Tag: trees

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Christmas Bird

To celebrate the new month, and last one of the year, we turn back the clock to Dec.5, 2020, when I used Leica Q2 to capture the Featured Image. For the previously unpublished shot, I take some risk now; the Christmas bird blends too well into the tree’s foliage. Vitals, aperture manually set: f/5.6, ISO 100, 1/320 sec, 28mm; 3:22 p.m. PST.

I don’t recall seeing the decoration in 2021 and I must watch for it this year. Perhaps its owners flew off to another state—as so many other folks did—during the SARS-CoV-2(severe acute respiratory syndrome Coronavirus 2)/COVID-19 lockdowns.

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Elf Tree Peace

Typically, homeless hang out on the sidewalks along the walls outside Sprouts supermarket, located at the intersection of Georgia and Howard in San Diego neighborhood University Heights. As such I wouldn’t have seen—or been able to take the Featured Image of—the tree-hanging lucky charm, whether he be leprechaun or Santa’s elf (you tell me which). But yesterday, the space was uncharacteristically unoccupied.

What a difference 24 hours makes. This afternoon, when I strolled by: One gent lay sleeping, wrapped in a brown blanket. Someone else huddled under a makeshift habitat, of which bicycle hubs were part of the structure. Another fellow crumpled cans collected from recycle bins; he worked from garbage bags carried in, and hanging from, a shopping cart. I couldn’t see the tree, or what was on it.

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The Loner

Why are you looking at a couple of lonely leaves? Because their grapevine is something of an obsession; I am enthralled by the growing location—on a grassy patch between sidewalk and street somewhere in my San Diego neighborhood of University Heights.

Last year, I chronicled the grapes’ progression from green to mixed color to richly ripe. Walking by today, I saw that the branches had been clipped, as they are every autumn, but something remained—making me intriguingly sentimental enough to stop with Leica Q2 and capture the Featured Image. Vitals, aperture manually set: f/2.8, ISO 100, 1/1250 sec, 28mm; 11:45 a.m. PST.

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Admiring God’s Paintbrush

As autumn colors lavish landscapes across the Northeastern United States, but eternal summer simmers in Southern California, I must go back to the past to find something appropriate to share—from our family’s time living a few miles outside the Washington, DC Beltway. On Nov. 2, 2005, I lugged outside Canon EOS 20D, mounted with the EF 70-200mm f/4L USM lens obtained a few days earlier.

The Featured Image and companion, both composed as captured, are picks from a series for each. Looking over the set reveals similar shots at different apertures. Interestingly, for the first, I prefer the renders where the house is less blurred. Vitals: f/18, ISO 800, 1/125 sec, 200mm; 12:51 p.m. EST.

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Bird Formation

If yesterday is a measure, darkness will bring little to no relief from the monsoonal heatwave oppressing Southern California. Muggy air cooled down to 23 degrees Celsius (74 F) outdoors overnight but to 29 C (84 F) in our apartment—first instance since we moved here such imbalance occurred. As I write, outside and inside temps are in near (sorrowful) equilibrium: 31.6 C (89 F) and 32.7 C (91 F), respectively.

Looking for some additional activity, early evening, I walked about parts of San Diego neighborhoods University Heights and North Park. The Featured Image and companion come from the latter—along The Boulevard approaching Texas Street. As I passed by this tree, something hanging on the bark caught my attention. Can you see why?

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The One That Remains

Two days ago, I shared with you a palm pair on Oregon Street in North Park; the shorter of the two had been marked by city contractors for removal. More by chance than planning, my wife and I walked by the location this afternoon; the tree infested with South American Palm Weevils is gone.

The other must be healthy because it still stands, as you can see from the Featured Image. Vitals: f/1.7, ISO 100, 1/8000 sec, 28mm; 3:50 p.m. PDT. I used Leica Q2 to make two street shots, choosing the cropped top to include the magnificent, sprawling shadow.

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Mourning Moment

As my wife and I walked up Meade Avenue in North Park, today, a sickly palm caught my attention. Crossing Oregon Street, I saw a white X on the right tree, indicating that city workers had marked it for removal. I am uncertain about the health of the other, but no marking indicates that it isn’t slated to be chopped down.

San Diego fights futilely to hold back advance of the South American Palm Weevil, which was observed along the Mexican border in 2011. The first infestations appeared five years later. The insects essentially infest the heart of the Canary Island Date Palm crown, destroying it.

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Bark Art

Trust the wife to have a good eye for the amazing. Today, while walking through Old Trolley Barn Park, which is located in San Diego’s University Heights neighborhood, Annie stopped to regard tree bark and photograph it with her iPhone 13 Pro. I almost walked past, ignoring her interest. But quick examination revealed a mesmerizing mosaic that could easily be a painting hanging in an art gallery.

When she finished her impromptu shoot, I set to work with Leica Q2. For the Featured Image, I used the Macro control—activated by turning a ring around the lens barrel. Vitals, aperture manually set for both: f/4, ISO 100, 1/50 sec, 28mm; 10:57 a.m. PDT.

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Chopped Before Its Time

While walking West on Monroe Avenue, in San Diego’s University Heights neighborhood, my wife and I could hear tree cutting as we approached cross-street Georgia. Sure enough, to our left, going towards Mission, a work crew cut and carted two palms. We had to investigate.

As you can see from the Featured Image and companions, all captured using Leica Q2, an extremely healthy-looking palm top is lifted and dumped. I wondered why and what was chopped. Annie and I walk down this street somewhat regularly, not recalling any recent road signs or other indications that the city would destroy more trees.