For our Sunday spot, the Ricoh GR makes an appearance, in the capable hands of David Knollmann, who captured self-titled “Young Team” on July 23, 2015. He captions: “öpnv-mannschaft is angry”; the German-language portion translates […]

For our Sunday spot, the Ricoh GR makes an appearance, in the capable hands of David Knollmann, who captured self-titled “Young Team” on July 23, 2015. He captions: “öpnv-mannschaft is angry”; the German-language portion translates […]
We present another portrait that, like “Willing Prisoner“, was taken in one context but is appropriate for another. Duke Yeh captured self-titled “Overwhelming Life” on Jan. 29, 2018, using Fujifilm X100F. About the photo, he says: “Whispering under his breath, I couldn’t capture what the gentleman was saying. But surely his posture says it all”.
The subject’s “life complexity at a glance” sadly suits the current global crisis, where the SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—also known as COVID-19—pandemic has shattered economies, driven a wedge between people (“social distancing” and “shelter-in-place” orders), isolated entire nations (government-imposed quarantines), and turned cities into scenes from post-apocalyptic movies. Then there are the millions infected, ill, or deceased.
The first of two Friday the 13ths this year is opportunity to slip in an extra entry between the two regulars. Bill McMannis captured self-titled “The Luck Gas Station” on Aug. 5, 2017, using Canon EOS M and EF-M 22mm f/2 STM lens. He explains about the photo: “On NC 209 in Luck, North Carolina, is an old gas station that surprises travelers and is often photographed”.
The street shot takes the informal, impromptu holiday for black-and-white character, contrast, timeliness, and timelessness.
When the wind blows, palm fronds fall. But I was surprised to see so many along the yellow center line, when walking up Maryland towards Monroe, today. The Featured Image is illustrative, for which Leica […]
This first day of February 2020 brings Brexit to its inevitable, real beginning. At 11 p.m. GMT, yesterday, the United Kingdom officially severed its 47-year membership with the European Union. The turbulent exodus started with a June 2016 referendum and ended with a December 2019 Parliamentary election that brought to power a UK government capable of ratifying an agreement with the EU.
I mark the occasion with an additional entry this week—self-titled “Union Jack Flag and Rollercoaster” by Nick Page—that is most appropriate. Surely the nearly (estimated) 68 million peoples begin a roller-coaster ride that will last, at the least, through the eleven-month, EU separation-transition period that concludes on the last day of this year.
We treat you to a bonus photo, complimenting yesterday’s “Aspiration“, which caption concludes about the boy watching fishing boats: “Maybe one day he’ll captain one himself”. For this series, the future is now, as expressed […]
Strange story the stump tells. Gone is the magnificent palm tree that dominated the corner of Monroe and Cleveland, nearby the Wilcox’s old apartment, in our San Diego neighborhood. This morning, while driving by, on my way to North County, I saw a tree cutter toss down the last frond before lopping off the top. Late afternoon, walking back, the devastation confronted me.
I haven’t written much about this tree over the years, but fleeting mentions are significant enough: “Fallen Fronds” (December 2017) and “Bell” (November 2016) from my “Cats of University Heights” series, where the kitty sits by the palm trunk that is now a stump.
When acquiring the Leica M (Typ 262), which has moved on to a new owner. I also got a second lens: Macro-Elmar-M 1:4/90. That was March 2018; finally, nearly half-a-year later, I have started shooting […]
I can’t resist the intimate perspectives that Barney Moss captures. Today’s selection comes from his album/set “365“—and any of the photos therein could take the Day. Many of the best ones failed the cut, however, […]
We begin the first of three days ode to the Foveon sensor, which produces a distinct and unmistakable color signature. Inside Sigma compacts, with their fixed prime lenses, the result: Super sharp photos that are […]
Our featured shooter, Mike Beales, describes the subject of our selection as “probably one of the best looking streets in the UK—also happens to be one of the oldest; what lovely place to live”. According to […]
Urban decay is theme of the Day, for composition, perspective, and bokeh. David Barnas shot self-titled “rOOller rOt” on Oct. 18, 2015, using Nikon D7100. Vitals: f/5.6, ISO 100, 1.6 sec, 18mm. “I love nature and […]