Tag: pulp media

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Star Trek Turns 60

OOn Sept. 8, 1966, Star Trek debuted on the NBC network in living color. The first episode that aired, “The Mantrap”, was the fifth shot. While the story, about a salt vampire, is rarely cited as one of the better episodes, I find it to be quite engaging. I wouldn’t get to watch Star Trek until early 1967 when accidentally stumbling upon “Where No Man Has Gone Before” (the second pilot, which sold the series), airing on the CBC station located in St. Johns, New Brunswick, Canada.

During my youth, local TV station WAGM, in Presque Isle, Maine, had the unique distinction of being three network affiliates: ABC, CBS, and NBC. WAGM was the only American broadcast TV station serving Maine’s largest, but sparsely populated, county, Aroostook, which spans about one-fifth of the state. WAGM didn’t air Star Trek; the program director chose a show from another network.

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San Diego Comic-Con 2026 Day Four, Part One

Sunday, July 26, 2026, may be my last Comic-Con sojourn. I suffered a nine-year gap in attendance for inability to secure passes. Even then, the one-day, ah, golden ticket for 2017 was acquired indirectly. Twenty-sixteen marks my last participation from passes purchased through one of the official registration days. People enter the online purchase queue randomly, and I had been unquestionably unlucky. That is until November 2025 Open Registration, when I luckily secured Thursday and Sunday passes for this year’s SDCC. I can’t be sure to get any again.

San Diego Comic-Con 2026 was a last chance to brandish a camera during the, arguably, greatest pop culture event on Earth. I did okay shooting Day One, using Nikon Zf and NIKKOR Z 40mm f/2 lens. However, overall, I was dissatisfied with the photos. For Day 4, I attached the NIKKOR Z 28mm f/2.8 (SE) lens, which I had never before used. The simple, and affordable (currently $309.95 direct from Nikon USA), lens delivered. Take that, pricey Leica Summilux!

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San Diego Comic-Con 2026 Day One

For my sojourn to the country’s premiere pop-culture event, I returned following a nine-year hiatus—and not by choice. Every attempt to secure passes failed until finally I had opportunity to buy two—for Thursday and Sunday—during Open Registration, November 2025. SDCC runs for four full days plus the Preview Night. As I write, Day Two wraps up at San Diego Convention Center.

I had considered several options for documenting the event, including video interviews. That was a strategy more workable for full event attendance. I chose instead to keep things simple and shoot photos. My SDCC EDC: Nikon Zf and NIKKOR Z 40mm f/2 lens; Samsung Galaxy S26 Ultra.

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They’re Here, But Where’s the Lanyard?

The mailman, whose last day delivering to my street is tomorrow, delivered not one but two golden tickets: Thursday and Sunday passes to San Diego Comic-Con 2026. The annual pulp media pilgrimage starts one month from today, July 23, and runs through the 26th. Additionally, the lucky—or the chosen—can attend Preview Night on the 22nd.

Thursday is official first day. Friday tends to be busier. Saturday often is busiest because of the masquerade ball that evening. You will see more cosplayers strutting about than on any other day. I call Sunday “family day”; locals predominantly fill the convention center. Meanwhile, the majority of celebrities have gone. (Should I say good riddance?)

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Where are the Partridges?

A few weeks ago, when walking to Smart & Final for groceries, I observed a woman across the street decorating a utility box. She painted something, but I couldn’t see what. Now I know, and so do you. The motif somewhat reminds me of the Patridge Family bus. And you?

I used Nikon Zf and NIKKOR 40mm f/2 (SE) lens to capture the Featured Image on Jan. 13, 2025. Vitals, aperture manually set: f/2, ISO 100, 1/6400 sec, 40mm; 1:21 p.m. PDT.

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Seven Movies Every Journalist Should See

Periodically, I update my picks for must-see movies about news reporting. More than eight years have passed since the last list, in February 2016—before the tumultuous Presidential election that thrust Donald Trump into the White House and precipitated disastrous changes across American newsrooms.

Editorialization of news, once taboo, is widespread. Many stories are subjective and slanted, pushing progressive—or, to lesser degree, conservative—values over impartial presentation of facts. The changes are evident in headlines or deks but more earnestly descriptive modifiers used for emphasis, where none should be.

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The Beachcomber

We return to Mission Beach for a final time, from my April 29, 2024 quickie visit. Subject of the Featured Image is the person working the sand with a metal detector, as two other folks stop their walk to watch.

Once again, I pulled out Samsung Galaxy S24 Ultra to make the moment. Vitals: f/3.4, ISO 32, 1/1900 sec, (synthetic) 230mm (digital and optical zoom); 10:39 a.m. PDT. In post-production, I started to lighten up the dark areas, but instead decided to leave the photo as shot. Moody is better, and everyone is considerable distance away.

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‘Finding Vivian Maier’

For some reason, last night, YouTube’s algorithm suggested a not-so-interesting video about a street photographer with whom I had limited knowledge. My watching some portion of the vid generated suggestions for others and finally the gem: Documentary “Finding Vivian Maier“, which I watched in its entirety this evening.

Quick backstory: A large portion of her collection of media—including more than 150,000 negatives, hundreds of undeveloped film rolls, audio recordings, and home movies—were auctioned in 2007; she had failed to keep up payments on a storage unit. Vivian Maier was an unknown, unpublished photographer at the time; she died in April 2009, following a fall, unaware that her street shots had started to draw attention after some were published on Flickr.

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When Comic-Con was Fun

San Diego Comic-Con is still six months away (July 25-28). Late last year, I missed the first chance for a 2024 pass and skipped the second opportunity. My attendance days long ago ended when the convention chose not to renew my press credentials (and when I was still a working journalist). Subsequently, I wasn’t (supposedly) randomly chosen to purchase a pass.

On this fine Thursday evening, for no particular reason, let’s peek at what was SDCC before the culturally woke put to sleep my interests in participating. The Con is gone, or at least as I remember it.

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Fatman Returns

In February 2014, a researcher from The Graham Norton Show contacted me about licensing one of my costumed portraits from San Diego Comic-Con 2010. She explained: “Our terms are all media worldwide for 5 years, and we would normally pay £175 (about $285) for these. We would pay upon usage of the image, and I would be able to let you know on Monday whether it has made the final cut of the show. If it is included, then we will arrange payment. Would you be happy with this?”

My reply: “I love the show, and, of course, you have my permission to use the photo—and the terms are agreeable. Can you let me know if the pic makes the cut and, if so, when the show will air?” The photo did indeed make the “final cut”, and I was paid for the privilege.

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When Did You Last Go to the Movies?

I can’t remember.  SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 lockdowns pretty much squashed my movie-going, coupled with too-high ticket pricing. The theatre is pretty much always better than streaming at home, so to be clear: couch-potatoing isn’t my reason for abandoning an afternoon show.

I used Google Pixel 3 XL to capture the Featured Image five years ago today: Dec. 21, 2018. Vitals: f/1.8, ISO 70, 1/50 sec, 28mm (film equivalent); 12:10 p.m. PST; composed as shot. This AMC is located at Westfield Plaza Bonita in National City, Calif.