Some photos demand attention for the perplexity they present. “What the frak?” is my question looking at pose and police. I want to know the context, the backstory, and there may be none other than […]
Category: Media
Take the Tidal Challenge
Lossless leader Tidal has a problem. Last month’s splashy relaunch let critics control the narrative, defining the streaming service as a tool for pampering the bank accounts of already successful musicians. But Tidal is something else: Affordable HiFi streaming for the listening elite—those people who want to enjoy music the way it was engineered, produced. The streamer should be the coolest thing, but the Jay Z ownership team fraked up the marketing messaging. Problem is fixable, but correction requires aggressive advertising, promotional pricing, and extraordinary exclusives.
For more than three weeks, I have listened to nothing but Tidal, and the service should challenge everyone signing up for the 30-day trial to do likewise. There is no other way for the majority of people to appreciate the aural benefits. The majority of potential subscribers are too accustomed to the muddy, mushy, overly-bassy sound of compressed, low-fidelity AAC or MP3 files. The brain and ears need to be freed from the habitual crappy sound to which they’re accustomed. iTunes is a prison. Spotify is another. Tidal will liberate you. But you must want freedom to attain it.
Flickr a Day 114: ‘Anonymous #2’
I had to abandon my original pick from the photostream of Mattia Notari. The pic is interesting and the composition is superb. But after discovering self-titled “Anonymous #2″—and, yes, there is another and another—I could choose no […]
Flickr a Day 113: ‘Barber Shop’
Documentary photographer Akshay Mahajan shot today’s selection on Aug. 24, 2007, using Nikon D200. With nearly 48,000 views, the image certainly is popular. Vitals: f/4.5, ISO 100, 1/50 sec, 18mm. He is from Bombay, India, but lives in New Delhi.
Akshay joined Flickr in November 2004. While active on the service, you will find more photos on Instagram.
Flickr a Day 112: ‘Eiffel Tower’
A magazine advertisement inspired today’s selection. My wife marveled over the Eiffel Tower, snapped using iPhone 6, on the back of a magazine cover. Hours later, on Flickr, I spotted this stronger shot that Jeroen Bennink […]
Flickr a Day 111: ‘Ferrara Busker Festival’
Today’s selection is another lesson in perspective, and also composition. July Pastorello focuses on a partial subject, yet enough for us to understand the activity, while using the people watching as background canvas that compels you […]
Flickr a Day 110: ‘Salt Pans’
Drama and composition make this pic, by Dave Lansley, our pick. Interestingly, his Peru 2007 album includes about a dozen photos from the same location. Today’s selection was the one I first saw and stand-out choice […]
Flickr a Day 109: ‘Two Seconds of Hesitation’
Our selection compliments Day 108. Both photographs use different techniques to split the viewpoint between subjects. Here, the mirror image creates dynamic perspective and leaves anyone looking closely wondering. Because to the far right, there is a man’s partial face in the reflection, watching her. The questions raised by his presence make the image more interesting—even more so with self-title “Two Seconds of Hesitation”.
Thibaud Saintin used Nikon D700 and 50mm f/1.4 lens to shoot the pic on Jan. 1, 2013, at the “Edelweiss cafe, Georgetown, Penang”. He lives in Bangkok, Thailand, where he teaches French. Vitals: f/2.2, ISO 1000, 1/40 sec, 50.4mm.
Flickr a Day 108: Bus Ride
Early Micro Fourth Thirds and oddballs like the Sigma DP1 led affordable, mirrorless cameras to popularity. Among the key benefits: Convenience of a rangefinder, like the one used on Day 87, but for much less cost; physically smaller size; and lenses that are less bulky. The DP line, like the Fuji X100 series or the Leica X1 and X2, stand out for being compacts with fixed lenses and APS-C sensors common among digital SLRs. Another, the Sony Cyber-Shot RX1, and companion RX1R, up the ante by offering something more: full-frame sensor.
A full-frame sensor is typically 24mm by 36mm with an effective focal point of 35mm. APS-C is cropped, by comparison, adding an effective multiple of around 1.5 times (depending on the camera) to the lens’ focal length. Full frame captures more detail, suffers from fewer visual artifacts, and produces better results in natural or low-light. You pay more, too. Either RX1 retails for around $2,800—for camera with fixed, non-interchangeable lens.
Justin Kern used the RX1 to shoot today’s selection, which I chose for its detail, rich color, and stark contrast—perspective smartly split between the bus interior and the road outside. Vitals: f/2, ISO 125, 1/80 sec, 35mm.
Big Cat in a Small Tree
Neko is primarily an indoor cat, but we do take him out for brief jaunts in the apartment complex courtyard. While he’s not trim, our bulky boy can still climb when motivated. Here he finds […]
Flickr a Day 107: ‘Snowy’
When choosing photos for this series, I weigh many considerations, such as: Image quality and appeal, composition, and story behind the image or the one about the shooter. Today’s selection is soft and doesn’t represent the high IQ typical of Matt MacGillivray. But it’s a great shot superbly composed (or cropped) that is interesting. Bird and bricks? WTH?
Matthew works for the Cornell Lab of Ornithology as a web application system architect. But birds are a passion, as his photography shows. He shot self-titled “Snowy” on Jan. 4, 2009, using Canon EOS Digital Rebel XTi and Canon 100-400 f4.5-5.6 lens. Vitals: f/7.1, ISO 200, 1/400 sec, 400mm.
Flickr a Day 106: ‘La Nave de Juan Diego’
Today’s selection comes with a question: Does the effect appeal to you? Computer scientist by day, photographer the rest of the time, Pedro Szekely is a fan of HDR—high dynamic range—techniques for shooting and processing images. Done right, the method can add great depth to the final photo, particularly when taken in unfavorable conditions, such as low or harshly-mixed lighting.
Self-titled “La Nave de Juan Diego”, captured on July 10, 2013, is one of Pedro’s better photos using HDR. On Day 105, we saw example of a photographer who years later decided the original was better than the HDR composite. By contrast, given the high view count of this photo, more than 22,000, and that of other renders in the photostream, many, many other people presumably prefer Pedro’s punchy style.