I am reluctant to post pics of myself, but this one presents opportunity to pay photographic homage to my wife, who captured the Featured Image using her iPhone XS. Vitals: f/1.8, ISO 25, 1/1748 sec, 26mm (film equivalent); 1:01 p.m. PDT, today. Thank-you, Annie.
We walked by the house where live Bruce (pictured) and Guido, both of which are profiled in my “Cats of University Heights” series, and the fluffier feline came on to the sidewalk to visit.
Mom would be 80 years old today; she passed away in August 2017 and will always be missed. Short stature, she put on the pounds with age, which would eventually make her bound to a wheel chair. She navigated the thing like a sports car, and I would like to have seen her race someone riding an electric scooter. But their popularity zoomed after she departed.
Linda was a sun around which other people revolved like planets—not because she was a narcissist demanding attention but for being affable and generous. They nourished off her light and enjoyed being pulled by her gravity. My sisters and I were blessed to have her as a parent.
I don’t recall taking this portrait—nor others from the same shoot accompanying it. So credit belongs to my wife, for making an iconic moment during an elementary school science class. This youngster would have been […]
No thanks to SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19, during 2020, University Heights Community Development Corporation cancelled concerts normally held Friday evenings throughout July into early August. Presumably, because I see nothing scheduled as […]
Now here is a candid shot that I surely recall taking but not why it was never posted here. The Featured Image, captured using Sigma DP1, catches Amazon head-honcho Jeff Bezos—when he looked more like […]
Two days ago, outside the same pharmacy where on March 18, 2021 lay a man death-like, another seemingly street-living gent swept debris and refuse. If only I had context but do not. As my wife and I entered the building, he cleaned up nearby his presumed belongings partially visible in the foreground of the Featured Image. He used a fairly good-condition broom, and there was nearby one of those jumbo, yellow, industrial dustpans—similar to this Quickie model, if not the same one. The well-weathered gentleman moved slowly about his task but deliberately.
When exiting, we could see that the sweeper had moved closer to the street. As we passed, I snapped three quick hip shots, using Leica Q2. This wild portrait is best of the trio. Vitals, aperture manually set: f/5.6, ISO 100, 1/400 sec, 28mm; 2:32 p.m. PDT.
Happy Christmas! For months, I searched for a holiday-specific, Creative Commons-licensed photo and found none that wowed me. Instead, we go non-traditional but other timely—when bow and string made merry music and smartphone distractions were beyond the imaginations of even the most prolific, prophetic science fiction writers.
Roman Boed captured self-titled “Where Mozart Lives” on Dec. 28, 2017, using Leica M and Summilux-M 1:1.4/50 ASPH lens. The EXIF doesn’t identify specific camera model. Vitals: f/1.4, ISO 3200, 1/60 sec, 50mm. The string quartet portrait is a keeper for atmosphere, composition, film-like texture, and timelessness (just ignore the lamp’s pull-string).
What’s not to like about a child receiving a little “Llama Love“? Ian Sane used Canon EOS 5DS R and EF 50mm f/1.4 USM lens to capture the self-titled portrait on March 23, 2019. Vitals: f/2.8, ISO 250, 1/800 sec, 50mm.
About the moment: “Here’s my granddaughter, Penelope, getting a kiss from an unlikely source at Riverfront Park in Salem, Oregon. Full disclosure: I love her wild looking hair”.
For the first Sunday of the month, we turn to Mark Shahaf, who shot self-titled “Endangered Skill” on June 21, 2019, using Olympus OM-D E-M5 Mark II and M.Zuiko ED 12-40mm f2.8 lens. Vitals: f/8, […]
About half the month’s selections are black and white, and we end with another: “Drunken Cowboys“, which Theodor Hensolt captured on Nov. 26, 2011, using Canon EOS 7D and EF-S 15-85mm f/3.5-5.6 IS USM Lens. […]
The Sunday spot goes to self-titled “Break“—for classic, compelling composition that makes open space an enthralling visual canvas. Hernán Piñera captured the moment on Feb. 20, 2015. Camera and vitals are missing from the metadata, suggesting […]
I looked through several thousand Creative Commons-licensed photos to find one to use for Veteran’s Day. Nothing moved me more than self-titled “Coming to America: Pursuing the American Dream“—active serviceman Personnel Specialist 1st Class Patrick Mbayoh. Mass Communication Specialist 2nd Class Greg Hall made the moment aboard aircraft carrier USS Nimitz on July 3, 2020, using Nikon D800 and 50mm f/1.4 lens. Vitals: f/8, ISO 100, 1/200 sec, 50mm.
According to U.S. Pacific Fleet, which joined Flickr in October 2009 and whose Photostream is source of the image, Mbayoh is “assigned to the ‘Kestrels’ of Strike Fighter Squadron (VFA) 137”. A refugee from the Sierra Leone Civil War, Mbayoh arrived in “Brooklyn, New York, in 1998”, Hall explains. “Moving to the U.S. gave Mbayoh the opportunity to pursue a life-long dream”. Joining the Navy in September 2000 opened a path to earning a college education and to repaying the nation that harbored him. The sailor gained “his American citizenship in 2003”, Hall adds. “He and his wife have a child and live in Lemoore, California. Mbayoh hopes to one day retire from the Navy and go back to school to gain his PhD”.