Author: Joe Wilcox

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Responsible Reporting Section 3 ‘What You Must Do’: Chapter IX

I owe you an apology. Months ago I promised to finish serializing my ebook Responsible Reporting: Field Guide for Bloggers, Journalists, and Other Online News Gatherers, before releasing it into the public domain. The last installment was in mid-October, with one chapter and the Afterword remaining. As I prepare for the New Year, not leaving loose ends is top of mind. Thus, with a huge sorry, this evening I present the closing chapter (but exclude the outdated March 2014 Afterward), The book will release into the public domain to start 2016.

I have posted from Chapter IX before, on Dec. 30, 2014: “You Could Study Journalism, or Learn as Much Watching These Five Films“. Each movie teaches lessons about responsible reporting—some by illuminating irresponsible and/or unethical behavior. The last in the list expresses in an exchange between characters something that should be embedded into the synapses of every 21st Century news gatherer: 

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Flickr a Day 360: ‘The Leaving’

The series winds down with a dramatic change in curation. From the first day forward, I prepared posts in advance—sometimes as many as 10. But with six selections remaining, I prep the next to follow the current one; for emphasis and care choosing.

First up, street photographer Tuncay Coşkun, who shot self-titled “The Leaving” on June 6, 2014, using Canon EOS 60D. Vitals: f/13, ISO 200, 1/125 sec, 50mm. I picked the pic for clever composition and character. Need I even explain why? 

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The Pricey and the Priceless

Christmas came early this month, with the acquisition of Google Pixel C tablet and Master & Dynamic MW60 wireless headphones. So Santa rightfully pulled only a few items from the sack—and they are more than I deserved. The pricey: Sunglass clips for my spectacles and Hard Graft Atelier Hang Camera Strap (pictured) for my Fujifilm X-T1. Priceless; Necklace made by my wife.

The strap is in some respects more than the X-T1 needs, being such a compact, mirrorless camera. But the accessory commands more respect, hangs the Fuji better around my back, and easily pulls up for hand carrying. A last-minute purchase, Hard Graft shipped from United Kingdom on December 22nd for Christmas Eve delivery. I must thank DHL for calling that day to ensure someone would be home and by ringing allowing me to provide the apartment complex gate code. 

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The Beatles escape from Apple Prison

If Christmas Eve 2015 is remembered for nothing else, it will be the gift given to anyone wanting to listen to The Beatles anytime, anywhere, and on anything. As I write, the group’s last recorded album, “Abbey Road”, streams from Tidal in the glorious 1411kbps Free Lossless Audio Codec. Listening with Master & Dynamic MW60 headphones, detail is super fine, such I can appreciate Ringo Starr’s drumming and hear just how tight is the Fab Four’s playing. I haven’t heard The Beatles like this in years, if ever. You go on and listen to 256Kbps AAC from Apple.

My introduction to the group came from the soloists, following the breakup. I was too young when Beatlemania stormed England, the United States, and most everywhere else. My first record album was Paul McCartney & Wings’ “Band on the Run”, which title song is metaphorically appropriate for The Beatles’ escape from Apple prison. 

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Flickr a Day 358: ‘PopCorn Culture’

Go figure, I had planned to feature something more traditional for Christmas Eve but couldn’t resist self-titled “PopCorn Culture”, which J Mark Dodds captured eight years ago today using Fujifilm FinePix E900. Vitals: f/2.8, ISO 800, 1/4 sec, 7.2mm. The pic is a reminder about what matters — people, particularly those whom we are closely bounded, and major reason this series focuses (no pun, honestly!) more on them than the things.

“I’m a photographer with a lot of food and drink experience in restaurants, bars, clubs and pubs. The distractions of a life full of inescapable things gets in the way of taking and processing photographs—and I spend a lot of time with my boys who are becoming men”, he says. 

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I see Tumbleweeds Rolling Across the Google+ Ghost Town

As the New Year approaches, and I contemplate 2016, my online social space surely will change; my like-affair with Google+ draws close to an end. Nearly six weeks ago, the service “reimagined“, as a  “fully redesigned Google+ that puts Communities and Collections front and center”.

Since then, my Google+ engagement has dropped by more than 90 percent. I don’t find as many posts to Plus-one, to share with others, or on which to comment. Similarly, I see shocking decline in the number of responses to my posts—not something I actively seek so much as by which to judge interest in what I write and also to interact with other Plusers. After years of misguided critics calling Google+ a ghost town, the tumbleweeds roll.

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Flickr a Day 356: ‘Bank Vole Transporting Hazelnut’

The series should feature more nature shots, and what an animal candid capture is self-titled “Bank Vole Transporting Hazelnut”.”I bought my first camera in the middle of 2014, and my first dSLR a few months later”, Hanna Knutsson says. “Now I take every opportunity to visit the nearby forest and take pictures of the local wildlife, preferably small mammals”.

She shot the rodent (sounds grim, doesn’t it?) on Nov. 18, 2015, using Canon EOS 70D and EF-S55-250mm f/4-5.6 IS STM lens. Vitals: f/8, ISO 400, 1/250 sec, 250mm.