Tag: urban photography

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Grapes, Anyone?

Walking about my San Diego neighborhood, I see food growing everywhere—on personal property and in public places. Take your pick: Apples, avocados, grapefruits, lemons, lettuce, oranges, pomegranates, pumpkins, squash, tomatoes, and watermelons—to name a few. Yesterday’s grape sighting adds to the list, but with surprise. I frequently walk by the location, several times a week for at least 10 years. How could I possibly have missed seeing clusters during past growing seasons?

I used Leica Q2 to capture the Featured Image—and companions that are presented to provide some locational context. Vitals for the first, aperture manually set for all: f/4, ISO 100, 1/400 sec, 28mm; 1:04 p.m. PDT, yesterday. You really want to click the link and zoom in.

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Fill `Er Up

Maybe you heard how high are gas prices in California compared to most other states. The Featured Image attests to the gouging that we experience at the pumps. In a nice twist, and keeping with the Cal progressive push for equity, all grades cost the same. Well, if you’ve got to pay more, all the same is a small, but not meaningless, consolation.

Alas, the equity price hike didn’t last long. Hours later, regular grade sold for $4.06 a gallon. Now there’s a tactic for making you feel good about the high cost of gasoline. Four bucks six cents seems so reasonable when you could pay $4.83 more. (Wink. Wink.)

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‘Not Politically Correct’

Yesterday, as my wife and I walked along the alley separating Louisiana and Mississippi, between Meade and Monroe, she stopped, then said: it’s “not politically correct”, referring to a framed poster that I hadn’t seen. People put out giveaways all the time, and art ranks low on my interest meter; hence my blind disregard for an object worth inspection. Not only is her statement accurate, it could explain why someone discarded the thing. With all the hubbub about systemic racism, the caricatures could offend someone. Perhaps raised awareness led the owner to let go the wall hanging. Click through to the Featured Image, and you tell me.

I used Leica Q2 to make the moment, choosing to leave the framed poster leaning as we found it, rather than repositioning for the shot. Composition intentionally reveals some of the alley, for context. Vitals, aperture manually set: f/4.5, ISO 100, 1/500 sec, 28mm; 9:29 a.m PDT.

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The Patriotic Palm

The menacing palm is suddenly sort of cheerful—and patriotic. He’s dressed as Uncle Sam for forthcoming Fourth of July; and early about it (I love the bowtie). But there’s still some ghastly about his face—and the outstretched arms are grabby. Considering that Sammy is a symbol representing the Federal Government, the decorative grimly tree is something of an appropriate metaphor for gruesome, grubby Washington, D.C. bureaucracy (insert your choice of branch(es) or agency here).

I used Leica Q2 to capture the Featured Image, which is composed as shot. Vitals, aperture manually set: f/2.8, ISO 100, 1/1600 sec, 28mm; 11:38 a.m. PDT, today. I debated about going back for full sunlit illumination but in the end decided that the shadow cast creates illusion of a ghostly body. Hehe. Uncle Sam rises from the grave!

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Vintage 1970s, Do You Think?

While walking along the alley separating Cleveland and Maryland in San Diego’s University Heights neighborhood, my wife and I came upon an abandoned gas stove that oh-so reminded me of one my parents used during my middle school years. You might think that someone put out this thing for trash pick up. Oh no, some scavenger surely will snag the range—for repurposing or perhaps dismantling for parts. Little left in the alleys, outside of the actual garbage bins, is wasted. The appliance is a lucky rummager’s treasure.

Annie and I both stopped for photos. The companion closeup is mine, but she did better for the full-on shot. My composition of the entire stove looks straight on and is dull. Hers, the Featured Image, is more dimensional. Vitals, for the first: f/1.8, ISO 25, 1/789 sec, 26mm (film equivalent); 9:50 a.m. PDT. For the other, aperture manually set: f/5.6, ISO 100, 1/200 sec, 28mm; 9:50 a.m. She used iPhone XS and I used Leica Q2.

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Finally, Charming Restoration

I read somewhere—and, damn, can’t recollect where—that this beautiful building, and cottage studios below, was early in the last Century a residence for nurses. But I have no source that confirms fact. Apologies for that, although my confidence is high. With so many structures stripped to the studs as part of massive renovations—or, worse, leveled and replaced by tasteless high-rises—this property’s makeover preserves past character. To whomever owns the multi-rental place, huge thanks.

My first real experience with this landmark goes back to Christmas Day 2016, when I met Comet, Herman, RomanWillow, and their owner; all four animals are profiled in my “Cats of University Heights” series. She had lived in a studio apartment for 19 years, but not for much longer. A few months later, nearly all the cottage residents moved out to make way for contractors, who spent much of 2017 renovating the courtyard buildings.

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Rusty Rider

This exercise bike is nowhere nearly as classic as another that I photographed two months ago today. Condition and color mark the difference. One is rustic, the other is rusted. Still, if you need stationary pedal power, free is the right price. Looked like someone was moving out of an apartment, as I walked by this morning—along Carmelina Drive—and the contraption wasn’t fit to take; of course, assuming the thing works, you could get fit taking it to ride.

Location is close to where lived Hope, who appeared in my “Cats of University Heights” series last year. I used Leica Q2 to capture the Featured Image (warning: 34MB file), which is composed as shot. Vitals, aperture manually set: f/8, ISO 100, 1/60 sec, 28mm; 10:06 a.m. PDT.

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The Question is Why?

If I rightly recall from past signage, the same neighbor also believes that the U.S. government was behind the Sept. 11, 2001 terrorist attacks. Looking at this simple statement, perhaps he is among conspiracy theorists convinced that SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 vaccines also inject nanites. If I could be so bold to suggest: Should Deep State operatives really want to track you, the 4G or 5G smartphone already carried would be more than sufficient. My question: What makes you (or me) so important that anyone would bother?

We already live in a surveillance society. If not cameras from any other house, it’s Facebook, Google, your Internet Service Provider, or a host of other online entities watching—and creating profiles about you. Because bungling bureaucracy is so certain, I would welcome government snooping over the efficiencies of high-tech money-grubbers committed to turning you (or me) into a profitable commodity. Suddenly, writing this paragraph, I am convincing myself that “No 4G/5G Here”—or any Internet access—has merit. Or maybe it’s time to install the VPN software that I licensed long ago but never activated. 🙂

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Cheerful, But Serious

I don’t recall seeing this friendly graffiti yesterday—or the day before. I walk past the intersection of Adams and Florida often enough that surely my ever-roving eyes would have seen something and registered so in aging synapses. New or not, zooming in on the Featured Image suggests that the message wasn’t painted but slapped on and glued (look to the apparent air-bubbles typical of paper pressed onto a surface).

Maybe coincidence, or not, the flower is opposite the alley location where I found the “Yellow Peril Supports Black Power” protest placard two days ago. You got to wonder if something—person(s) and/or event—connects the two. The utility box is outside the Adams Substation, which is visible behind, located in San Diego’s University Heights neighborhood.