Category: Society

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‘Soylent Green’ Warned Us About Twenty-Twenty-Two

My preview of this year came during summer 1973 when one of mom’s drive-in movie adventures ended with showing of “Soylent Green”, starring Charlton Heston and Edward G. Robinson—both pictured, respectively, in the first screenshot. Mama would have been 32 years old, with four kids piled into an overly spacious, blue Chrysler Plymouth that by today’s gas-guzzling standards was more akin to a boat on four wheels.

I got to thinking about the film a few months back, seeing as how its dystopian future is 2022, when there is supposed to be environmental devastation, famine, overpopulation, riots, war, and wide gulf of wealth and poverty separating the elite class from everyone else. Hold on, does that not describe the year to date?

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A Sign is 25

I can’t imagine how our family still resides in the village of University Heights, which is where we settled upon arriving in San Diego nearly 15 years ago. But here we remain, even as rising rental fees and soaring property values make the area unbearably costly. Exit strategy has been my priority for some time, at least since our decision not to buy the Schoolhouse five years ago. As homeowners, we would have been more natural members of the community.

Still, my wife and I briefly joined today’s block party—along Park Blvd between Adams and Madison—celebrating 25 years of the neighborhood’s iconic sign, which you can see in the Featured Image, taken using Leica Q2. Vitals, aperture manually set: f/8, ISO 100, 1/80 sec, 28mm; 4:41 p.m. PDT. The event officially started at Five.

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Fenced Out of Affordable Housing

My daughter rents storage space at one of the local facilities. From my infrequent trips to the place over the years, I have observed stark changes. For starters: An increasing number of people, many of them clearly employed, living out of a vehicle and storing their stuff. With the cost of housing so incredulously expensive in San Diego, these working nomads are not surprising to find. What shocks is how many more I see compared to 18 months ago.

Since a new report about residential renting released this week, I will focus on that topic and let be soaring home selling prices for another time. (If you can’t wait: “Pop Goes Another Housing Bubble” and “Simply Stated: San Diego Unaffordable Housing“.) According to Zumper, rents rose 31.3 percent year-over-year in April 2022. “As a result, San Diego has leapfrogged San Jose and Los Angeles to become the nation’s fifth most expensive city”. Ugh, and I know it’s a fact from watching rents relentlessly rise.

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Shattered Serenity

The difference 24 hours make. Yesterday, the abandoned houses still stood along Louisiana Street at El Cajon Blvd. Today, they—and the businesses around the block—are gone. The Featured Image captures something of the devastation. Vitals: f/8, ISO 100, 1/320 sec, 28mm; 1:26 p.m. PDT. This one and the others come from Leica Q2, aperture manually set for all.

My wife and I have known since summer last year what would happen along one of my favorite blocks in San Diego’s University Heights neighborhood. Two cottage complexes, a few modestly-rising apartment buildings, and bunches of single-story houses—with vast swaths of grass and greenery in an area otherwise converting to cement—create calming ambience. The street is, or was, surprisingly serene. Three residential properties on Louisiana and businesses half-way to Mississippi along The Boulevard are gone.

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For Free Speech and Democracy

Fifteen years ago—April 14, 2007—the Wilcox family rode the DC Metro into downtown for the annual Cherry Blossom Festival Parade. The Featured Image is one of many street shots from Canon 20D and EF 135mm f/2 USM lens. This one, composed as captured, is previously unpublished. Vitals: f/5.6, ISO 200, 1/500 sec, 135mm; 9:32 a.m. EDT.

I choose the photo for the strangest of reasons: The riders and their American flags as symbols of democracy and freedom. Why today? Elon Musk bought Twitter, which he plans to take private and supposedly will reestablish as a platform for free speech.

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WHO Dunnit? Sweden or the United States?

Yesterday, my wife and I read an essay that praised Sweden’s approach to combating SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19. The prescient tome published two years ago, only about a month after World Health Organization declared a pandemic. The country chose not to shutdown, unlike many others across Europe, North America, and parts of Asia. Outside health officials, assisted by the news media, lambasted the plan: Keep the economy and society stable while letting viral spread quickly achieve herd immunity.

I wondered: How well did Sweden fair and how does the outcome compare to the United States? So, today, I moseyed over to the WHO’s website for a look. As of April 22, 2022, in Sweden: 2,498, 388 confirmed cases (e.g. infections), from which there are 18,689 deaths. Divide one into the other and you get a case fatality rate of .75 percent.

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The Angry Birds

Somebody is unhappy about all the talk that avian flu will lead to poultry shortages in the worst scenario and soaring selling prices in the better one. Look at those grim faces dominating the Featured Image captured on April 14, 2022 using Leica Q2. Vitals, aperture manually set: f/8, ISO 100, 1/80 sec, 28mm; 10:39 a.m. PDT.

You can panic, and be sure smug prognosticators of doom are correct, when Costco rotisserie chicken sells for more than the long stable $4.99—or simply is unavailable.

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The Phone Call

At 11:45 a.m. PDT today, iPhone 13 Pro chimed from a San Diego number that I did not recognize. Expecting a call from a local business, I answered rather than assume spam and send to voicemail. A young woman hysterically cried: “I had an accident. Dad, I had an accident”. My daughter doesn’t own a car, so her situation could be dire and ringing from someone else’s cell could be expected.

But hysteria and sobbing made identifying the voice difficult. I asked: “Who are you?” The response: “I had an accident. It’s me, dad”. I asked again, and her last answer sounded like “Diana”. She disconnected. The call lasted 41 seconds. For peace of mind, I immediately rang my daughter’s number and confirmed that she was in no trouble.

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The Nikon Shooter

The day is June 10, 2006. I drive my daughter and friend to the mall in Columbia, Md. when we unexpectedly come upon the Festival of Arts event, where cardboard boat races are underway. I pack Nikon D200, which comes out to shoot some of the activities, including the Featured Image. If I recollect rightly, the portrait is not one previously shared. Vitals: f/6.3, ISO 100, 1/160 sec, 200mm; 1:07 p.m. EDT.

The Nikon shooter evokes a bygone photographic era, before the ascent of mirrorless cameras displaced digital SLRs. Yes, professionals still use them, but a journey to any photo forum reveals a massive migration to smaller bodies and more compact lenses.

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Where the Monks Live

Nested among commercial cathedrals to alcohol and hedonism is the Hsi Fang Temple on Park Blvd in University Height’s main business district. The location is prime real estate that developers drool over, and it’s a spiritual stakeholder among one of the many San Diego communities where Christianity is in decline (see my missive “Is God Inclusive?” for perspective on that values topic).

I occasionally will see Buddhist monks, dressed in their more traditional garb, walking about UH. They are in some ways the biggest reminder of the temple’s presence, in part because the building, while massive, is unpretentious. Street-facing Buddha’s Light Bookstore might draw more attention if open more hours (website says Wednesday evenings and 10 a.m. to 4 p.m. on weekends).

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You Are Nobody

Yesterday, after photographing the bicycle traffic light, I continued along University Avenue in San Diego’s Hillcrest neighborhood before stopping to wonder at the mural that is the Featured Image and companion. The first hugs cross-street Sixth and the second is along the main throughway.

Is this who we are after two years of masking during the SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 crisis? Faceless? So stripped of humanity to be utterly featureless, without even eyes? Whatever the artist’s intent, I see an overt—not even hidden—message: You are nobody. In a society where even gender is disputed, maybe no identity is the only rendition to depict.