “Black Lives Matter Protest, Seattle WA“. Somewhat peaceful protests continue across America, and in some other countries, decrying racism and urging localities to “defund the police”, which, honestly, is a shocking demand. Finding no other compelling, Creative-Commons-licensed street shot to document the historical moment and mayhem, I chose a simple portrait that appeals to my visual tastes—and hopefully yours.
Oddly, our selection comes from a search for “calm”, which I had hoped would turn up a soothing shot to take the mind off the current cultural chaos. Sometimes when looking for one thing, you find something else better.
Flickr a Week 23: ‘Black Lives Matter Protest, Seattle WA’
The series spotlights the current crisis raging across America for the second of three consecutive entries. To recap: Nine days ago, George Floyd died in the custody of Minneapolis police. The Hennepin County corner has certified the death as a homicide, and police officer Derek Chauvin is charged with murder. Since, protests in most major metropolitans are rife with looting, property destruction, and violence.
“Black Lives Matter Protest, Seattle WA“, one of a collection of street shots using the same self-title, quite literally illuminates pent-up rage and resentment from some and attempts to create anarchy by others. America is at war, with itself.
Flickr a Week 22a: ‘I Can’t Breathe’
The entry previously planned for today is now queued for mid-July, which reveals just how far in advance posts are prepared. I made the change around 9 p.m. PDT last evening, to make place for a provocative and timely street portrait by Miki Jourdan. Reason: Protests, riots, looting, and property destruction are underway in major metropolitans across the United States; Atlanta, Chicago, Cleveland, Los Angeles, Minneapolis, New York, and Washington, DC are among them. City-wide curfew is underway in LA, as I write, while Minnesota’s governor has mobilized the National Guard to the Twin Cities.
The incendiary that set the country ablaze was the death of George Floyd, an African-American man arrested six days ago for allegedly passing a counterfeit $20 bill and who died in police custody, while Minneapolis officer Derek Chauvin placed his knee on the victim’s neck. The tinder is much more than racial tension; many millions of Americans already are frustrated by “stay-at-home” and “social distancing” orders; closing of most businesses and all schools; cancellation of many summer events; and sudden, explosive unemployment—sacrifices meant to slow spread of SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—also known as COVID-19. What had been economic and viral pandemics adds another: violence.
Flickr a Week 22: ‘Ladywell Street Art London’
Mechanic Loco Steve brings us back to the SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—also known as COVID-19—pandemic. According to data compiled by the Center for Systems Science and Engineering at Johns Hopkins University, there are 5,594,175 confirmed cases and 350,531 deaths. The number of dead in the United States should surpass 100,000 within a few hours of our 12:04 a.m. PDT posting time.
“Street artist Lionel Stanhope has painted an image of Jan Van Eyck’s red-turbaned Portrait of a Man with a twist—a mask covers his nose and mouth”, Steve says about self-titled “Ladywell Street Art London“. He captured the moment on May 8, 2020, using Nikon D5500. Vitals: f/9, ISO 200, 1/320 sec, 18mm.