Tag: photography

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The Cats of University Heights: Sprint

Sometimes you get one shot—and with some neighborhood felines none other. Such is the case with the tabby I spotted in the alley between Georgia and Park Blvd. on March 29, 2020. The shorthair moved quickly past as I walked in the other direction, stopping briefly when my iPhone XS appeared. One click later, he (or she) disappeared into a carport. I would be surprised to see the animal again.

Sprint seems appropriate nickname—for the kitty’s quick pace and because the Olympics were on my mind at the time; four days earlier, the 2020 games were postponed a year because of the SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—also known as COVID-19pandemic, which has altered my walk routine. Californians are asked to stay at home (e.g., “shelter in place“) and to go out sparingly; exercise is one approved activity, and I mostly use alleys to avoid other people. Hence, the chance Sprint sighting.

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Sign of Our Pandemic Times

The Featured Image is rather ho-hum by itself but is something much more when given context. Plural perhaps is better: contexts. First: The window is adjacent to another, presumably in the same apartment, where I saw Kip, who was profiled in my “Cats of University Heights” series just after the new year. I have seen the kitty several time since and have come to look for him (or her), which is how the fashioned-sign caught my attention.

Second: California, like the majority of US states, is locked down. Most businesses and all schools are closed. Citizens are ordered to stay at home and “shelter in place“. Keeping people apart is a desperate attempt to slow spread (e.g. “flatten the curve“) of SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—also known as COVID-19. That lone—or better stated lonely—”Hi” reaches out from isolation to the few wanderers traversing the seemingly post-apocalyptic street below. Some residents still walk their dogs or go out for fresh air or to exercise.

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Flickr a Week 14a: ‘A Beautiful Morning in Dyrehaven-3’

For Palm Sunday, we present something calm—and it’s needed remedy with, in response to the Novel Coronavirus pandemic, so many people confined to their homes and with most businesses closed country after country. Today won’t be a day of celebration, as Christians must stay apart rather than gather together. Surely, the pangs of many parishioners will be greater come Easter Sunday in a week.

Bo Nielsen captured self-titled “A Beautiful Morning in Dyrehaven-3” on Sept. 30, 2015, using Olympus E-M1 and LUMIX G VARIO 100-300/F4-5.6 lens. The portrait is a keeper for composition, light, and serenity.

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The Cats of University Heights: Pebbles

I sometimes wonder if assigning a number would be best when an animal’s real name is unknown. Cat 1, or 12, or 149. My made-up choice won’t be right and might even offend the beastie’s owner should he or she see the profile. Setting, or perceived character, often determines my choice, which in this instance is Pebbles. I suppose Woody would work, too. Chipper and Rocky already have been used—moniker and real, respectively—and Stone or Stoner seem inappropriate.

While my wife and I walked up Madison, on March 28, 2020, Pebbles appeared from behind some shrubs, strutting deliberately to a determined destination. We were midway between Cleveland and Maryland on the opposite side of the street; I crossed in time to snag three quick snaps using iPhone XS. Turns out the tabby had some, ah, business to do in the wood chips. I stopped shooting soon as that activity became apparent.

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I Wonder Which Will Flatten First: Us or the Curve?

Today, the global number of SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2), also known as COVID-19, infections topped 1 million and 50,000 deaths. As I write, based on data collated by the Center for Systems Science and Engineering at Johns Hopkins University: 1,015,709 confirmed cases; 211,615 recovered; 53,069 dead.

One month ago, there were eight reported Novel Coronavirus cases in the United States. This moment, according to John Hopkins: 245,213. The dramatic rise is part increased testing, part exponential community spread of the virus. This USA Today headline, regarding April 1, makes the point better than I could: “More than 1,000 in US die in a single day from Coronavirus, doubling the worst daily death toll of the flu”. That number doesn’t include collateral casualties—people who, being treated for something else, might otherwise have lived if not for overwhelmed hospitals in hot zones like New York.

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The Cats of University Heights: Tang

Walking outdoors is challenging, with so many businesses shut down, and, as such, a large number of San Diegians trying to “shelter in place” but, understandably, going out with their dogs or to grab some fresh air/exercise. The other order for the SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2), also known as COVID-19, pandemic: “social distancing“, which for the Wilcox family means mostly walking in alleys behind streets, where fewer people go and making space from them is much easier than would be along cramped sidewalks—or even stepping into bike lanes.

Unsurprisingly, I am discovering a fresh batch of indoor kitties looking out onto the alleys. That brings us to the third consecutive feline that is behind window or door and was seen along/behind Alabama Street—sixtieth and forty-ninth, respectively, for the series to date. On March 22, 2020, I spotted the cat on the stretch between Madison and Mission.

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The Cats of University Heights: Mustachio

The Alabama (number forty-eighth) and behind window or door (fifty-ninth) kitty run continues with the second of three—and maybe four. This handsome second-floor looker earns nickname Mustachio, for what should be obvious reason. While first-in-the-set Mercy looked out onto Alabama, this beastie has a view of the alley from an apartment building on the street.

On March 3, 2020, I spotted Mustachio watching workmen renovate a building on the other side of the alley and facing Mississippi. I used iPhone XS to capture the Featured Image at 11:24 a.m. PST. Vitals: f/2.4, ISO 16, 1/781 sec, 52mm (film equivalent).

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Flickr a Week 13a: ‘Selfie’

Self-titled “Selfie” easily takes the Sunday spot for character, clarity, composition, and expression (of the subject and his artistic presentation). Chris Bird used Fujifilm X-T1 and Fujinon XF35mmF2 R WR lens to capture himself, on June 22, 2016. Vitals: f/13, ISO 200, 1/180 sec, 35mm.

In February 2014, Chris joined Flickr, where he posts a vibrantly, intoxicating Photostream. His website is as dynamic.

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Flickr a Week 13: ‘La Rambla Ice Cream’

Stop if you are easily tempted by icy, smooth, sugary sweets. Close your eyes! Rick Schwartz captured self-titled “La Rambla Ice Cream” on Oct.27, 2018. Is your mouth watering yet?

Rick, who chimes “Through images, I see”, made the moment using Sony α7R III and FE 85mm F1.8 lens. Vitals: f/1.8, ISO 1250, 1/500 sec, 85mm. The portrait takes the week for bokeh, character, color, and composition.

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The Cats of University Heights: Mercy

Our fifty-eighth kitty looking out window (or door) also is the forty-seventh seen on Alabama—and first in a series of three (or four) from the street; all of them behind glass (or screen), too.

I used iPhone XS to capture the Featured Image, on March 19, 2020, between Adams and Madison. Vitals: f/2.4, ISO 16, 1/1083 sec, 52mm (film equivalent); 11:20 a.m. PDT. The nickname comes from my reaction to seeing the Tuxedo peering out from behind a closed window with bars. “Have mercy, and pardon this poor prisoner!”

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Flickr a Week 12a: ‘The Starting Grid’

Vroom, the race is on, in self-titled “The Starting Grid“, which Dennis Freeland captured on July 13, 2016, using Olympus OM-D E-M10. Vitals (incomplete): ISO 1250, 1/1600 sec. “If my time comes for a scooter, I will have a camera built in”, he chimes. Sentiment I share, if, and hopefully never.

The street shot is a no-brainer choice for our Sunday spot. This is a moment that could only work in black and white; colors would distract from the three gents. I got to ask about the last: Why is he considerably younger? His presence gives more sense of a race than would a trio of geezers riding about. Why does the lead rider look so miserable? The answer to these and other questions is the kind of storytelling that this series seeks to spotlight with each and every selection.