Category: Fuji

Society by Joe Wilcox
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Attack of the Cosplayers

I spent most of Comic-Con Day 3 shooting photos with the Fuji X-T1. With the Masquerade Ball in the evening, cosplayers descended on San Diego Convention Center in large numbers. As expected, July 11th was by far the busiest—bustling crowds were everywhere, Even at my trolley stop, there were more Conners waiting than the two previous days.

Riding in, I chatted with a Twentysomething, wearing an Apple Watch. I commented how much nicer is his wristband than mine. He asked how I like the timepiece, as he only had his for four days. Turns out, the former Marine who served for 5 years after joining at seventeen works at one of the local Apple Stores. I love go-to people. He had submitted a résumé online, but didn’t get a fast-enough response. So he hauled down to the mall and waited a half-hour to see the manager. Now that is how you get hired. 

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Society by Joe Wilcox
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Uh-oh! Red Shirts!

What an Uglydoll way to go. I wonder how long these will last? Star Trek Uglies are this year’s San Diego Comic-Con exclusives. Just beam me up some, would you? But Preview Night wasn’t their time for big sales. Long lines queued elsewhere.

Each day of SDCC has its own distinct character. Preview Night is the big geekfest. It is not the pretty people gathering. The group fulfills a wide range of stereotypes that says nerd. The fewest cosplayers are seen of any day, also. You would think Star Trek would appeal to these types, and perhaps it does. I observed more of a Dr. Who, Orphan Black, and The Walking Dead crowd. 

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Photo by Joe Wilcox
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Flickr a Day 156: ‘Street Lads’

Some pics jump from the photostream and demand to be chosen, as is the case with today’s selection. Simon Evans shot self-titled “Street Lads” on Sept. 20, 2014—around the time that he started blogging—using Fujifilm X-Pro1 and Fujinon XF 27mm F2.8 lens. Vitals: f/5.6, ISO 800, 1/450 sec, 27mm.

The pancake lens makes the Fuji mirrorless camera a relatively smaller shooter—well, compared to bulky dSLRs—while offering dramatic benefits of hybrid optical and digital viewfinder. Motion more typically describes Simon’s street shots. The Day Maker is rare exception. “This is what happens when you give in and ‘spare a bit of change'”, he jokes. 

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Photo by Joe Wilcox
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Flickr a Day 147: ‘Old Lady’

If you asked reasons for today’s selection, several would stand out. Top of list: Exhaustion that makes me identify with the subject. That’s how I feel after searching the photostream of Oliver Degabriele; I could choose any and most every image for the Day. Composition, color, and contrast also appeal, and I find something old-worldly and interesting about self-titled “Old Lady”.

But I like “Soundcheck” as much, but passed even though it more topically represents the photographer, who also is a musician. As the series progresses, increasingly my choices are influenced by previous picks. We bad musical performance themes on Days 12, 16, 92, and 100. 

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Gear by Joe Wilcox
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Meet the Fujifilm X-T10

Fujifilm’s line of cameras increasingly looks like choices among toothpastes. Do you want fluoride or gingivitis protection? Oh, this one whitens teeth, cures bad breath, and eliminates body odor. Decisions, decisions. That’s kind of my reaction to today’s debut of the X-T10 digital camera, which shouldn’t be confused with Fujifilm’s X10, X100T, or X-T1. Dyslectics and the visually impaired, beware!

As a X100T owner, I’m a Fuji fan. So, please, don’t take my criticism wrongly. It’s just this lineup is quite crowded. The company’s product website lists—count `em—18 different X-Series models. Sure, some aren’t current and not all can be confused. But many of them are close enough in actual benefits to perplex potential buyers. 

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Photo by Joe Wilcox
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Flickr a Day 106: ‘La Nave de Juan Diego’

Today’s selection comes with a question: Does the effect appeal to you? Computer scientist by day, photographer the rest of the time, Pedro Szekely is a fan of HDR—high dynamic range—techniques for shooting and processing images. Done right, the method can add great depth to the final photo, particularly when taken in unfavorable conditions, such as low or harshly-mixed lighting.

Self-titled “La Nave de Juan Diego”, captured on July 10, 2013, is one of Pedro’s better photos using HDR. On Day 105, we saw example of a photographer who years later decided the original was better than the HDR composite. By contrast, given the high view count of this photo, more than 22,000, and that of other renders in the photostream, many, many other people presumably prefer Pedro’s punchy style. 

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Gear by Joe Wilcox
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The Grados Prayer in C

While no geek, I still appreciate good tech. Nexus 6 and Grado Labs RS1e headphones are two of my four best acquisitions made since summer 2014, and both will be reviewed—ah, someday soon. The others: Fujifilm X100T used to take the above photo and Chromebook Pixel LS received two days ago.

Too often, the measure of quality cans is classical music. Bah! Modern headphones should encompass a complete tonal range—not just the highs of the great dead composers’ violins or the lows from the thumping bass preferred by the Beats generation. Fullness and roundness are exactly what the RS1e deliver to my aging ears. Today, I listened to a song surprisingly showing the headphones’ tonality, streamed from Google Music to, yeah, the N6. 

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