Today’s selection steps back from the parade of people to urban photography. Michele Ursino shot self-titled “Matera—the Old Town” on Sept. 16, 2014, using Nikon D7000 and 11-16mm f/2.8 lens. Vitals: f/4.5, ISO 100, 1/200 […]

Today’s selection steps back from the parade of people to urban photography. Michele Ursino shot self-titled “Matera—the Old Town” on Sept. 16, 2014, using Nikon D7000 and 11-16mm f/2.8 lens. Vitals: f/4.5, ISO 100, 1/200 […]
Chilean Francisco Osorio describes himself as a “social anthropologist very interested in photography since childhood. I remember my father bringing home a book to learn how to make photographs, which I read from cover to […]
Reviewing the last few days of selections, I see that the subjects are all older. We can’t have that! I picked today’s pic mainly for staging. The umbrellas are perfect additions, and what’s not to […]
For this second Friday the 13th of 2015, Juan Carlos Gonzalez is your lucky charm. His Flickr stream is a magnificent presentation of color and composition. Many of the photos seem to leap off the […]
Belgian Lie—”pronounced as ‘ee’”, she says—distinguishes her photographic art by a distinctive characteristic: Red. She uses the color to accent and punctuate her images. If you spend time browsing none of the other photographers’ photostreams […]
Lighting is today’s selection’s winning quality. Illumination behind the subject, enveloped by darkness all around, creates cozy feeling. Don’t you just want to grab a book and join him? Carol Blyberg shot self-titled “Reading Light” […]
The intensity exploding from the photographs of Isengardt can’t be ignored, and it draws in and envelopes you. Today’s selection is among his tamest, but I’m not alone fancying it. The image is his Flickr banner. Color and mood make self-titled “Breaking the silence”. Yeah, I can almost hear that car punching through the fog.
Bond is a name. You don’t need to hear the James. I have to say the same of Isengardt, whose name is a mystery to me. But not his equipment. He used the Canon EOS 550D to shoot this photo, on Sept. 30, 2012.
Yesterday’s featured photographer, Stefano Corso, cites Elliot Erwitt as one of his influences. So I searched Flickr for the street shooter, expecting not to find him—and I didn’t. But self-titled “Elliott Erwitt Revisité”, by Jean François, caught my attention. […]
The silhouette strongly describes the street photography of Stefano Corso, but something more. The “peculiar point of view always has a certain surreal, oniric quality, properly balanced by the irony of the pictures’ titles. Selected […]
Today’s selection is the second of a trio of photos where a person sets the scene rather than is the dominant subject. Like the first, the individual is back to the shooter and moving away. […]
Landscapes rarely contrast so strongly as Day 64’s Northern Maine potato field and this New Zealand mountain view. Beam me up, Mr. Scott, and down to Kiwi. The photographer, who goes simply by Vern, is […]
I debated long about whether this photo should be today’s selection. For starters, Richard Robles is no longer active on Flickr, which he joined in January 2006, and I could find little else about him—even confirmation that the gentlemen still lives. The image also isn’t the sharpest, taken with the Kodak EasyShare CX7525, which by today’s standards is a vintage digital compact. But the colors appeal, and bleak landscape is home: Aroostook County, Maine.
Aroostook, or “beautiful river”, but referred to as the “Crown of Maine” on maps and in tourism marketing, is a single, isolated county. Aroostook is so expansive—larger than the states of Connecticut and Rhode Island combined—that many Mainers refer to it as “The County”.