Where are the customers? I ask, because why would anyone Uber when they could ride in one of these? Convertibles! Especially, as I understand, ride shares aren’t available—well, at least, for tourists.
Christoph Kilger captured self-titled “Havanna Taxis” on March 21, 2019, using Leica M10 and Summilux-M 35mm f/1.4 ASPH lens. Vitals: f/1.4, ISO 400, 1/2000 sec, 35mm. The photo takes the week for color, composition, and symmetry. BTW, since when is Havana spelled with two “n”s?
Photographers don’t always title their artwork, which is the case for our mid-week Sunday shot. Stefano Annovazzi Lodi captured the moment on New Year’s Day 2020, in “Napoli, Italia”, using Fujifilm X-T20 and Fujinon XF18-55mmF2.8-4 […]
During my Aroostook County, Maine youth, the night sky treated me and other residents to expansive Milky Way—on many evenings filled with Aurora Borealis. Sanshiro Kubota captured their stunning spectacle from Jökulsárlón, Iceland, on Oct. […]
Strange how foreshadowing metaphor can be a single street shot and its accompanying caption. Quinn Dombrowski captured self-titled “Willing Prisoner” on Sept. 23, 2012, using Canon EOS Rebel T2i and EF 70-300mm f/4-5.6 IS USM lens. Vitals: f/7.1, ISO 400, 1/400 sec, 240mm. The gas mask and woman bound are eerily appropriate illustrations for the SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—also known as COVID-19—pandemic spreading across the Continents from China.
As I write, more than 3,000 people have died globally from the virus, which has infected around 90,000 in at least 60 countries. But those numbers are likely low, because of unreported cases—for numerous reasons: Inadequate testing; influenza confusion; political coverups; and the extremely long, asymptomatic period when the infected are contagious. In the United States, six people have died from the disease in about 72 hours (four announced today)—mostly in a cluster within Washington State, where experts estimate unobserved transmission occurred for about six weeks. As such, the infection is likely widespread.
I came to the Photostream of Alexandre Gallier by way of “Simple Portrait“, which charms for its texture and natural effervescence. But the Sunday spot instead goes to self-titled “Essaimage“, not because the other isn’t worthy but to keep a varied flow of the series‘ selections.
The closeup, from Nikon D610 with 90mm Tamron Macro lens, is a keeper for beautiful bokeh, contrasty colors, and delicious detail. Vitals: f/11, ISO 400, 1/40 sec, 90mm; April 16, 2019.
Some street shooters swear by Ricoh GR II—or, presumably, the nearly year-old III. I can see why. If you asked me what camera J Stimp used to capture self-titled “She Concentrated Deeply on the Message She Dreaded Sending“—or any other image in his Photostream—I would have said Leica M10, or one of its siblings. But, no, the GR II. Wow.
I discourage you from looking at any other portraits but this one. To peek at his Photostream is to fall inside and became gloriously trapped in an enchanting and mesmerizing montage of (mostly) black and white street shots. You have been warned. I barely escaped from the sheer visual wonder and clever captions.
Simplicity is an art form that evokes calm—and with self-titled “Rest“, which Aftab Uzzaman punctuates with caption “finally“, a lonely leaf tugs the emotions. He captured the moment on Oct. 25, 2011, using Canon EOS […]
Italian Giampaolo Macorig says that “walking around Rome you will find splendid views”. He presents one with self-titled “Cortili Romani“, which he captured on Nov. 9, 2019, using Sony α7 III and FE 24-105mm F4 G […]
Our Sunday spot shouldn’t be, because of endings: The photographer is no longer active on Flickr, and I am unable to confirm that his subject matter still exists. But I can’t resist the portrait for looking to be exactly what it is—in purest, iconic, grainy, black-and-white composition: An indy rock group.
Steve Hardy shot self-titled “The NYC Band, The Upwelling” on Jan. 24, 2009, using Canon EOS Digital Rebel XSi. Vitals: f/2.8, ISO 1600,1/15 sec, 33mm. He describes himself as a “Grammy Award and multi-platinum, award-winning mix engineer”. He mixed the group’s album “An American Stranger”, which released in August of the same year that he snapped the photo.
Valentine’s Day is for (cat) lovers—isn’t it? For the purpose of our series—and an additional posting, between the two regular entries—yes is the answer. Timing is motivated by something else: Last week, on Nextdoor, one of my neighbors issued the “challenge of posting a picture of their pet…The goal is to flood NDoor with positive pet pictures instead of negativity”. Let’s bring some of that positivity here, and even more.
With that introduction, please meet Lisa Zins and her photographic feline in self-titled “Lotta Love, ‘Lijah’“. She explains, about the portrait: “Elijah is always ready to pose for a picture. The little bottle of hearts are ‘sprinkles’ for cookies. I thought that a ‘Lotta Love’ is something that we all need. :)” Indeed it is.
The week goes to a profile portrait, chosen for bokeh, clarity, color, and composition. Aravindan Ganesan shot self-titled “Getting Ready for the Kali Makeover” on March 8, 2016, using Canon EOS 600D and unnamed 35mm […]
Accounts receivable analyst Can Pac Swire makes a moment from self-titled “Candlelight Breakfast“, which he captured on Dec. 22, 2013, using Canon EOS Rebel T2i. Vitals: f/11, ISO 200, 4 sec, 33mm.
The photo snatches the Sunday spot for storytelling and for being interesting.