Not long after seeing a furball I call Dainty under a car, another kitty greeted my wife and I as we walked down Lincoln near the Vermont Street bridge on June 4, 2017. Look closely at […]
The Cats of University Heights: Dainty
Yesterday, the streets were unusually quiet, even for Sunday, as the Rock ‘n Roll Marathon had closed off portions of 163 and Washington. My wife and I enjoyed a fine walk through what could have been […]
Moto Z Force Droid Review
If you asked why the Moto Z Force Droid Edition appeals to me, I couldn’t identify one thing, which arguably is odd considering this is a review. Benefits and features feel finely balanced, which is a hallmark of good product design. Oh, and that satisfaction is for the pure smartphone experience, which is premium by nearly every measure that matters; I didn’t test Moto Mods that expand capabilities.
Lenovo/Motorola and Verizon released the smartphone in July 2016, so this exploration is belated—and then some. Apologies, the delay was necessary. In mid-December 2016, Verizon sent a holiday review package unexpectedly. At the time, my father-in-law’s health rapidly declined—and he passed away about 30 days later. In the months following, as we settled his estate and finalized other matters, I occasionally recharged the battery and picked up the Droid but had no real time to test it. Still, something about how well the Moto Z Force feels and fits in the hand compelled me to handle it. Often. To caress the ridged bezel. To read blog posts and news stories on the beautiful display.
Busy Bee
I am in process of completing a review of the Moto Z Force Droid, which is a Verizon Wireless exclusive. This afternoon, I shot some nectaring bee photos with the smartphone and iPhone 7 Plus for comparison. My wife and I went on a walk with both devices, stopping at what we affectionately call the Butterfly House. The residence is a mini-wildlife refuge for Monarchs, hummingbirds, and other flying things; oh, and chickens, too.
The Featured Image comes from the Droid, which packs a 21-megapixel camera. Vitals: f/1.8, ISO 50, 1/465 sec, 4.51mm; 3:01 p.m. PDT. However, the image is only 16MP because the default setting, which I neglected to check, is 16:9 rather than 4:3. No matter, focus is spot on, IQ high, bokeh beautiful, and color accurate. I’m pleasantly surprised.
The Cats of University Heights: Stride
Two mornings ago—Memorial Day—my wife and I walked down Campus between Monroe and Meade, when she spotted a grey and white crossing the street. Whoa, two new sightings on the same block about 18 hours apart. The other: Siamese seen at dusk on May 28th. I also ambled to the other sidewalk, and there captured a series of sequential stride shots as the feline approached before turning into a yard (Featured Image). The other is below the fold. Vitals, respectively: f/1.7, ISO 100, 1/800 sec, 28mm; 11:04 a.m. PDT and f/1.7, ISO 100, 1/1000 sec, 28mm; 11:03 a.m. PDT. Both are crops.
For a compact camera with fixed lens, the Leica Q‘s focus and shutter response is fast. Easily, the entire series of shots as the cat approached is useable. The morning was overcast, which I consider to be perfect photography weather. At f/1.7, shutter speed was plenty fast enough to stop motion. Both pics are crops, BTW.
Pop Pie Art
After months of anticipation—mainly because construction seemed to go on forever—the Pop Pie Co. finally opened for business late-September 2016 here in San Diego’s University Heights neighborhood. Sometime later came the terrific art you see […]
The Cats of University Heights: Dusk
One of Leica Q’s best benefits is its dual-focus system: auto and manual—the latter of which uses a mechanism similar to the German camera maker’s pricey rangefinders. There is a dedicated focus ring and adjustment knob around the lens, which when activated, cause the electronic viewfinder to magnify the shooting subject and present visual cue—green “peaking“—when in focus. This feature is particularly handy because: the lens is wide-angle (28mm); the f/1.7 Summilux glass and 24-megapixel full-frame sensor capture so much detail that cropping-in can replace a telephoto; but when shooting wide, with multiple objects, the auto-focus system can hone in on the wrong one.
On May 28, 2017, as I walked down Campus, midway between Meade and Monroe, I spotted a Siamese not seen before. I lay down on the sidewalk to capture the moment. Since the kitty was so still, I took a few extra seconds to switch to manual focus. Interestingly, as dusk settled, none of the auto-focus shots were right. The Featured Image is spot on the cat, in this close crop. The original, which is below the fold, gives actual perspective and illustrates how much detail the Leica Q captures. Vitals: f/1.7, ISO 100, 1/250 sec, 28mm. Time: 7:12 p.m. PDT, about 40 minutes before sunset.
