Category: Society

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The Shredded Republic

For this Memorial Day we present a solemn sentiment reflecting the tattered state of the Republic, which is shorn to pieces by cultural and political strife. At no time since my first eligible-to-vote Presidential election have I seen such fractious and contentious state of the electorate or the representatives in Washington, D.C.

Worst of all is my profession. The Fourth Estate has abandoned its duty to protect the public interest. Subjective reporting and editorialization define modern journalism. The Fifth Estate, which includes new media and online informational utilities (e.g., Facebook, Google, Twitter, and the like), is worse because of rampant censorship. Patronizing tactics choose for you, because presumably you’re not smart enough to sift fact from fiction. I would mind less if professional news gatherers reported responsibly more.

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He Knows No Limit

I can’t explain why the Featured Image appeals to me. Maybe the gent’s mouth caught in speaking motion is reason combined with tilt of head, necklaces hung around neck, and one presented in hand. Is he selling the beaded strings? Seeking donations? I want to know.

The moment is from the Labor Day Parade on Sept. 5, 2005 in Kensington, Md. I used Canon EOS 20D for the portrait, which is composed as shot. Vitals: f/10, ISO 400, 1/500 sec, 40mm; 10:26 a.m. EDT.

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No, It’s Me Watching You

On University Avenue in San Diego’s North Park neighborhood—alongside Bohdi Animal Hospital, across from Smart and Final—is a fitting homeless habitat. That is, if you go for the stereotype of some street-living person paranoid about government surveillance, which could include nanites from SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 vaccines. The sign says it all, in a triumphant tables-turning warning to the spies.

Today, as my wife and I waited for our turn to cross the street, I pulled around Leica Q2 for a single shot. Because, ah, someone watched me, speed mattered. The Featured Image is a close-crop, and, yes, University slopes along that stretch at Mississippi.

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‘Free! To Good Homes!’

Somewhere in my San Diego neighborhood, I passed by these giveaways that aren’t for just anyone. Read the sign. Does your residence rise to the high bar set by “Good Homes” with an exclamation? I couldn’t take anything being among the many unworthy.

There are the makings of a good home, singular, for someone starting out in a first rental, particularly a studio. That’s who would be most worthy recipient. What first furnishings: Sofa, storage rack, pillows, VHS player, cleaning supplies, and more.

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This is Progress?

I am not obsessed with the construction site at El Cajon Blvd and Louisiana Street, despite the number of recent photos and commentaries about it: Cave’s Grave; Wonder Wall; Shattered Serenity; Postal Convenience Center. My interest is what the project represents to San Diego neighborhoods Hillcrest, North Park, and University Heights, where relaxation of zoning rules is bringing down charming businesses and homes and replacing them with high-rises that are way out of character with the area.

The Featured Image, taken on May 7, 2022 using Leica Q2, captures before, during, and after multi-unit construction. Foreground looks across the aforementioned recent demolition to a four-story residential complex at Mississippi, overlooking the recently relocated Red Fox Steak House.

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Decorating the Cave’s Grave

The demolition site at El Cajon Blvd and Louisiana Street in University Heights returns five days later, because of alterations. Remnants remain of the Cave of Wonders building, but somebody has graffitied over some of the doodle drawings of the still-standing inner wall.

In reviewing the Featured Image, I see another change: The livable-looking property that was to the right behind in my previous shots is gone. Vitals, aperture manually set: f/8, ISO 100, 1/160 sec, 28mm; 4:48 p.m. PDT; Leica Q2.

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We All Need a Smiley Break

Flashback two years, to May 2, 2020: SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 lockdowns compelled Californians to avoid anyone and to otherwise practice so-called safe social distancing. The seeming hardship would pale compared to racial riots that would erupt weeks later.

One of my neighbors literally put on a happy face—among several encouraging, or funny, street decorations to adorn this University Heights property and/or the sidewalk straddling Meade Avenue. Seems like every time I walked by something different greeted. Thank you.

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The Better Barrier

Across my San Diego neighborhood of University Heights, increasing trend: homeowners surround their front yards with obnoxious fences that while providing privacy create fortress-feeling and block residents’ view of surroundings—and beneficial sunlight. If you want to live in a dungeon, please sell your property to someone who will appreciate the local climate and move elsewhere. Perhaps Chicago, where you can add bars to all the windows, too.

Contrast that to the Featured Image, taken today using Leica Q2. While walking past this hedge, and not for the first time, I stopped to really look at its lovely practicality. The residents have privacy, which includes keeping dogs from peeing or poohing on the lawn, while providing a natural, beautiful barrier for their enjoyment and for other people.

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‘Soylent Green’ Warned Us About Twenty-Twenty-Two

My preview of this year came during summer 1973 when one of mom’s drive-in movie adventures ended with showing of “Soylent Green”, starring Charlton Heston and Edward G. Robinson—both pictured, respectively, in the first screenshot. Mama would have been 32 years old, with four kids piled into an overly spacious, blue Chrysler Plymouth that by today’s gas-guzzling standards was more akin to a boat on four wheels.

I got to thinking about the film a few months back, seeing as how its dystopian future is 2022, when there is supposed to be environmental devastation, famine, overpopulation, riots, war, and wide gulf of wealth and poverty separating the elite class from everyone else. Hold on, does that not describe the year to date?

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A Sign is 25

I can’t imagine how our family still resides in the village of University Heights, which is where we settled upon arriving in San Diego nearly 15 years ago. But here we remain, even as rising rental fees and soaring property values make the area unbearably costly. Exit strategy has been my priority for some time, at least since our decision not to buy the Schoolhouse five years ago. As homeowners, we would have been more natural members of the community.

Still, my wife and I briefly joined today’s block party—along Park Blvd between Adams and Madison—celebrating 25 years of the neighborhood’s iconic sign, which you can see in the Featured Image, taken using Leica Q2. Vitals, aperture manually set: f/8, ISO 100, 1/80 sec, 28mm; 4:41 p.m. PDT. The event officially started at Five.

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Fenced Out of Affordable Housing

My daughter rents storage space at one of the local facilities. From my infrequent trips to the place over the years, I have observed stark changes. For starters: An increasing number of people, many of them clearly employed, living out of a vehicle and storing their stuff. With the cost of housing so incredulously expensive in San Diego, these working nomads are not surprising to find. What shocks is how many more I see compared to 18 months ago.

Since a new report about residential renting released this week, I will focus on that topic and let be soaring home selling prices for another time. (If you can’t wait: “Pop Goes Another Housing Bubble” and “Simply Stated: San Diego Unaffordable Housing“.) According to Zumper, rents rose 31.3 percent year-over-year in April 2022. “As a result, San Diego has leapfrogged San Jose and Los Angeles to become the nation’s fifth most expensive city”. Ugh, and I know it’s a fact from watching rents relentlessly rise.

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Shattered Serenity

The difference 24 hours make. Yesterday, the abandoned houses still stood along Louisiana Street at El Cajon Blvd. Today, they—and the businesses around the block—are gone. The Featured Image captures something of the devastation. Vitals: f/8, ISO 100, 1/320 sec, 28mm; 1:26 p.m. PDT. This one and the others come from Leica Q2, aperture manually set for all.

My wife and I have known since summer last year what would happen along one of my favorite blocks in San Diego’s University Heights neighborhood. Two cottage complexes, a few modestly-rising apartment buildings, and bunches of single-story houses—with vast swaths of grass and greenery in an area otherwise converting to cement—create calming ambience. The street is, or was, surprisingly serene. Three residential properties on Louisiana and businesses half-way to Mississippi along The Boulevard are gone.