Read More

A Survivor Meets Her Saviors

Our daughter’s best friend received the phone call that she was in an ambulance and hospital bound on March 2, 2023. She was discovered in severe distress during the late afternoon. Her heart stopped enroute, and she suffered cerebral anoxia—meaning no oxygen to the brain. The trauma unit quickly cooled her body; the term is therapeutic hypothermia.

Two hours later, paramedics wheeled in another patient suffering similar situation. He didn’t make it. I later learned that ICU staff rallied for our daughter after losing the other patient. But she was completely unresponsive for the first two full days. “It has been found that only about 12 percent of patients who have been comatose for more than six hours after a cardiac arrest make a good recovery”, according UK-based brain injury association Headway. That statistic might in part explain why we were offered option to suspend treatment and let our only child pass away—on her second day at the hospital.

Read More

The Golden Man

Following up yesterday’s “The Photobomber“, we come to the intended subject of that photo—the golden man in the Featured Image and two companions. When passing him in San Diego’s Balboa Park on April 20, 2023, I was puzzled. He hung so still to the lamppost, I wondered if he was some statue—which there are a few round about. Then he moved, startling me and breaking my stare.

In the first of the three shots—all from Samsung Galaxy S23 Ultra—he looks at approaching people. Vitals: f/4.9, ISO 50, 1/310 sec, 230mm (film equivalent); 3:14 p.m. PDT; composed as shot. Unfortunately, none of the trio aptly captures just how gold painted is his face.

Read More

The Photobomber

Consider the Featured Image as start of a two-parter. The intended subject of the street shot is the big guy hanging on to a lamppost, and I had planned to close-crop on him. But just as I clicked Leica Q2 Monochrom‘s shutter, someone scooted into the frame. The unintentional photobomber instead makes the moment.

Vitals, aperture manually set: f/5.6, ISO 200, 1/1600 sec, 28mm; 3:11 p.m. PDT, April 20, 2023. Location: San Diego’s Balboa Park.

Read More

Audacious Advertising

While driving our car to the auto shop for routine maintenance, today, I passed an intriguing billboard along Adams Avenue in San Diego neighborhood Normal Heights. Sentiment “People Matter” makes perfect sense. But not too long ago, and perhaps still, “all lives matter” was taboo response to the “black lives matter” crowd. Does this advert push boundaries? Is “people matter” all that different from “all lives matter”—regardless the different context? You tell me.

I am a big fan of offending people, of pushing their buttons, so to speak. We all need to feel uncomfortable from time to time, so that we think. So if “people matter” offends you, good! And because everyone matters, why should inclusivity of all colors be bothersome? Now, let’s get to the context, which is nothing about race relations.

Read More

My Pixel Tablet Turnabout

Let’s recap: In December 2022, my wife and I decided to wildly change computing platforms; we wanted freedom from Apple. On the 8th, I ordered Surface Laptop 5 for her and Surface Laptop Studio for me from Microsoft Store. Hers: 13.5-inch touchscreen (2256 x 1504 resolution); 12th-generation Intel Core i7-1255U processor; 16GB RAM; 512GB SSD. Mine: 14.4-inch touchscreen (2400 x 1600 resolution); quad-core 11th-generation Intel Core H35 i7-11370H processor; 4GB Nvidia GeForce RTX 3050 Ti graphics; 32GB RAM; 2TB SSD.

Two days later, I ordered Galaxy S22 and S22 Ultra direct from Samsung. Both smartphones arrived on the 15th. Storage: 256GB for her; 512GB for me—both free, double capacity upgrades during the manufacturer’s holiday promotion. Unexpectedly, in mid-February, I traded up for the spanking new S23 Ultra. What stayed: Both our iPads, as I waited to see what new tablets Google, or perhaps Samsung, would bring to market this year. Recap over, the rest of the post explains what happened and why.

Read More

Parrot Love

I want you to click “Birds on a Wire” and compare to the Featured Image. See the differences between what a camera can produce versus that of a smartphone. The 2018 close crop comes from  Leica M (Typ 262) and Summarit-M 1:2.4/50 lens. The newer shot, taken yesterday, is a product of Samsung Galaxy S23 Ultra‘s 10x zoom. Vitals: f/4.9, ISO 50, 1/1250 sec, 230mm (film equivalent); 12:04 p.m. PDT; composed as captured.