The Cats of University Heights: Daniel Tiger
My Leica Q mistakes compounded on May 26, 2017. Earlier in the day, I forgot to change the shutter speed from the previous night’s shooting. Later, the battery died during my attempt to photograph an approaching short-hair. Doh. Who isn’t smart enough to read the charge meter in the display? Hel-l-lo? Joe? Anyone home?
While I fuddled with the camera, the kitty rolled around at my feet. Time wasted, I barely got out iPhone 7 Plus, before the furball sauntered off into the middle of the street—Louisiana, a few houses back from Monroe. Featured Image vitals: f/1.8, ISO 20, 1/634 sec, 3.99mm; 6:29 p.m. PDT.
Joe College
I started writing song lyrics around age 14, when given a typewriter. I long had fancied myself a lyricist, and you can be the judge by reviewing some of the verse. Songwriting was harder, but the first song came to me while walking home from high school (gasp) 40 years ago—perhaps a May day like this one, year of my graduation. I don’t recall the date. All my writings from the 1970s and 80s were left, and later lost, in Vermont circa 1989.
“Joe College” is simple, purposely repetitive, and peppy. I remember trying to hold the melody and words together in my head as I rushed back to my bedroom. The tune, as first inspired, changed because of short-term memory loss before being committed to permanent neural storage. Strangely—and I do mean strangely—the inspiration came from an animated Peanuts special, which in part featured Snoopy the dog as Joe Cool attending college.
The Cats of University Heights: Peso
I am a pitiful Southern Californian resident—for not speaking, or reading, a word of Spanish. Fortunately, Google gave my linguistic handicap a little boost yesterday evening, when encountering the large-pawed beast who is our featured feline this cool Caturday. Walking down Monroe from Park Blvd. towards Texas Street, I heard a furball meowing on the other side of a tall hedge at Georgia. I rounded the corner and peaked inside. The beastie came running out on the sidewalk to greet me.
The number of owned street cats without collars surprises me, but this friendly brute was an exception. As he rolled around for pats, I looked at his tag, which gave a phone number followed by “Gracias” on one side and “Mellamo Peso” on the other. I may be ditz-for-non-English-language brain but nevertheless recognize “Thank You”. But the other, I assumed was a first and last name, or perhaps a nickname. I whipped out iPhone 7 Plus and Googled “Mellamo”, only to discover that it means “my name is”. That caused me to resume petting with one hand and lifting the tag with the other; maybe I misread, because who calls their cat Peso? Crazy thing, makes sense. He is one big boy, and the name translates to “weight” (or so says Google). He is Maine Coon size but leaner.
‘Edna Scissorhands’ Cuts Me Quick
Sometimes stupidity is a bad habit—or that’s how I feel about making immensely idiotic mistakes mishandling the Leica Q today. A camera with manual controls demands that the shooter be smart enough to check the dials between outings. Last night, while hunting for subjects to add to my “Cats of University Heights” series, I set the shutter to 1/125 sec. Couple evenings earlier, motion blur spoiled several potentially good portraits of a black and white that I call Fraidy and another not yet featured. Because the digicam’s auto-mode had preferred low ISO and slower shutter speed, I chose what seemed right for late-yesterday’s lighting.
I should have sorted out my mistake this afternoon in San Diego’s South Mission Hills neighborhood. My wife had taken me on an outdoor expedition to two close-by destinations: The Spruce St. Suspension Bridge, which crosses a deep canyon in Banker’s Hill. Edwin Capps designed the pedestrian walkway, completed in 1912. I stupidly shot no photos there. Doh. From the footbridge, we drove to the “Edna Scissorhands” (e.g. Edna Harper) topiary garden on Union Street, where distracted by two cats, I turned attention first to them without checking the shutter—dumb, dumb, considering I took time to turn the aperture to f/5.6.
The Cats of University Heights: Fraidy
A combination of circumstances complicated capturing today’s featured feline. On May 20, 2017, early evening, I walked down Mission Cliff towards Trolley Barn Park, where movie “ET: The Extraterrestrial” would be shown on a humongous air-inflated screen. At Park Blvd., a skittish kitty skirted across my way around a parked car. I got down low and looked for the flighty beast. Problem: I couldn’t make out anything in the viewfinder. The Diopter Adjustment knob moved out of place, so I shot blind so to speak.
The other problem is about software intelligence. I switched everything to auto, to compensate for the viewfinder problem. But the Leica Q didn’t adjust the settings for my shooting situation. The cat briskly moved to my flank across a front yard to a second car (the Featured Image) then over another lawn and onto the sidewalk, trotting away. Vitals: f/1.7, ISO 100, 1/80 sec, 28mm; 7:32 p.m. PDT. Many of the other shots are 1/60 sec. Auto-set higher ISO and faster shutter would have made a better moment. There are reasons why the camera has manual controls. But blinded, I didn’t see what needed correction.