Tag: photography

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Homeless in Hillcrest

This gentleman is one of the many street dwellers seen today, when I walked from University Heights to neighboring Hillcrest on an errand. He caught my attention for what the Featured Image fails to reveal: The large load of belongings on the cart and spread somewhat down the sidewalk. He also was overdressed for the unseasonably warm day—25 degrees Celsius (77 Fahrenheit), when I used Leica Q2 Monochrom to take the street shot from the hip. Vitals, aperture manually set: f/8, ISO 200, 1/125 sec, 28mm; 2:20 p.m. PST.

While you might think otherwise from the profile and apparent skin color, he is a white guy. Anyone living long under the San Diego sun will become darker, with respect to skin tone; dirt and grime contribute to the change. This characteristic distinguishes the truly indigent from people begging for money; the grifter will often send off a benefactor with “God bless you”. The others offer thanks, with a sincerity of appreciation that is unmistakably authentic.

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Fit to Survive

Hard to imagine that a year ago, Californians freaked about rising SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 infections, with Governor Gavin Newsom imposing additional lockdown restrictions that essentially cancelled Christmas. Thanksgiving already was collateral damage.

Some small businesses, like Boulevard Fitness, resisted closure and defied threats of fines—or worse. The city (or county) could pull permits, particularly related to public health. For eateries and pubs, liquor license could be yanked instead or as well.

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Pedal the Pacific

Is it irony that an organization that cycles for its cause advertises on the side of a van? Maybe somebody will get the message about “trafficking” when stuck in rush-hour traffic beside the vehicle—or perhaps consider that an unmarked, white, windowless van could be carrying sex-trafficked men, women, or kids. Shiver the thought.

The group explains its mission: “Pedal the Pacific exists to educate all people about sex trafficking. We use bikes as a platform to raise awareness, educate peers, fundraise for leading nonprofits, and develop leaders who believe that no voice is too small to make a difference”.

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Have a Seat, Bring Books and Friends

Whether or not intentionally done, these giveaways are arranged like an outdoor living room. Comfy chair is the centerpiece, with stool and fold-up seating for entertaining guests. The bookcase could occupy real reading material—and surely one of the nearby lending libraries could provide a novel for personal perusal or perhaps poetry to share with the group. The other standing shelf would be place to put out food and drinks. The orange cones could cordon space for the gathering.

The setup is exactly how I found it yesterday in the alley separating Alabama and Florida Streets. Seen nearby and previously profiled in my “Cats of University Heights” series: Boxer, Pixie, and Spry.

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It’s Fake!

My wife and I came upon this sign, affixed to a utility pole, today, along Mission Avenue between Louisiana and Mississippi streets. Call me surprised, for having seen no other in our San Diego neighborhood of University Heights. So I got to wondering if a resident attempted a little scare tactic to get dog owners to clean up after their mutts. More effective: Place the notice higherand above, out of reach, a mock surveillance camera.

I walked about several streets inspecting every sign of every kind and all others shared in common: Tiny print somewhere indicating that the thing is the property of the city. By comparison, this one’s credit is “SmartSign.com”, which sells the warning, with a stake kit, for 27 bucks on the website.

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The Cats of University Heights: Parker

Our seventy-eighth kitty from Alabama, between boundaries Adams and Lincoln, is also the seventy-ninth seen behind door or window. Meet Parker—and, yes, that is the kitten’s real name. In the Featured Image, he sits overlooking the alley that separates the street from Mississippi.

I used Leica Q2 to capture the portrait, on Oct. 3, 2021. Vitals, aperture manually set: f/5.6, ISO 100, 1/1000 sec, 28mm; 9:14 a.m. PDT.

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Abandoned Homeless Shelter

On Nov. 3, 2021, alongside the Adams Substation (e.g. electrical hub) in University Heights, my wife and I passed by the makeshift refuge that you see in the Featured Image. For concern someone might be sleeping inside, I shot Leica Q2 from the hip, seeking not to disturb the resident. The first companion, taken the next day, looks towards the Kingdom Hall of Jehovah’s Witnesses on the alley behind Alabama Street and across from Old Trolley Barn Park.

Vitals, aperture manually set for all: f/5.6, ISO 100, 1/400 sec, 28mm; 11:39 a.m. PDT. The other: f/5.6, ISO 100, 1/250 sec, 28mm; 11:15 a.m., the next day. In the second photo you can see a bicycle behind the utility box. The entire setup was cleverly constructed but surprising for the busy location.

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Whoa, What’s That?

Mental note: Pay attention. Observe. Don’t assume. Now for an admission: I made a misidentification. On Nov. 25, 2020, I used a commercial sign to illustrate an analysis about SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 lockdowns precipitating permanent pub and restaurant closures in San Diego. I thought an “a” had dropped off from “Eat’s”, on signage pointing to a presumedly closed eatery down an industrial alley/street in Hillcrest.

As the Featured Image reveals, looking from the other side, the correct spelling is “Eli’s”, referring to Eli Vigderson’s European Car Repairs. Part of the “l” has fallen away. What I thought was a “t” is instead a full letter and part of another. I got to wondering about the sign, after posting “Got Mini?” two days ago; the roadster was parked at an auto shop.

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What ‘Shot on iPhone’ Means to Me

The Featured Image demonstrates some of iPhone 13 Pro‘s photographic limitations. I used the telephoto lens for this pic of surfers and the San Diego coastline from Ocean Beach Pier, today. The small sensor simply can’t capture crisp detail the way a real camera can. For comparison, consider this surfer shot, which I took using Fujifilm X100F on April 1, 2017; see post “A Day at the (Pacific) Beach“.

The X100F packs an APC-S sensor and my Leica Q2 a full-frame, which capture greater detail, more light, and superior dynamic range. Apple promotes “Shot on iPhone”, which is a clever marketing campaign. Unquestionably, capable hands can produce some stunning photography from the smartphone. But the physics favor the cameras. Biology is analogy enough. Someone 2 meters (6 feet, 6 inches) tall could easily outplay someone my height—1.7 meters (5 feet, 6 inches)—on the basketball court. Height and reach are advantages, like larger electronic sensors.

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Got Mini?

A rear-window sticker asked that question, and I mentally lamented answering no. While walking through San Diego’s Hillcrest district, I passed the vehicle parked at Eli Vigderson’s European Car Repairs, which is across the street from Better Buzz Coffee on University Avenue. The auto shop is nearby the Eat’s sign that I used to illustrate a Nov. 25, 2020 story assessing the shocking number of restaurants and pubs permanently closed during California’s lockdowns meant to curb SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 infections.

Hillcrest is so grim, and also such a street photography opportunity, that I typically carry Leica Q2 Monochrom, which captured the Featured Image on Nov. 10, 2021. Vitals, aperture manually set: f/8, ISO 200, 1/800 sec, 28mm; 11:15 a.m. PST.

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The Cats of University Heights: Pixie

I presume, but cannot yet confirm, that the kitty seen on several occasions in the window of the property where roams Boxer is this pretty Tortie, who earns nickname Pixie for no particular reason. My wife and I first saw her on Halloween, along with Boxer. The Featured Image, taken on Nov. 6, 2021, is from when I spotted her alone. The alley house has an Alabama address, making Pixie the seventy-seventh feline found on the street between boundaries Adams and Lincoln.

The first photo comes from Leica Q2. Vitals, aperture manually set: f/5.6, ISO 100, 1/250 sec, 28mm; 12:19 p.m. PDT. The second uses the iPhone 13 Pro telephoto lens. Vitals: f/2.8, ISO 32, 1/1623 sec, 77mm; 3:02 p.m. PDT, October 31.