Tag: photography

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The Cats of University Heights: Digger

My wife and I continue to take guarded walks, mostly along neighborhood alleys, as we attempt to practice so-called “social distancing” behavior whenever taking relief from our otherwise apartment lockdown. Actually, Governor Gavin Newsom has ordered all 40-million Californians to “stay at home“—a desperate strategy to slow spread of SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2), better known as COVID-19. Today, as we crossed Mission Ave., I spotted a black shorthair digging into a lawn. Hence, the nickname.

The home is next door to the place where lives Luna. Presumably, Digger is a relatively new resident—as the property where she foraged sold last year. Annie and I had a look during an Open House—not that we had interest in buying beyond our means, which describes, or perhaps described, most every property in San Diego (before contagion-containing tactics devastated the U.S. economy, among other nations).

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Something Stinks Here

There are the photo opportunities that you frustratingly miss, those you purposely pass on, and the ones you use for illustration—even when they’re make-do. That’s the context for our Featured Image, shot today using iPhone XS. Vitals: f/1.8, ISO 69, 1/1689 sec, 26mm (film equivalent); 10:05 a.m. PDT. Now comes some explanation.

In response to the SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—also known as COVID-19pandemic, federal and state officials have issued orders for citizens to “shelter in place“. Most businesses considered to be non-essential are closed; schools are, too. Staying home is fine most of the time, but some healthy outdoor activity is nevertheless necessary for the Wilcox family’s well-being. Turns out that walks are considered to be safe enough—and my wife and I continue to take them, mindful to try and keep the recommended six feet away from passersby (mostly dog walkers). At 8:50 a.m. PDT, we met someone, or I should say something, that we surely wanted to keep distance from: A skunk scurrying down the Meade Ave. sidewalk approaching us.

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The Cats of University Heights: Shelter

A week ago, the World Health Organization (finally) declared SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—also known as COVID-19—a pandemic. Next Day, President Trump declared a national emergency. Here in California, most bars, eateries, K-12 schools, shops, and universities are indefinitely closed, while residents are ordered to stay home—a tactic meant to “flatten the curve” of the contagion’s spread. Reasoning: If people avoid one another (so-called “social distancing”), fewer folks will be sick at once. Otherwise, with a nearly 20-percent medical intervention rate, Novel Coronavirus would, or likely still will, overwhelm hospitals. In San Diego, for example, there are not enough beds for the expected number of people desperately in need of invasive care.

Walks are considered safe enough, and my wife and I continue them. If you must “shelter in place“, ocean breezes and sunshine are Southern California comforts that invigorate mental and physical well-being. We might as well take advantage of what the cost of living pays for—while we still can (gulp, considering the economic pandemic also underway). As long as we can still get out, I’ll be on the lookout for fresh felines to add to this series. Hence: The fifty-seventh window watcher, which I saw on March 14, 2020 along Campus between Meade and Monroe.

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Flickr a Week 12: ‘Reincarnated?’

The week goes to Tee Cee and self-titled “Reincarnated?“—for beautiful bokeh, clever caption, ethereal quiescence, grainy texture, and the photographic tool chosen. Late last month, Fujifilm shipped the fifth iteration of its fixed lens compact, the X100V. Tee made this portrait, using the first, which released nine years earlier. Vitals: f/2.8, ISO 4000, 1/28 sec, 28mm.

I owned the original X100, back in 2011. It’s amazing—and yet not—to see someone still shooting one. The camera is a classic. Granted, the duck portrait is nearly two years old (May 2, 2018), but Tee still uses the X100 for street shooting—from looking at more recent posts to the Photostream.

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Flickr a Week 11b: ‘Break Heart’

Architect Mariano Mantel steals Sunday with street shot “Break Heart“, which he captured on March 2, 2019, using Nikon D7100 and 18-140mm f/3.5-5.6 lens. Vitals: f/10, ISO 1000, 1/250 sec, 56mm. The settings are interesting, for what they deliver: Graininess that adds ambience and texture to contrasty colors.

What are we seeing? Mariano explains. “A kora player show(s) his instrument in a Barcelona street. The kora is a West African harp of the family of bridge harps or harp-lutes. It’s the highest developed string instrument of Africa. The construction of the instrument as well as the music are unique in the world”.

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Flickr a Week 11a: ‘The Luck Gas Station’

The first of two Friday the 13ths this year is opportunity to slip in an extra entry between the two regulars. Bill McMannis captured self-titled “The Luck Gas Station” on Aug. 5, 2017, using Canon EOS M and EF-M 22mm f/2 STM lens. He explains about the photo: “On NC 209 in Luck, North Carolina, is an old gas station that surprises travelers and is often photographed”.

The street shot takes the informal, impromptu holiday for black-and-white character, contrast, timeliness, and timelessness.

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Flickr a Week 11: ‘Havanna Taxis’

Where are the customers? I ask, because why would anyone Uber when they could ride in one of these? Convertibles! Especially, as I understand, ride shares aren’t available—well, at least, for tourists.

Christoph Kilger captured self-titled “Havanna Taxis” on March 21, 2019, using Leica M10 and Summilux-M 35mm f/1.4 ASPH lens. Vitals: f/1.4, ISO 400, 1/2000 sec, 35mm. The photo takes the week for color, composition, and symmetry. BTW, since when is Havana spelled with two “n”s?

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Flickr a Week 9b: ‘Willing Prisoner’

Strange how foreshadowing metaphor can be a single street shot and its accompanying caption. Quinn Dombrowski captured self-titled “Willing Prisoner” on Sept. 23, 2012, using Canon EOS Rebel T2i and EF 70-300mm f/4-5.6 IS USM lens. Vitals: f/7.1, ISO 400, 1/400 sec, 240mm. The gas mask and woman bound are eerily appropriate illustrations for the SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—also known as COVID-19—pandemic spreading across the Continents from China.

As I write, more than 3,000 people have died globally from the virus, which has infected around 90,000 in at least 60 countries. But those numbers are likely low, because of unreported cases—for numerous reasons: Inadequate testing; influenza confusion; political  coverups; and the extremely long, asymptomatic period when the infected are contagious. In the United States, six people have died from the disease in about 72 hours (four announced today)—mostly in a cluster within Washington State, where experts estimate unobserved transmission occurred for about six weeks. As such, the infection is likely widespread.

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The Cats of University Heights: Shade

I don’t see many furballs along the stretch of Lincoln from Washington to where it dead-ends past Vermont. Our newest, observed inhabitant joins seven others: CoolDainty, Glass, KittyLittle MissSky, and Spunky.

Not the most original nickname, Shade is apt for the challenge posed capturing the Featured Image using Leica Q2. Vitals, aperture manually set: f/8, ISO 100, 1/250 sec, 28mm; 12:20 p.m. PST, Jan. 22, 2020.

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Flickr a Week 9a: ‘Essaimage’

I came to the Photostream of Alexandre Gallier by way of “Simple Portrait“, which charms for its texture and natural effervescence. But the Sunday spot instead goes to self-titled “Essaimage“, not because the other isn’t worthy but to keep a varied flow of the series‘ selections.

The closeup, from Nikon D610 with 90mm Tamron Macro lens, is a keeper for beautiful bokeh, contrasty colors, and delicious detail. Vitals: f/11, ISO 400, 1/40 sec, 90mm; April 16, 2019.