Tag: Flickr a Week

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Flickr a Week 16: ‘Overwhelming Life’

We present another portrait that, like “Willing Prisoner“, was taken in one context but is appropriate for another. Duke Yeh captured self-titled “Overwhelming Life” on Jan. 29, 2018, using Fujifilm X100F. About the photo, he says: “Whispering under his breath, I couldn’t capture what the gentleman was saying. But surely his posture says it all”.

The subject’s “life complexity at a glance” sadly suits the current global crisis, where the SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—also known as COVID-19pandemic has shattered economies, driven a wedge between people (“social distancing” and “shelter-in-place” orders), isolated entire nations (government-imposed quarantines), and turned cities into scenes from post-apocalyptic movies. Then there are the millions infected, ill, or deceased.

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Flickr a Week 14a: ‘A Beautiful Morning in Dyrehaven-3’

For Palm Sunday, we present something calm—and it’s needed remedy with, in response to the Novel Coronavirus pandemic, so many people confined to their homes and with most businesses closed country after country. Today won’t be a day of celebration, as Christians must stay apart rather than gather together. Surely, the pangs of many parishioners will be greater come Easter Sunday in a week.

Bo Nielsen captured self-titled “A Beautiful Morning in Dyrehaven-3” on Sept. 30, 2015, using Olympus E-M1 and LUMIX G VARIO 100-300/F4-5.6 lens. The portrait is a keeper for composition, light, and serenity.

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Flickr a Week 14: ‘St. Anthony’

The only April Fools today are the people that haven’t come to grips with the new world order—not one made by cultural, military, or political forces but by contagion: SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2), also known as COVID-19. The viral infection has shattered economies, driven a wedge between people (so-called “social distancing”), isolated entire nations (government-imposed quarantines), and turned cities into scenes from post-apocalyptic movies.

Based on data collated by the Center for Systems Science and Engineering at Johns Hopkins University, globally there are 860,181 confirmed cases of the Novel Coronavirus in 180 countries. Only 178,359 people have recovered, while 42,345 are dead. Number of identified infections has increased nearly 10 times, from about 90,300, on March 1, 2020. Currently, in the United States: 189,624—up from 98 during the same time frame.

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Flickr a Week 13a: ‘Selfie’

Self-titled “Selfie” easily takes the Sunday spot for character, clarity, composition, and expression (of the subject and his artistic presentation). Chris Bird used Fujifilm X-T1 and Fujinon XF35mmF2 R WR lens to capture himself, on June 22, 2016. Vitals: f/13, ISO 200, 1/180 sec, 35mm.

In February 2014, Chris joined Flickr, where he posts a vibrantly, intoxicating Photostream. His website is as dynamic.

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Flickr a Week 13: ‘La Rambla Ice Cream’

Stop if you are easily tempted by icy, smooth, sugary sweets. Close your eyes! Rick Schwartz captured self-titled “La Rambla Ice Cream” on Oct.27, 2018. Is your mouth watering yet?

Rick, who chimes “Through images, I see”, made the moment using Sony α7R III and FE 85mm F1.8 lens. Vitals: f/1.8, ISO 1250, 1/500 sec, 85mm. The portrait takes the week for bokeh, character, color, and composition.

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Flickr a Week 12a: ‘The Starting Grid’

Vroom, the race is on, in self-titled “The Starting Grid“, which Dennis Freeland captured on July 13, 2016, using Olympus OM-D E-M10. Vitals (incomplete): ISO 1250, 1/1600 sec. “If my time comes for a scooter, I will have a camera built in”, he chimes. Sentiment I share, if, and hopefully never.

The street shot is a no-brainer choice for our Sunday spot. This is a moment that could only work in black and white; colors would distract from the three gents. I got to ask about the last: Why is he considerably younger? His presence gives more sense of a race than would a trio of geezers riding about. Why does the lead rider look so miserable? The answer to these and other questions is the kind of storytelling that this series seeks to spotlight with each and every selection.

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Flickr a Week 12: ‘Reincarnated?’

The week goes to Tee Cee and self-titled “Reincarnated?“—for beautiful bokeh, clever caption, ethereal quiescence, grainy texture, and the photographic tool chosen. Late last month, Fujifilm shipped the fifth iteration of its fixed lens compact, the X100V. Tee made this portrait, using the first, which released nine years earlier. Vitals: f/2.8, ISO 4000, 1/28 sec, 28mm.

I owned the original X100, back in 2011. It’s amazing—and yet not—to see someone still shooting one. The camera is a classic. Granted, the duck portrait is nearly two years old (May 2, 2018), but Tee still uses the X100 for street shooting—from looking at more recent posts to the Photostream.

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Flickr a Week 11b: ‘Break Heart’

Architect Mariano Mantel steals Sunday with street shot “Break Heart“, which he captured on March 2, 2019, using Nikon D7100 and 18-140mm f/3.5-5.6 lens. Vitals: f/10, ISO 1000, 1/250 sec, 56mm. The settings are interesting, for what they deliver: Graininess that adds ambience and texture to contrasty colors.

What are we seeing? Mariano explains. “A kora player show(s) his instrument in a Barcelona street. The kora is a West African harp of the family of bridge harps or harp-lutes. It’s the highest developed string instrument of Africa. The construction of the instrument as well as the music are unique in the world”.

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Flickr a Week 11a: ‘The Luck Gas Station’

The first of two Friday the 13ths this year is opportunity to slip in an extra entry between the two regulars. Bill McMannis captured self-titled “The Luck Gas Station” on Aug. 5, 2017, using Canon EOS M and EF-M 22mm f/2 STM lens. He explains about the photo: “On NC 209 in Luck, North Carolina, is an old gas station that surprises travelers and is often photographed”.

The street shot takes the informal, impromptu holiday for black-and-white character, contrast, timeliness, and timelessness.