Tag: cosplay

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San Diego Comic-Con 2026 Day Four, Part Three

The greatest pop culture event concluded one week ago today—and I was there for the second time in four days and for the first Sunday since 2017. I had been perennially unlucky gaining access to buy passes during one of two public registration sessions. After long hiatus, I purchased passes for Thursday and Sunday.

Quick recap: Day One (July 23, 2026); Day Four (July 26) Part One and Part Two. I primarily used Nikon Zf and NIKKOR Z 40mm f/2 lens, supported by Samsung Galaxy S26 Ultra for my first SDCC expedition. For the other day, I used the camera exclusively with NIKKOR Z 28mm f/2.8 (SE) lens, which proved to be exceptional choice.

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San Diego Comic-Con 2026 Day Four, Part One

Sunday, July 26, 2026, may be my last Comic-Con sojourn. I suffered a nine-year gap in attendance for inability to secure passes. Even then, the one-day, ah, golden ticket for 2017 was acquired indirectly. Twenty-sixteen marks my last participation from passes purchased through one of the official registration days. People enter the online purchase queue randomly, and I had been unquestionably unlucky. That is until November 2025 Open Registration, when I luckily secured Thursday and Sunday passes for this year’s SDCC. I can’t be sure to get any again.

San Diego Comic-Con 2026 was a last chance to brandish a camera during the, arguably, greatest pop culture event on Earth. I did okay shooting Day One, using Nikon Zf and NIKKOR Z 40mm f/2 lens. However, overall, I was dissatisfied with the photos. For Day 4, I attached the NIKKOR Z 28mm f/2.8 (SE) lens, which I had never before used. The simple, and affordable (currently $309.95 direct from Nikon USA), lens delivered. Take that, pricey Leica Summilux!

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San Diego Comic-Con 2026 Day One

For my sojourn to the country’s premiere pop-culture event, I returned following a nine-year hiatus—and not by choice. Every attempt to secure passes failed until finally I had opportunity to buy two—for Thursday and Sundayduring Open Registration, November 2025. SDCC runs for four full days plus the Preview Night. As I write, Day Two wraps up at San Diego Convention Center.

I had considered several options for documenting the event, including video interviews. That was a strategy more workable for full event attendance. I chose instead to keep things simple and shoot photos. My SDCC EDC: Nikon Zf and NIKKOR Z 40mm f/2 lens; Samsung Galaxy S26 Ultra.

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Return to Comic-Con

What surprises me about San Diego Comic-Con is how little—and yet how much—has changed since my last attendance for a single day in 2017. Virtually every venue was where I remember: Disability services in area A. Major celebrity panels in Ballroom 20 and Hall H. Layout of the exhibitor floor, with artists at the end nearest Hall H and smaller seller booths and gameplay nearer to area A. Everything in the middle, from big Hollywood studios to booksellers, all where they have been previously.

The same can be said for the upstairs pavilion and meeting rooms. In the Mezzanine, nothing really changed. Board games are in the same meeting rooms, and the Medieval fighters gather and joust where they always have, for example.

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The Trekkers

Fourteen years ago today, San Diego Comic-Con wrapped up for another annual gathering. Sunday is my favorite day of the entire event. Locals, particularly families, dominate attendance. Most of the Hollywood crowd has left the building, so to speak.

But pulp media presence is full-force present by way of brands. Star Trek is one of the biggest, considerably more so currently than 2012. One booth used to sell authentic sci-fi uniforms from several prominent TV series—I’m partial to those from Battlestar Galactica, thank-you. Star Trek was among them, but Anovos, the company producing the uniforms, no longer exists.

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Comic-Con: The Return

On Oct. 14, 2025, Comic-Con International sent email that Open Registration for the 2026 San Diego event would commence today, at 9 a.m. PST. It’s a wickedly wet day here in Southern California, which put me uncharacteristically inside. So, I pulled out the laptop, meandered over to the badge sale webpage, and joined the queue—where I was warned my wait would be more than an hour.

I puttered about my office, while waiting to see if maybe my chance for a Golden Ticket would come. The passes sell out fast, and I haven’t attended the Con since 2017, I did secure a pass for San Diego Comic-Can Special Edition during Thanksgiving 2021. But I couldn’t attend, for not meeting SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 requirements. Seriously?

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Spidey Steaks

As I write, Preview Night is coming to a close at San Diego Comic-Con, which returns for a full festival following a two-year hiatus in response to SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19. The virus overshadows the show nevertheless. Attendees must wear face masks or other protective covering and provide proof of vaccination or negative Coronavirus test within 72 hours.

Interestingly, the popular culture event implemented those rules before recent rise in COVID-19 infections mainly caused by the BA.5 variant. The U.S. Centers for Disease Control and Prevention puts SD County in a high-risk category, although deaths aren’t dramatically rising nor are hospitals overwhelmed. Case fatality rate is 0.64 percent, while most people infected show slight to no symptoms. Hey, just saying.

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Comic-Con’s Crazy COVID Conniption

To close out the month, and first half of the year, we connect the somewhat distant past with the not-so-far-off future. San Diego Comic Con returns July 21-24, 2022 with Preview Night on the 20th. The show floor, or break-out sessions, will look nothing like the Featured Image, taken seven years ago.

SDCC apparently didn’t get the memo that SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 is endemic and no longer pandemic. Locally, people move freely about without being required to wear masks, be tested, or verify vax status. Based on the official tally, the cumulative-calculated case fatality rate in San Diego County is 0.64 percent. Meaning: Your chance of surviving Coronavirus is better than 99 percent, while more than 85 percent of those infected likely show no symptoms.

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No Pass, No Comic-Con for Me

San Diego Comic-Con commences in two evenings. Unless something dramatically unexpected happens, I will not attend any part of the event—only miss since my first go-there in 2009. I managed only one day last year after being there for every other Con. Looks like 2018 will be even less.

I have resigned myself to circumstance, following failed Returning and Open registration attempts to purchase passes. I may go to Gaslamp, like last year, to shoot street photos with the Leica M10. Or maybe not. 

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My Comic-Con Luck Runs Out

I dreaded this day but mentally prepared—or so it seemed. San Diego Comic-Con 2017 Early Registration commenced this morning. Passes sold out in about an hour, and I got none for any of the four days or Preview Night. I attended continuously, starting in 2009—the first six years as registered press. For reasons unknown to me, SDCC did not “verify” my media status for 2015 or 2016, but I was able to register and pay for the entire event.

Open Registration is still to come, and the convention changed the press submission schedule for the July 19 (Preview Night) – 23 event. Past years: December. Now it’s end of April. Before the new week starts, I will resubmit legitimate materials that, if my luck isn’t exhausted, might lead to press certification and attendance. 

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SDCC 2016 Badge Changes

Well, this is a development. My San Diego Comic-Con 2016 badge arrived this afternoon—and much is changed from previous years. I attend for the eighth consecutive time, and the second as paying attendee rather than press. Previously, badges were given onsite. Now, beforehand, they are mailed out, with built-in RFID that is scanned on event entry. Presumably, the electronically-read tags will reduce fakes and increase movement in, out, and around the venue.

Like last year, I plan to attend all four days and the Preview Night, which is July 20. I count myself lucky to, on Nov. 14, 2015, plow through the random-selection queue and buy a pass. Entire event is a coup. Many people who want to attend get fewer days, if any. I paid $245 for the privilege, and I will work the show as if a press-pass holder.