Category: Photo

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Carport Lettuce

This morning, my wife and I scampered down an alley behind North Ave., between Madison and Monroe, to look at new construction—a rapidly rising multi-unit building that replaces what was once a charming house with lovely yards front and back; before bulldozers leveled the lot.To our delight, further along, we discovered a suburban-style lettuce patch that someone is growing in a carport. How clever!

Like the Urban Pumpkin, the leafy plantation joins an explosion of garden projects throughout San Diego’s University Heights neighborhood. This summer’s sowings are  unlike anything that I have seen in nearly 13 years living here. Could it be that people stuck at home because of the SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—also known as COVID-19pandemic are using the time to garden? Perhaps some people (rightly) worry about supply-chain disruptions and food shortages savaging the country later in the year. Whatever the reason(s), inventive green thumbs are hard at work growing crops in unexpected places.

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Flickr a Week 30: ‘Bengal Cricketers’

The week goes to a street shot not for what it is but for what it isn’t: The choice selection from the Photostream of Pietro Tranchida. While week-worthy, self-titled “Bengal Cricketers” isn’t the best example of his art; the eye-poppers are designated All Rights Reserved, and this series only uses images that are released under a Creative Commons copyright.

That said, there is much to like about the sporty pic—for bokeh, clarity, composition, sense of motion, and the camera used: Leica Q, which is not typically an action-associated shooter. But, hey, capable hands work wonders. Vitals: f/2.8, ISO 100, 1/1000 sec, 28mm; Sept. 20, 2017.

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Welcome to COVID-Safe San Diego Zoo

My wife and I walk around our neighborhood and go to the grocery store but not much elsewhere. That’s the state of our lives, and that of many other Californians, since Governor Gavin Newsom essentially closed down the state on March 19, 2020. Subsequently, “shelter-in-place” and social distancing orders worked, or seemed to, and spread of SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—also known as COVID-19—subsided. In June, California started to earnestly reopen, with restrictions placed to prevent resurgence.

But the pandemic savagely surged, shifting from older citizens to younger ones: People under the age of 40 account for about half of all new confirmed cases. One week ago, Newsom ordered partial reclosing, while Los Angeles and San Diego school districts jointly announced that kids would not return to classes as planned; for the foreseeable future, they will be instructed over the Internet.

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Flickr a Week 29a: ‘Talking’

Day 217 of my 2015 series went to Pedro Ribeiro Simões for “Finally The Expected Photographer Arrived“. He returns with self-titled “Talking“, captured on August 15 of that year using Leica M9. Half-decade later, actively posting to Flickr, which he joined in June 2005, Pedro still shoots with the same rangefinder. Vitals: ISO 640, 1/180 sec, 50mm. Pedro’s moment is the Saint Clair garden, Lisbon, Portugal—the city and country where the economist resides.

The street shot takes the Sunday spot for punchy contrast, vivid colors, and what it represents in 2020: The past. Mask-wearing and “social distancing” drastically change how citizens interact in public. Imagine, for example, six-feet separating each person seated. We won’t see scenes like this one for some time. 

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Flickr a Week 29: ‘Oxford Street, 2019’

We greet mid-month with startling self-titled “Oxford Street, 2019“, which Sam Rodgers captured on September 8 using Fujifilm X-Pro2 and Fujinon XF16mmF2.8 R WR lens. Vitals: f/11, ISO 200, 1/500 sec, 16mm. The portrait is evocative of Sam’s street shooting style—getting down low to the subject. Before moving to San Diego, I often would lay on the pavement or sidewalk with my camera for more interesting perspective. But Californians love their dogs and let them defecate and pee everywhere; rain is too infrequent to naturally clean away the crap. So I stay on my feet.

Sam shows how changing angle and viewpoint can create character from what otherwise would be a mundane moment. He also gets in close to people, shooting wide open, and his portraits tend to be more dramatic—and clever—as a result.

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The Urban Pumpkin

Now here’s something you don’t see every day: A pumpkin growing among the decorative greenery-space separating sidewalk and street. My wife and I first came upon the thing sometime last week, while walking home from the grocery store (Smart and Final). Making the same journey today, we were surprised to see the odd round of orange undisturbed. Amazing.

What may not be apparent from the Featured Image (warning: 24MB file), which I captured using Leica Q2: The pumpkin grows precariously close to the street and entrance to a parking lot—on Alabama Street across from the BLVD North Park, which is really located in the less-trendy San Diego neighborhood of University Heights. But, hey, anyone living nearby Smart and Finally can claim to rightly be in North Park. Blvd is real-estate marketing fiction.

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The Cats of University Heights: Hope

SInce shooting the Featured Image and its companion on Oct. 3, 2017, I have long considered adding the tabby to the series but refrained. The mesh on the patio that turned it into a catio obscured too much, particularly given distance away. But like Candor, the kitty earns a place, on reconsideration; he (or she) is the third presented catio cat (King and Jester are the others).

The furball earns nickname Hope, for longing look and my hoping that the beastie still lives in the apartment (unlikely), which is along Carmelina Drive and behind Old Trolley Barn Park. I used Leica Q and iPhone 7 Plus to capture both portraits, respectively. Vitals for the first: f/5.6, ISO 100, 1/250 sec, 28mm; 10:08 a.m. PDT. The other: f/2.8, ISO 20, 1/297 sec, 6.6mm; 10:04 a.m.

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Flickr a Week 27c: ‘Lost’

If you don’t know where you’re going, neither does she. Linus Ho presents self-titled “Lost“, which he captured on July 25, 2012 using Canon EOS 5D Mark II and EF 17-40mm f/4L USM lens. Vitals: f/22, ISO 250, 1/60 sec, 17mmm.

Many of his photos are composites, and I cannot say whether or not this one is an authentic moment. But the elements (such as lantern and seagull), composition, and storytelling make the posed portrait a keeper.