If I had to choose, no brainer: 50mm cropped from the rangefinder versus 230mm from the mobile. The S23 Ultra’s tiny sensor, for all the software computational magic, can’t compete with the full-frame shooter—at least in a situation where I expected telephoto reach to be meaningful asset.

Read More

What’s the Lesson Here?

Not for the first time, car horn-honking, chanting, cheering, and clapping beckoned me to the administrative offices for San Diego Unified School District, which is but a few blocks from our University Heights apartment.

I came upon a sizable protest of people dressed in red T-Shirts. The number could have been in the thousands—size the Featured Image and companion don’t capture in part because the crowd spread out some distance. They jam-packed when marching, too. Vitals, aperture manually set for both: f/8, ISO 100, 1/250 sec, 28mm; 4:23 p.m. PDT; Leica Q2.

Read More

Not a Good Sign

I picked poor time to go to Trader Joe’s for organic whole milk—as you can see from the Featured Image, which comes from Samsung Galaxy S23 Ultra. Vitals: f/1.7, ISO 16, 1/160 sec, 23mm (film equivalent); 4:54 p.m. PDT, yesterday.

Meanwhile, I prepare for a different outage calamity. Today, my webhost sent the dreaded, but expected, email that this site will, ah, migrate with 24 hours. I have no choice about the matter, and no amount of assurances about safe, seamless, and sure migration instills me with confidence that catastrophe isn’t imminent.

Read More

The Flower Lady

Let’s start with a Happy Mother’s Day to the moms. Some of you work the holiday, as does this woman at her gift stand set up in my San Diego neighborhood of University Heights. She and her husband greeted me yesterday, and I had every intention of returning to buy flowers for my wife. But I waited too long. The lady sold out, and they were packing up when I arrived this afternoon.

I used Leica Q2 to take the Featured Image, which (sigh) is presented as composed, because I could create no crop that wouldn’t take too much context from the photo. Maybe you see something that I don’t. Vitals, aperture manually set: f/5.6, ISO 100, 1/500 sec, 28mm; 12:36 p.m. PDT.

Read More

Bon Appétit!

In April 2016, I started to write “Why is Hollywood Obsessed with Viral Armageddon?” In June 2017, I shot a photo to illustrate the post, which wasn’t finally finished until March 2021—nearly a year after the World Health Organization declared  SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 to be a pandemic.

San Diego’s Museum of Us exhibit “Cannibals: Myth & Reality” must be ongoing because I came upon the same sign still in place six years later—as you can see from the Featured Image, captured using Leica Q2 Monochrom, on April 20, 2023. Vitals, aperture manually set: f/5.6, ISO 200, 1/160 sec, 28mm; 3:23 p.m. PDT.

Read More

Where the Crane Flies

Remember this: “The Teardown“, from February 2022? Where was a home and a few trendy shops, another multi-unit monument to more unaffordable housing rises along Park Blvd between Howard and Polk. By the strictest map boundaries, the location is in the community of University Heights. But because of zip code, someone will claim San Diego’s Hillcrest.

Vantage for the Featured Image is parallel street Georgia. I count four stories and rising. Vitals: f/2.4, ISO 50, 1/8800 sec, 70mm; 2:22 p.m. PDT, today; Samsung Galaxy S23 Ultra.

Read More

A Burst of Orange

Forgive my Gazania obsession, please. The flower observed languishing on April 29, 2023 has turned to fluff (can you say seedlings) and new buds burst in its place. You must understand that these orange lovelies took root on their own; they were not planted by the apartment complex’s gardener/landscaper. I am delighted by their presence.

I used Leica Q2 to capture the Featured Image, today. Vitals, aperture manually set: f/5.6, ISO 100, 1/320 sec, 28mm; 3:22 p.m. PDT. A second shot, using the camera’s dedicated Macro mode, misplaces the focal point; otherwise, I would have shared that one instead.