Tag: pulp media

Downfall’s Downfall

[vimeo https://vimeo.com/11086952]

 

If you can view the video clip above, Vimeo has not been compelled to take it down. Gulp, yet. The clip, using new subtitles, is from “Der Untergang“—”The Downfall: Hitler and the End of the Third Reich”. I rented the captivating German film from Nextflix in August 2005. In the original scene, Hilter learns that he has lost the war. Its revision is one of the most successful and visible Internet memes of the last half decade. The scene has been repeatedly parodied, replacing the subtitles so that Hitler rages about something else.

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The Battle of Jericho

Okay, I’m hooked. Few days back, I downloaded the full season of “Jericho“, the end of America saga, where terrorists nuke 23 cities, which include Atlanta, Baltimore, Boston, Chicago, Denver, Detroit, Kansas City, Lawrence, Los Angeles, San Diego, San Francisco, Seattle, Tucson, and Washington, D.C. I had heard rumors about the apocalyptic drama, but I watch little network TV and no CBS programing. I think of CBS as the old folks network.

“Jericho” is unusually good TV drama, similar caliber and mystery-driven format as “Battlestar Galactica” or “Lost”. The show deserves much more viewership than in its dismal ratings. 

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License, Stupidity, or Politics?

It is nitpicking time for the bone pickers. Last night, the DVR recorded the pilot episode of “Bones,” which was telecast for no reason I can guess; it’s an old episode. I hadn’t seen the first, which shocked from the opening sequence. Anyone from Washington should know that the airport above couldn’t possibly be Dulles. The identified airport isn’t in Washington but Virginia—in, duh, Dulles—and absolutely nowhere close to the U.S. Capitol. About 30 miles distance separates runways and the domed government building.

The view above would fit for Reagan National Airport. No doubt it is that airport. So, why does “Bones” kick off with such a glaring mistake? I make a big deal out of this for two reasons: The show is all about brainiac forensic anthropologists who live and breathe minute details; the setting is Washington, D.C. For either or both reasons, “Bones” should get the airport right. 

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The Corporation

End of last week, I watched a startling documentary, which resonated well with some suspicions I already had. Staunch capitalists probably wouldn’t be moved by “The Corporation“, although hard-core liberals or even communists might delight in the documentary.

My response is neither political nor economic, but rooted in my sense of right, which in part defines good as putting the wellbeing of others above oneself. People or organizations that prosper by harming others do wrong. Many societies recognize cannibalism as wrong, yet those same peoples often do not recognize as wrong another kind of cannibalism: The consumption (or sacrifice) of one person’s livelihood or well being to support another person, group or organization. 

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An Inconvenient Theory

Earlier today, my daughter and I watched “An Inconvenient Truth” at the AFI Silver Theatre, which likely is the best movie house in the Washington area. A harsh critic of the science behind global warming, I hoped that maybe the film would live up to its hype. No way. For people predisposed to the idea of global warming, the film probably would be moving. The movie did affect my thinking, nevertheless (I’ll explain how in a few paragraphs).

Here’s what I most liked: Former Vice President Al Gore relied more on historical data to make his point than use forward-looking forecasts. Oh, I hate computer modeling for proving climate change. The major reason I’m so critical of global warming theory is bad science. There are too many assumptions and too little reliable data to develop reliable forecast models. In best-case scenario, the computer models are only as good as the data put into them. 

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Superman’s Story

Well, Roger Ebert didn’t like it. New York Times found plenty to fault. EW was much kinder, as was Rolling Stone.

I liked “Superman Returns“.

Whenever a movie follows a successful franchise—whether on screen, on stage, or in print—the hurdle is raised high. And sometimes, reviewers can’t let go of how things were done in the past. They compare against expectations, such as in the case of “Superman Returns” the performance of Christopher Reeve as the Man of Steel.