San Diego Comic-Con commences in two evenings. Unless something dramatically unexpected happens, I will not attend any part of the event—only miss since my first go-there in 2009. I managed only one day last year after being there for every other Con. Looks like 2018 will be even less.
I have resigned myself to circumstance, following failed Returning and Open registration attempts to purchase passes. I may go to Gaslamp, like last year, to shoot street photos with the Leica M10. Or maybe not.
Tomorrow night begins my seventh sojourn to the greatest geekfest and pop-culture event on the planet. Imitator shows are everywhere this Century, but none commands character and class like the original. San Diego Comic-Con is an amazing amalgamation of hopes and aspirations—and the grandest storytelling—where, for four days and a Preview Night, tens of thousands of people can be themselves—fit in, rather than feel oddball—or be whom they would want to be by dressing up as beloved superheroes or villains and by adoring the storytellers and actors behind them.
The first, full three-day event took place from Aug. 1-3, 1970, at the U.S. Grand Hotel, with about 300 attendees and sci-fi luminaries, including Ray Bradbury and A.E. van Vogt. This week, 130,000 attendees will storm San Diego Convention Center to enter an alternate reality, where the social rules binding them everyday no longer apply.
San Diego Comic-Con 2013 was a great venue for Dr. Who. The 50th-year celebration was underway, and there was tremendous excitement about the new Doctor. The program is always popular at the Con, but there was special aura—and were attendees in costumes and garb of all kinds everywhere.
The Time Lord is topic of today’s installment from my ebook Comic-Con Heroes: The Fans Who Make The Greatest Show On Earth, which goes into the public domain on July 8, 2015, after my current commitment with Amazon KDP Select ends. Previously posted in order of appearance: The Dark Knight, The Fighter, The Collectors, The Academic, The Nerd Culturist, The Writer, The Bicyclists, and The Heroine (Ericka Quesada).
In theory, I will go to San Diego Comic-Con this year—as a paying customer. For that I am most grateful and for the ease of the Open Registration process. From 2009 to 2014, I attended as registered press, but for some reason my status wasn’t re-certified. There was no formal rejection, just no approval during the typical “within 6 weeks” period after verification document submission.
SDCC’s streamlined process is a grabbag of chance. If you have an active ID on the system (before a cut-off date) and attended the previous year, you receive a code to participate in the registration process. That means using the number and last name to enter the waiting room between 8 a.m. to 9 a.m. PST. Anyone in the room when sales commence at 9 o`clock can be randomly chosen to purchase passe(s). Chrome refreshed me to the buying queue about 20 minutes after sales started.
Vantage point best describes the photography of Jessica P., better known as jjesskalee around the social networks. Perspective works just as well. She sets very defined viewpoints, often getting in close to subjects. Like me, she uses the Fujifilm X100T, which shoots surprisingly great Macros; the f/2 lens gives shallow depth-of-field that produces fantastic bokeh.
Jessica shot self-titled “Tiny Houses” on Dec. 31, 2014. The houses belong to board game The Settlers of Catan, which was unknown to me before seeing this pic and a companion my wife prefers. As someone who fanatically role-played Dungeons and Dragons and Empire of the Petal Throne in high school, I’m surprised to somehow have missed Catan, which Klaus Teuber developed and released to the German market 20 years ago.
One week ago, I started serializing my ebook, Comic-Con Heroes: The Fans Who Make the Greatest Show on Earth, which will go into the public domain after the last segment posts on July 8, 2015, after my current commitment for Amazon KDP Select ends. The first installment featured Ken Camarillo, as The Dark Knight. There is no shortage of people like Ken who dress up as someone else during the Con.
But the pop-culture event, and others like it, come around just once a year. Some people wear costumes, and assume other personas considerably more often—and that is the case with today’s Comic-Con Hero. She and her wonderful cohorts reach back into the past, recreating in modern times flavors of an era few people remember but should.
For San Diego Comic-Con 2015, I am required to reverify my press status—the second time since starting to attend as news media in 2009. I submitted the required documents and story links in early December 2014 and now anxiously await my SDCC fate. If denied, I will unlikely attend this year’s Con, having missed other opportunities to register. If that happens, the world won’t end. Life will go forward. But my birthday, which occurs during the July 9-12 dates, will be somewhat sorrowful this year.
I love Comic-Con for what it represents: Storytelling and attendees being or associating with the people they wish they could be. I laid out my thoughts on the latter concept in July 2010 post “The Roles We Play“, which I adapted as the introduction to my 2013 event project: Comic-Con Heroes: The Fans Who Make the Greatest Show on Earth. I had much hope for the ebook, when published about 18 months ago. But sales were never good—and as distance grows greater from the events told, time diminishes the content’s value.
[youtube http://www.youtube.com/watch?v=KpuF_CTQrlo] Scifi lover Shea Standefer and “big all-around nerd” shows off her stunning the Original Star Trek costume, in this video I shot during Comic-Con 2012. She bought the costume from Anovos, which […]
Here is another vid from Comic-Con 2009 and, again, 360p even though I shot in 1080p. Perhaps YouTube allows re-uploads with higher quality? This one is a bit long for the actual content, but I […]
Battlestar Galactica costume by Anovos, spotted at San Diego Comic-Con 2012. Cost is $1,250 without the insignia pins, which add another $320 to price. Costume is produced in Canada by same company that did them […]
Front of the line to meet animator Pen Ward. It’s a long one. He’s here at 5 p.m. PT. You can learn what Comic-Con is really about by talking to these Ward fans.
Comic-Con 2012.