Category: Music

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Hey, Apple Music, Glitch or Licensing Change?

Sometimes I need loud power pop to drive my writing. While working on a story about Windows 10 for BetaNews, I selected R5 to stream from Apple Music—and not for the first time. I started with track No. 6, “Smile”, which is among the two highest-rated tracks from album “Sometime Last Night“. But today, rather than the full song, I get a 90-second preview.

What the frak? 

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Flickr a Day 178: ‘Taking Cover’

Glastonbury Festival 2015 wraps up tomorrow, which is reason enough to feature a photo from last year’s musical and arts brouhaha today. Rain is the forecast, again, making self-titled “Taking Cover” timely selection. Americans doing fests like Coachella are more accustomed to sandals, sneaks, or bare soles rather than the rubber boots Glastonbury-goers wear.

I originally chose “Glastonmudbury” from the photostream of Paul Townsend. He explains the history of the event, and his storytelling is worthy of taking the Day. But I couldn’t authenticate the image, which in context of others on his Flickr is unlikely his to share. This series respects copyrights. So Tom O`Malley wins with a photo shot using iPhone 5 on June 28, 2014. Vitals: f/2.4, ISO 80, 1/120 sec, 41mm. The Glastonbury Weather Twitter feed promises brighter skies today than yesterday’s bleak rain. 

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Apple Music backs off ‘play for no-pay’ plan that would withhold artist royalties

Now that Apple plans to compensate artists for the first three months of music streaming, it’s time to ask: Were the whiners grandstanding or sincere? The question mainly is meant for Taylor Swift, whose Father’s Day Tumblr post seems to have brought, eh, swift response to the—what I call—”play for no-pay” plan.

The company unveiled Apple Music during the World Wide Developer Conference on June 8. The streaming service will be free to subscribers for the first three months, with Apple initially choosing not to make royalty payments to artists. I condemned the ridiculous strategy last week. The company sits on a nearly $200 billion cash horde, and content creators are among its most loyal customers. Stiffing them makes no sense from several different perspectives, with good public relations being one and expressing thanks to artist customers being another. 

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Will Taylor Swift’s Apple Admonishment Strike a Chord?

“This is not about me”, singer Taylor Swift writes in a Tumblr post that is viral news everywhere today. She explains why her newest album, “1989”, will not be available on Apple Music when the service starts on June 30.

“This is about the new artist or band that has just released their first single and will not be paid for its success. This is about the young songwriter who just got his or her first cut and thought that the royalties from that would get them out of debt. This is about the producer who works tirelessly to innovate and create, just like the innovators and creators at Apple are pioneering in their field—but will not get paid for a quarter of a year’s worth of plays on his or her songs”. 

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Apple Music Takes from Artists to Give to Subscribers

For a company that generates more profits than any other ($18 billion during fiscal first quarter 2015), sits on a cash horde of nearly $200 billion, and has the gall to charge $150 for a watchband, stinginess is an unbecoming trait. Scratch that. Greediness. Putting profits before people, particularly devoted customers, when corporate advertising is all about how they matter more, is simply stupid public relations. In business, perception is everything.

So Apple’s reported decision to give away music for three months, without compensating artists, is cheapskates behavior that demands criticism, particularly about a company claiming that music means so much. Speaking to developers last week, CEO Tim Cook: “We love music, and music is such an important part of our lives and our culture”. Oh yeah? If it’s so important, why diminish its value? To zero. “We’ve had a long relationship with music at Apple”. For how much longer without artists’ cooperation? You don’t own the content, Mr. Cook. 

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Apple Music Will Surely Succeed

Seven days ago, CEO of the most valuable, publicly-traded technology company on the planet unveiled a potentially category-changing online streaming service. In 15 more, you will be able to subscribe—three months for free. Pundits wave the Spotify flag and spit out diatribes of disgust, much as they did when Apple launched iPhone eight years ago or iPad in 2010. Wrong again is their destiny. Will they ever learn?

Many of the doomsayers forget, or maybe just ignore, the fruit-logo company’s success disrupting category after category. They also start out from a misguided premise: That Apple is a latecomer who cannot catch up with competitors like Spotify. How ridiculous. iTunes debuted in January 2001, iPod nine months later, and iTunes Music Store in April 2003. By longevity and reach, which includes exclusives (like The Beatles) and large catalog, Apple is the status quo. On June 30, the giant awakes, and the smidgens shake as it walks.