The Featured Image is one of my outtakes from San Diego Comic-Con 2026. On the first full day, I left the convention center and strolled over to the adjacent Hyatt Hotel in search of coffee. Back at the main venue, lines snaked seemingly forever at any Starbucks. I found something more manageable next door.
A surprising number of attendees carried portable fans to cool themselves. How odd. Inside temperature sure seemed comfortable enough to me. The young woman waited in line behind me.
The greatest pop culture event concluded one week ago today—and I was there for the second time in four days and for the first Sunday since 2017. I had been perennially unlucky gaining access to buy passes during one of two public registration sessions. After long hiatus, I purchased passes for Thursday and Sunday.
Quick recap: Day One (July 23, 2026); Day Four (July 26) Part One and Part Two. I primarily used Nikon Zf and NIKKOR Z 40mm f/2 lens, supported by Samsung Galaxy S26 Ultra for my first SDCC expedition. For the other day, I used the camera exclusively with NIKKOR Z 28mm f/2.8 (SE) lens, which proved to be exceptional choice.
For my sojourn to the country’s premiere pop-culture event, I returned following a nine-year hiatus—and not by choice. Every attempt to secure passes failed until finally I had opportunity to buy two—for Thursday and Sunday—during Open Registration, November 2025. SDCC runs for four full days plus the Preview Night. As I write, Day Two wraps up at San Diego Convention Center.
I had considered several options for documenting the event, including video interviews. That was a strategy more workable for full event attendance. I chose instead to keep things simple and shoot photos. My SDCC EDC: Nikon Zf and NIKKOR Z 40mm f/2 lens; Samsung Galaxy S26 Ultra.
San Diego Comic-Con 2016, I was functionally blind—and the realization how much came during Preview Night 10 years ago this evening. My daughter accompanied me to the Convention Center, where she received a complimentary companion full-event pass as the helper for a disabled attendee—a status I never imagined myself as being.
Crippling cataracts clouded my eyesight, and I saw how severely when scanning the show floor and realizing I couldn’t read any of the large numerical signs hanging from the ceiling. Disheartened, I walked into the crowd, blindly pointed iPhone 6s, and shot the Featured Image, which essentially is the only photographic record I have of the event. Vitals: f/2.2, ISO 80, 1/15 sec, 29mm; 6:41 p.m. PDT.
Fourteen years ago today, San Diego Comic-Con wrapped up for another annual gathering. Sunday is my favorite day of the entire event. Locals, particularly families, dominate attendance. Most of the Hollywood crowd has left the building, so to speak.
But pulp media presence is full-force present by way of brands. Star Trek is one of the biggest, considerably more so currently than 2012. One booth used to sell authentic sci-fi uniforms from several prominent TV series—I’m partial to those from Battlestar Galactica, thank-you. Star Trek was among them, but Anovos, the company producing the uniforms, no longer exists.
Saturday at San Diego Comic-Con is by far the busiest day and most jam-packed, whether measured by attendance size or number of panels featuring actors, content creators, showrunners, and more.
Fourteen years ago today, a throng of people pushed past the G4 booth—as you can see from the Featured Image. Vitals: f/2.8, ISO 125, 1/17 sec, 3.4mm; 1:43 p.m. PDT.
Ho-ho, the on-this-date review from San Diego Comic-Con continues—reaching back to July 13, 2012. My attendance started in 2009, although I had a press pass for 2008—about nine months after the Wilcox family moved to Southern California. My return for two days next week will be my first appearance since 2017.
The Featured Image is intriguing for a couple of reasons. The kilt is obvious. You can see that. You have to wonder what impression a brigade of like-adorned stormtroopers would make. Would rebel forces laugh and not take their adversaries seriously enough, ending up even more dead?
Like eleven years ago, July 12 is a Sunday. While the dates and days sync up, something else doesn’t: San Diego Comic-Con concluded on this date in 2015. The 2026 gathering won’t start for another 10 days, with Preview Night. I will be there on Thursday and Sunday, my first dalliance since 2017.
The Featured Image is among the last dozen photos taken using Fujifilm X-T1 and XF18-55mmF2.8-4 R LM OIS lens on this date 11 years ago. Vitals: f/3.2, ISO 250, 1/60 sec, 18mm; 1:49 p.m. PDT.
Don’t bother asking. Joe has no idea what are Link Monks–—if he ever knew. I used Fujifilm X-T1 and XF18-55mmF2.8-4 R LM OIS lens to shoot the Featured Image, eleven years ago today during San Diego Comic-Con 2015.
Vitals: f/3.2, ISO 200, 1/2500 sec, 18.8mm; 10:44 a.m. PDT. The portrait is a horizontal crop from a vertical original. See how sharp the shot still is? I loved the X-T1, BTW.
Eleven years ago today, I stomped about San Diego Convention Center shooting photos of Comic-Con 2015. Next week, I return for two days—Thursday and Sunday—marking my first attendance since (gasp) 2017. Oh, I tried but failed to secure passes.
During 2015 Con, I purchased the Fujifilm X-T1, bundled with two lenses, from Best Buy and made good use of the kit during most of the four full days. I used the X-T1 and XF18-55mmF2.8-4 R LM OIS lens to capture the Featured Image. Vitals: f/4, ISO 2500, 1/60 sec, 18mm; 4:31 p.m. PDT, July 9, 2015.
Let’s play memories like Facebook or your favorite photo app might do by presenting posts or pics from that day over the years. On July 9, 2015, San Diego Comic-Con commenced with Preview Night, and I was there.
In no way could I guess that the year would be my last with full attendance to the event over the full four days and evening. I did possess an entire Con pass for 2016, but I underwent cataract surgery that limited going to Saturday and Sunday; handicapped, I made no meaningful pictorial record.
On Oct. 14, 2025, Comic-Con International sent email that Open Registration for the 2026 San Diego event would commence today, at 9 a.m. PST. It’s a wickedly wet day here in Southern California, which put me uncharacteristically inside. So, I pulled out the laptop, meandered over to the badge sale webpage, and joined the queue—where I was warned my wait would be more than an hour.
I puttered about my office, while waiting to see if maybe my chance for a Golden Ticket would come. The passes sell out fast, and I haven’t attended the Con since 2017, I did secure a pass for San Diego Comic-Can Special Edition during Thanksgiving 2021. But I couldn’t attend, for not meeting SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 requirements. Seriously?