Tag: photography

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The (Honorary) Cats of University Heights: Guapo

Among the four-hundred ninety-three profiles in this series, thirteen, including today’s newcomer, live outside the neighborhood’s official boundaries: BuddiesChill, CoalEnvy, JadeMonaMoophie, Ninja, Promise, QueenieSammy, and Tom and Jerry. Darth Mew initially belonged to the group, until later turning up in University Heights.

This morning, I passed Guapo (yep, real name) leashed by his mom along Adams near Arizona, which is the teensy-bit inside North Park. I met them while walking home from dropping off our car for routine servicing. We greeted, I passed then turned back asking if I could take his portrait.

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Comic-Con’s Crazy COVID Conniption

To close out the month, and first half of the year, we connect the somewhat distant past with the not-so-far-off future. San Diego Comic Con returns July 21-24, 2022 with Preview Night on the 20th. The show floor, or break-out sessions, will look nothing like the Featured Image, taken seven years ago.

SDCC apparently didn’t get the memo that SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 is endemic and no longer pandemic. Locally, people move freely about without being required to wear masks, be tested, or verify vax status. Based on the official tally, the cumulative-calculated case fatality rate in San Diego County is 0.64 percent. Meaning: Your chance of surviving Coronavirus is better than 99 percent, while more than 85 percent of those infected likely show no symptoms.

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The Cats of University Heights: Pan

On the same property where nearly six years ago appeared the series‘ fourth and fifth felines—Skull and Biscuit—another surprised me on June 8, 2022. The Featured Image, taken with iPhone 13 Pro, shows still posture that made me think statue. Vitals: f/2.8, ISO 32, 1/881 sec, 77mm; 4:50 p.m. PDT.

Only later did the animal move and, briefly, turn my way—long enough for a portrait using Leica Q2. Vitals, aperture manually set: f/5.6, ISO 100, 1/500 sec, 28mm; 4:53 p.m.

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Grow Your Own

Along the fence of the house from which grapevines draped over the sidewalk (August 2021), today I saw something unexpected and presumably quite new—as the Featured Image and companions reveal. Little lending libraries with books are all over my San Diego neighborhood of University Heights (Examples: One, Two, Three, Four). But this is the first seen sharing seeds. Small supply there may be but hopefully growing. I know. I know.

Vitals: f/4, ISO 100, 1/125 sec, 28mm; 6:24 p.m. PDT. The trio comes from Leica Q2, and this one is composed as captured. I chose the angled view to diminish glare and reflection off the glass.

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Table Creature

Three minutes before sunset, 7:57 p.m. PDT, I came across a discarded table that piqued my interest, because the thing reminded me of an animal. You disagree? Be a kid for 10 seconds, put on your seeking-creatures-in-the-clouds mind, and take another gander.

The clinical term for finding animals, faces, and the like in clouds or other objects is Pareidolia. I’m not sure that applies to this table, for which no specific beast comes to my mind. Rather, I see something inanimate that could come to movement, when looking at the spacing of the legs and what could be a head sticking from the flat board body.

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Don’t Fall In

On June 29, 2006, a sinkhole mysteriously opened in our backyard. We lived nearly 5 kilometers—about 3 miles—outside the Washington Beltway. I wouldn’t want to be too close to the District of Columbia this weekend, in the wake of today’s momentous, or shocking (depending on your politics or values), Supreme Court decision that overturned Roe v Wade. States will now individually dictate when, if at all, abortions may be performed.

I use the Featured Image as a metaphor, so to speak, for the sinkhole into which people praising or condemning the decision will fall into. Seems like there is no solid ground under this topic; anyone and everyone opposing your position, whatever that may be, will be pushed in and buried. To some, abortion is murder. To others, it’s a right taken away.

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The Cats of University Heights: Chocolate

Hey, that’s not Paws. Same window, different kitty. I shot portraits using Leica Q2 and iPhone 13 Pro, but the Featured Image comes from the cellular device; telephoto lens and 95-percent post-production crop wins the day. Vitals: f/2.8, ISO 32, 1/622 sec, 77mm; 1:56 p.m. PDT, May 28, 2022.

The ninety-fourth feline found behind glass and/or screen earns nickname Chocolate for fur colors. She (or he) is a Snowshoe like Willow, yes?

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False Horizon

To mark the first day of Summer, last night I stood outside my apartment and pointed Leica Q2 towards the setting sun. Scattered clouds caught my attention, set against a view rapidly changing as existing homeowners and investors build new structures—smaller within backyards, larger replacing homes destroyed to make way for multiple-unit residences.

In post-production, I throttled up dehaze setting and punched blacks, highlights, and shadows to produce the Featured Image, which is composed as shot. Vitals, aperture manually set: f/8, ISO 100, 1/80 sec, 28mm; 7:53 p.m., or eight minutes before sunset.

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The Unhappy Meal

Before June 17, 2022, I hadn’t been inside a McDonald’s since before SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 was declared a pandemic, on March 11, 2020. My daughter needed a ride, and on on the way back to her residence she asked for fast food. I grumbled and pulled into McD’s.

Whoa, what happened to prices? The current $5.99 for a Quarter Pounder is about a buck less when I last bought a combo meal, which is now $10.49 for a burger, fries, and drink.

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The Cats of University Heights: Arrow

In the driveway where I met Peohe in December 2017, a tabby appeared on April 25, 2022. He (or she) presumably belongs to the family that purchased the property sometime during the first two years of SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 restrictions.

I used iPhone 13 Pro to capture the Featured Image and companion. f/2.8, ISO 32, 1/1488 sec, 77mm; 9:56 a.m. PDT. The other is same but 1/645 sec. Location: Mississippi Street, some place between El Cajon Blvd and University Avenue (I know where but won’t say).

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Juneteenth is a Terrible Name

The second celebrated Federal Holiday of the oddly-named Juneteenth is nearly over as I write. Oh, remembering the less formally-designated but also wide-celebrated: Happy Father’s Day to all the dads. My fingers are crossed that you’re happy being one and that the kids share the same sentiment.

Back to the other, the name unruly rolls off the tongue, doesn’t at all tell anyone what the celebration is for, and—go ahead and argue—poorly respects what the holiday represents. Quickly: On June 19, 1865, the Union Army rode into Galveston, Texas and announced the end of black slavery. Emancipation deserves better.

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The Pusher and the Biker

Four days ago, I came across Chris Gampat‘s The Phoblographer commentary “Manual Mode Is Overrated: A Popular, Unpopular Opinion“. Conceding that I am amateur at best, my tendency is to shoot semi-automatic by presetting aperture and fiddling with other settings only when necessity arises.

Chris tramps through several examples of missed opportunities. From the lede paragraph: “You raise the camera to shoot, very sure that you’ve got the decisive moment. But when you chimp the LCD screen, you notice the screen is pure white. Because you were in manual mode, your camera couldn’t adapt and you lost the moment. Had the camera been constantly adjusting the exposure itself, you would’ve probably captured the moment”. Okay, I might have some experience with that.