Our series’ fourth month ends with, like Day 87, the Leica Camera AG M Monochrom. Ross Pollack captured the photo in Hong Kong, when he lived there. He is now stateside after residing a decade […]
Tag: photography
Flickr a Day 119: ‘Staring Out Into The World’
The Canon EF 100mm f/2.8L Macro IS USM lens is fabulous for portraits, too, as today’s selection shows. Daniel Lee shot self-titled “Staring Out Into The World” on Jan. 18, 2014, using the Canon EOS 6D. Vitals: […]
Flickr a Day 118: ‘Partly Cloudy’
The Skagit Tulip Festival ends in two days. If you live in Washington State, there is still time—and perhaps today’s selection will move you along. Howard Ignatius shot self-titled “Partly Cloudy” on April 4, 2015, using Nikon D800 […]
Flickr a Day 116: ‘Give Me a Ring’
Street photography this difficult looks too easy. Toronto, Canada-based Kat N.L.M. is the roving eye whose lens captures contrasting subjects—things that go oddly, yet somehow appropriately, together. Today’s selection is typical of his setup. You […]
Flickr a Day 115: ‘Princess and the Riot Cops’
Some photos demand attention for the perplexity they present. “What the frak?” is my question looking at pose and police. I want to know the context, the backstory, and there may be none other than […]
Flickr a Day 114: ‘Anonymous #2’
I had to abandon my original pick from the photostream of Mattia Notari. The pic is interesting and the composition is superb. But after discovering self-titled “Anonymous #2″—and, yes, there is another and another—I could choose no […]
Flickr a Day 113: ‘Barber Shop’
Documentary photographer Akshay Mahajan shot today’s selection on Aug. 24, 2007, using Nikon D200. With nearly 48,000 views, the image certainly is popular. Vitals: f/4.5, ISO 100, 1/50 sec, 18mm. He is from Bombay, India, but lives in New Delhi.
Akshay joined Flickr in November 2004. While active on the service, you will find more photos on Instagram.
Flickr a Day 112: ‘Eiffel Tower’
A magazine advertisement inspired today’s selection. My wife marveled over the Eiffel Tower, snapped using iPhone 6, on the back of a magazine cover. Hours later, on Flickr, I spotted this stronger shot that Jeroen Bennink […]
Flickr a Day 111: ‘Ferrara Busker Festival’
Today’s selection is another lesson in perspective, and also composition. July Pastorello focuses on a partial subject, yet enough for us to understand the activity, while using the people watching as background canvas that compels you […]
Flickr a Day 110: ‘Salt Pans’
Drama and composition make this pic, by Dave Lansley, our pick. Interestingly, his Peru 2007 album includes about a dozen photos from the same location. Today’s selection was the one I first saw and stand-out choice […]
Flickr a Day 109: ‘Two Seconds of Hesitation’
Our selection compliments Day 108. Both photographs use different techniques to split the viewpoint between subjects. Here, the mirror image creates dynamic perspective and leaves anyone looking closely wondering. Because to the far right, there is a man’s partial face in the reflection, watching her. The questions raised by his presence make the image more interesting—even more so with self-title “Two Seconds of Hesitation”.
Thibaud Saintin used Nikon D700 and 50mm f/1.4 lens to shoot the pic on Jan. 1, 2013, at the “Edelweiss cafe, Georgetown, Penang”. He lives in Bangkok, Thailand, where he teaches French. Vitals: f/2.2, ISO 1000, 1/40 sec, 50.4mm.
Flickr a Day 108: Bus Ride
Early Micro Fourth Thirds and oddballs like the Sigma DP1 led affordable, mirrorless cameras to popularity. Among the key benefits: Convenience of a rangefinder, like the one used on Day 87, but for much less cost; physically smaller size; and lenses that are less bulky. The DP line, like the Fuji X100 series or the Leica X1 and X2, stand out for being compacts with fixed lenses and APS-C sensors common among digital SLRs. Another, the Sony Cyber-Shot RX1, and companion RX1R, up the ante by offering something more: full-frame sensor.
A full-frame sensor is typically 24mm by 36mm with an effective focal point of 35mm. APS-C is cropped, by comparison, adding an effective multiple of around 1.5 times (depending on the camera) to the lens’ focal length. Full frame captures more detail, suffers from fewer visual artifacts, and produces better results in natural or low-light. You pay more, too. Either RX1 retails for around $2,800—for camera with fixed, non-interchangeable lens.
Justin Kern used the RX1 to shoot today’s selection, which I chose for its detail, rich color, and stark contrast—perspective smartly split between the bus interior and the road outside. Vitals: f/2, ISO 125, 1/80 sec, 35mm.