I came to the photostream of Jone Vasaitis by way of self-titled “A Strangely Alive Silence“, which is worthy choice and popular, with about 21,000 views. But resolution of just 1,000 pixels disqualified the still […]
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I came to the photostream of Jone Vasaitis by way of self-titled “A Strangely Alive Silence“, which is worthy choice and popular, with about 21,000 views. But resolution of just 1,000 pixels disqualified the still […]
Some selections are purely personal taste. They appeal to me, while not really reflecting the shooter’s broader photographic style. Thus, we come to self-titled “Abandoned Farmhouse”, which you can consider companion to yesterday’s “Fear of […]
Our second of three photographers discovered by searching Flickr for “silence” returns us to an artform explored on Day 8: Abandoned structures. If not for the decay, the room looks ready to receive guests for […]
We begin three days of photographers discovered by searching Flickr for “silence”. Today’s selection jumped from the computer screen; composition takes the Day. Easily. Ted Van Pelt shot self-titled “Gigi Sibble-Horton” on May 25, 2015, using […]
With nearly 22,000 views, self-titled “Galleria Vittorio Emanuele” is appreciated by someone—me none the least. Paul Bica used Olympus E-5 on May 24, 2014. Vitals: f/8, ISO 100, 1/60 sec, 70mm. Italian architect Giuseppe Mengoni […]
While this series favors candid and street photography, often the most challenging art is produced in the studio. “This shot honestly took almost an hour-and-a-half to get perfect’, Robby Mueller says of self-titled “Nerf Gun […]
The photostream of Rennett Stowe is delightful—filled with, as he says, “stock photographs, art photos, and a few family photos”. The stock stuff is fine example of what this type of work should be. Composition, […]
Photos of needy children in some developing countries are so often cliché. Sad face, wide eyes, and even emaciation. Self-titled “Life Through the Eyes of the Orphan” takes the Day for being something more. You […]
As an artform, iPhonography is more than just about the camera or the shooter. Post-processing matters, too. That my friends is justification for picking the fifth subway pic featured in this series (see Days 24, 45, 72, and 155 for the others). Ryan Vaarsi captured self-titled “Let Me Ride—West Village” one week ago using iPhone 6 Plus. Vitals: f/2.2, ISO 100, 1/15 sec, 4.2mm.
The photo takes the Day for composition, color, and contrast that looks more like film than digital. Ryan got the classic look in part by applying the VSCO Cam app‘s A1 “analog” preset. The app is free, but most presets cost something. A1 is among a collection of 12 for $2.99. iPhone users can shoot straight from the app or edit existing pics.
GoPro cameras are pure fun for catching dramatic videos. But they also grab stills as the motion goes. That’s what Anthony Quintano did on March 21, 2015. He captured today’s section, which offers great perspective and […]
Today’s selection is meant as a teaser for album/set “Ladakh“, which compiles photos Prabhu B Doss shot on two different motorcycle trips. Self-titled “Royal Parking Lot” takes the Day for composition and drama. The motorcycles […]
The photostream of Georgie Pauwels just kills me. Picking a single pic is burdensome because her smartly composed street photography captures character and evokes emotion. I debated between today’s selection and self-titled “Finally Spring“, both […]