Where are the customers? I ask, because why would anyone Uber when they could ride in one of these? Convertibles! Especially, as I understand, ride shares aren’t available—well, at least, for tourists.
Christoph Kilger captured self-titled “Havanna Taxis” on March 21, 2019, using Leica M10 and Summilux-M 35mm f/1.4 ASPH lens. Vitals: f/1.4, ISO 400, 1/2000 sec, 35mm. The photo takes the week for color, composition, and symmetry. BTW, since when is Havana spelled with two “n”s?
Photographers don’t always title their artwork, which is the case for our mid-week Sunday shot. Stefano Annovazzi Lodi captured the moment on New Year’s Day 2020, in “Napoli, Italia”, using Fujifilm X-T20 and Fujinon XF18-55mmF2.8-4 […]
During my Aroostook County, Maine youth, the night sky treated me and other residents to expansive Milky Way—on many evenings filled with Aurora Borealis. Sanshiro Kubota captured their stunning spectacle from Jökulsárlón, Iceland, on Oct. […]
Strange how foreshadowing metaphor can be a single street shot and its accompanying caption. Quinn Dombrowski captured self-titled “Willing Prisoner” on Sept. 23, 2012, using Canon EOS Rebel T2i and EF 70-300mm f/4-5.6 IS USM lens. Vitals: f/7.1, ISO 400, 1/400 sec, 240mm. The gas mask and woman bound are eerily appropriate illustrations for the SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—also known as COVID-19—pandemic spreading across the Continents from China.
As I write, more than 3,000 people have died globally from the virus, which has infected around 90,000 in at least 60 countries. But those numbers are likely low, because of unreported cases—for numerous reasons: Inadequate testing; influenza confusion; political coverups; and the extremely long, asymptomatic period when the infected are contagious. In the United States, six people have died from the disease in about 72 hours (four announced today)—mostly in a cluster within Washington State, where experts estimate unobserved transmission occurred for about six weeks. As such, the infection is likely widespread.
I don’t see many furballs along the stretch of Lincoln from Washington to where it dead-ends past Vermont. Our newest, observed inhabitant joins seven others: Cool, Dainty, Glass, Kitty, Little Miss, Sky, and Spunky.
Not the most original nickname, Shade is apt for the challenge posed capturing the Featured Image using Leica Q2. Vitals, aperture manually set: f/8, ISO 100, 1/250 sec, 28mm; 12:20 p.m. PST, Jan. 22, 2020.
I came to the Photostream of Alexandre Gallier by way of “Simple Portrait“, which charms for its texture and natural effervescence. But the Sunday spot instead goes to self-titled “Essaimage“, not because the other isn’t worthy but to keep a varied flow of the series‘ selections.
The closeup, from Nikon D610 with 90mm Tamron Macro lens, is a keeper for beautiful bokeh, contrasty colors, and delicious detail. Vitals: f/11, ISO 400, 1/40 sec, 90mm; April 16, 2019.
Some street shooters swear by Ricoh GR II—or, presumably, the nearly year-old III. I can see why. If you asked me what camera J Stimp used to capture self-titled “She Concentrated Deeply on the Message She Dreaded Sending“—or any other image in his Photostream—I would have said Leica M10, or one of its siblings. But, no, the GR II. Wow.
I discourage you from looking at any other portraits but this one. To peek at his Photostream is to fall inside and became gloriously trapped in an enchanting and mesmerizing montage of (mostly) black and white street shots. You have been warned. I barely escaped from the sheer visual wonder and clever captions.
Simplicity is an art form that evokes calm—and with self-titled “Rest“, which Aftab Uzzaman punctuates with caption “finally“, a lonely leaf tugs the emotions. He captured the moment on Oct. 25, 2011, using Canon EOS […]
The fifty-sixth putty-tat seen behind window or door made an unexpected appearance, along Madison near Delaware, early afternoon Feb. 4, 2020. I shot a half-dozen photos—some auto, others manually—focused, and the last is best. The Featured Image, nearly 100-percent cropped, comes from Leica Q2. Vitals, aperture manually set: f/5.6, ISO 100, 1/800 sec, 28mm; 12:48 p.m. PST.
The cat’s coloration reminds of Internet meme-maker (and now deceased) Grumpy Cat, but without the ridiculous frown. An appropriate nickname should be some kind of opposite, then. I choose Jolly.
This fantastic sign, which red and blue colors equally malign both major political parties, reminds me of the “None of the Above” New York mayoral campaign from the “Brewster’s Millions” remake starring Richard Pryor. Using Leica […]
As summer solstice approached last year, I spotted three playful kitties romping around a front lawn not far from where North meets Madison. Only two were photographed, and I frequented the property over the following months hoping for a shot of the third. No such luck. Finally, in October, the pair joined the series with nickname Chums; I have seen them chasing one another a few times since.
The other remained more mirage until the morning of Jan. 29, 2020, when he (or she) appeared on the porch overlooking the yard they all apparently share. Singular Chum is appropriate moniker for frenemy the third. I used Leica Q2 to capture the Featured Image. Vitals, aperture manually set: f/8, ISO 100, 1/80 sec, 28mm; 9:49 a.m. PST.
Italian Giampaolo Macorig says that “walking around Rome you will find splendid views”. He presents one with self-titled “Cortili Romani“, which he captured on Nov. 9, 2019, using Sony α7 III and FE 24-105mm F4 G […]