San Diego Comic-Con commences in two evenings. Unless something dramatically unexpected happens, I will not attend any part of the event—only miss since my first go-there in 2009. I managed only one day last year after being there for every other Con. Looks like 2018 will be even less.
I have resigned myself to circumstance, following failed Returning and Open registration attempts to purchase passes. I may go to Gaslamp, like last year, to shoot street photos with the Leica M10. Or maybe not.
I dreaded this day but mentally prepared—or so it seemed. San Diego Comic-Con 2017 Early Registration commenced this morning. Passes sold out in about an hour, and I got none for any of the four days or Preview Night. I attended continuously, starting in 2009—the first six years as registered press. For reasons unknown to me, SDCC did not “verify” my media status for 2015 or 2016, but I was able to register and pay for the entire event.
Open Registration is still to come, and the convention changed the press submission schedule for the July 19 (Preview Night) – 23 event. Past years: December. Now it’s end of April. Before the new week starts, I will resubmit legitimate materials that, if my luck isn’t exhausted, might lead to press certification and attendance.
Well, this is a development. My San Diego Comic-Con 2016 badge arrived this afternoon—and much is changed from previous years. I attend for the eighth consecutive time, and the second as paying attendee rather than press. Previously, badges were given onsite. Now, beforehand, they are mailed out, with built-in RFID that is scanned on event entry. Presumably, the electronically-read tags will reduce fakes and increase movement in, out, and around the venue.
Like last year, I plan to attend all four days and the Preview Night, which is July 20. I count myself lucky to, on Nov. 14, 2015, plow through the random-selection queue and buy a pass. Entire event is a coup. Many people who want to attend get fewer days, if any. I paid $245 for the privilege, and I will work the show as if a press-pass holder.
At 9:35 a.m., I completed buying a full pass to Comic-Con 2016, four minutes after moving from the Waiting Room to the purchase queue. The pulp-media cultural event costs more every year. I paid $220 this year and $245 for next, which works out to $40 each for Preview Night and Sunday (Family Day) and $55 apiece for the others.
SDCC 2016 is the second year I pay to attend. Comic-Con International did not recertify my press status for 2015. I have submitted fresh verification documentation but took advantage of preregistration rather than wait. My concern is not attending rather than paying. Press certification’s major benefit is assured attendance. But there’s no guarantee that my media status will be approved.
Last night, a Washington Post story compelled me to make a quick change in today’s selection. Lenny Robinson, better known around the Washington, D.C. area as the Route 29 Batman, was struck and killed after […]
I spent most of Comic-Con Day 3 shooting photos with the Fuji X-T1. With the Masquerade Ball in the evening, cosplayers descended on San Diego Convention Center in large numbers. As expected, July 11th was by far the busiest—bustling crowds were everywhere, Even at my trolley stop, there were more Conners waiting than the two previous days.
Riding in, I chatted with a Twentysomething, wearing an Apple Watch. I commented how much nicer is his wristband than mine. He asked how I like the timepiece, as he only had his for four days. Turns out, the former Marine who served for 5 years after joining at seventeen works at one of the local Apple Stores. I love go-to people. He had submitted a résumé online, but didn’t get a fast-enough response. So he hauled down to the mall and waited a half-hour to see the manager. Now that is how you get hired.
They say the end is only the beginning. Today’s installment ends serialization of my ebook Comic-Con Heroes: The Fans Who Make the Greatest Show on Earth. On July 8, 2015, after my current commitment with Amazon KDP Select ends, the tome’s release into the public domain begins—as promised. I plan to make copies available here, from Bunny Bows Press, and most likely Smashwords. I am still working out final logistics. Free also means removing the book from Amazon, which doesn’t permit the option. I am exploring a one-cent alternative.
A week ago, I posted the last of the dozen profiles, in order of appearance: The Dark Knight, The Fighter, The Collectors, The Academic, The Nerd Culturist, The Writer,The Bicyclists, The Heroine, The Time Lord, The Volunteer, The Vendor, and The Millennial.
San Diego Comic-Con 2013 was a great venue for Dr. Who. The 50th-year celebration was underway, and there was tremendous excitement about the new Doctor. The program is always popular at the Con, but there was special aura—and were attendees in costumes and garb of all kinds everywhere.
The Time Lord is topic of today’s installment from my ebook Comic-Con Heroes: The Fans Who Make The Greatest Show On Earth, which goes into the public domain on July 8, 2015, after my current commitment with Amazon KDP Select ends. Previously posted in order of appearance: The Dark Knight, The Fighter, The Collectors, The Academic, The Nerd Culturist, The Writer, The Bicyclists, and The Heroine (Ericka Quesada).
It’s Saturday, and that means another excerpt from my ebook Comic-Con Heroes: The Fans Who Make The Greatest Show On Earth, which profiles one-dozen attendees from SDCC 2013. One week ago, the Con held Open Registration, where participating for the first time I was fortunate enough to obtain passes for all four days and the Preview Night. From 2009-2014, accredited press status assured access.
Without press accreditation, I expect San Diego Comic-Con 2015 to be my last, as obtaining passes one year is no guarantee of getting them the next. Judging from social network responses to last week’s 59-minute ticket sales, many people who attended last year couldn’t purchase passes for the next one. Attendance is capped at 130,000.
For San Diego Comic-Con 2015, I am required to reverify my press status—the second time since starting to attend as news media in 2009. I submitted the required documents and story links in early December 2014 and now anxiously await my SDCC fate. If denied, I will unlikely attend this year’s Con, having missed other opportunities to register. If that happens, the world won’t end. Life will go forward. But my birthday, which occurs during the July 9-12 dates, will be somewhat sorrowful this year.
I love Comic-Con for what it represents: Storytelling and attendees being or associating with the people they wish they could be. I laid out my thoughts on the latter concept in July 2010 post “The Roles We Play“, which I adapted as the introduction to my 2013 event project: Comic-Con Heroes: The Fans Who Make the Greatest Show on Earth. I had much hope for the ebook, when published about 18 months ago. But sales were never good—and as distance grows greater from the events told, time diminishes the content’s value.
Here is another vid from Comic-Con 2009 and, again, 360p even though I shot in 1080p. Perhaps YouTube allows re-uploads with higher quality? This one is a bit long for the actual content, but I […]
Battlestar Galactica costume by Anovos, spotted at San Diego Comic-Con 2012. Cost is $1,250 without the insignia pins, which add another $320 to price. Costume is produced in Canada by same company that did them […]