Our Sunday selection goes to Susan Jane Golding, who snapped this street shot on May 10, 2018, using Fujifilm X-Pro2 and Fujinon XF35mmF2 R WR lens. Vitals are unknown because the metadata is absent. Self-titled “No […]
Category: Fuji
Flickr a Week 37b: ‘Window’
Self-titled “Window” isn’t the best street shot in the Photostream of Spyros Papaspyropoulos, but it’s the one that caught my eye and that appropriately defines his style: People, or things, that fit oddly together. His composition technique is brash and intimate—as if he were invisible and thus able to get close in to capture candid, raw, unfiltered moments.
He used Fujifilm X-Pro1 and Fujinon XF18mmF2 R lens for the portrait “snapped in Chania, Crete, Greece” on Aug. 8, 2018. Vitals: f/11, ISO 1600, 1/250 sec, 18mm. The image takes the Sunday spot for candor, character, color, composition, and creamy grain that adds film-like quality. From Athens, but living in Rethymno, Spyros joined Flickr in May 2008. He also is cofounder of Street Hunters—where you should go to see more of his work and that of his companion photographers.
Flickr a Week 36a: ‘The Mystery Woman’
Composition, light, shadows, symmetry, and intrigue give the Sunday spot to self-titled “The Mystery Woman” by Enric Fradera, which he captured on April 17, 2015, using Fujifilm X100. Vitals: f/2, ISO 200, 1/750 sec, 23mm. […]
Flickr a Week 32a: ‘I Couldn’t Resist’
Self-titled “I Couldn’t Resist” certainly could be me—or perhaps you—walking by, seeing the sign, and taking the shot. But the moment belongs to Tom Driggers, who explains: “How very appropriate! This humorous sign was standing near the register at a well-known sandwich shop in Atlanta, GA”. The composed juxtaposition—big, sharp sign to the right and blurred cook to the left—just works.
Tom used Fujifilm X100F on Jan. 25, 2019 to capture our Weekend Winner. Vitals: f/2, ISO 640, 1/125 sec, 23mm.
Flickr a Week 29: ‘Oxford Street, 2019’
We greet mid-month with startling self-titled “Oxford Street, 2019“, which Sam Rodgers captured on September 8 using Fujifilm X-Pro2 and Fujinon XF16mmF2.8 R WR lens. Vitals: f/11, ISO 200, 1/500 sec, 16mm. The portrait is evocative of Sam’s street shooting style—getting down low to the subject. Before moving to San Diego, I often would lay on the pavement or sidewalk with my camera for more interesting perspective. But Californians love their dogs and let them defecate and pee everywhere; rain is too infrequent to naturally clean away the crap. So I stay on my feet.
Sam shows how changing angle and viewpoint can create character from what otherwise would be a mundane moment. He also gets in close to people, shooting wide open, and his portraits tend to be more dramatic—and clever—as a result.
Flickr a Week 27: ‘Moving House–The Philippine Way’
What a welcoming way to start the second half of 2020, following a tumultuous first six months: some spirit of cooperation—and it will be desperately needed as a pandemic-fractured humanity presses onward. Oh, and let’s […]
Flickr a Week 24a: ‘Logs on the Bus, Sullivan County’
Can someone please explain self-titled “Logs on the Bus, Sullivan County” to me? Shooter Doug Turetsky doesn’t, and I really want to know. Mystery and storytelling are principal reasons for claiming the Sunday Spot. He […]
Flickr a Week 21a: ‘Intimacy’
What could be better to celebrate my dad’s 79th birthday than something he might see loose on the family farm? Stephanie Young Merzel delivers, with self-titled “Intimacy“, which is a keeper for clarity, color, and […]
Flickr a Week 20a: ‘Truck Bed Friends’
The definition of frustration is an artist like Göran Johansson, whose Photostream presents too many superb street shots to choose from. Almost any image is worthy, but the Sunday spot goes to self-titled “Truck Bed Friends” […]
Flickr a Week 20: ‘February Super Snow Moon’
The week goes to Steve McClanahan for self-titled “February Super ‘Snow’ Moon“, which is “playing hard to get behind the San Francisco Bay Bridge”, he explains. Ambience, character, composition, and contrasting elements—natural and man-made—make the […]
Now, It’s the Apocalypse: San Diego Comic-Con Canceled
Today, SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—aka COVID-19—claimed an expected victim and long holdout being one. For the first time since its humble 1970 inception, San Diego Comic-Con will not happen as planned (July 23-26). The event joins the County Fair and a multitude of vertically-oriented industry conventions as Novel Coronavirus casualties.
For me, SDCC 2020 already was a non-event: Like the previous two Cons, I failed to secure a pass during Open Registration. For San Diego, which economy depends on tourism, the non-event pandemic is catastrophic. According to the San Diego Tourism Authority, tourism is the “second largest segment of [the local] economy”, employing approximately 200,000 people—or about 13 percent of the jobs across SD County. “It is vitally important to the economic health of the region”.
Flickr a Week 16: ‘Overwhelming Life’
We present another portrait that, like “Willing Prisoner“, was taken in one context but is appropriate for another. Duke Yeh captured self-titled “Overwhelming Life” on Jan. 29, 2018, using Fujifilm X100F. About the photo, he says: “Whispering under his breath, I couldn’t capture what the gentleman was saying. But surely his posture says it all”.
The subject’s “life complexity at a glance” sadly suits the current global crisis, where the SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—also known as COVID-19—pandemic has shattered economies, driven a wedge between people (“social distancing” and “shelter-in-place” orders), isolated entire nations (government-imposed quarantines), and turned cities into scenes from post-apocalyptic movies. Then there are the millions infected, ill, or deceased.