Category: Pulp Media

Photo by Joe WilcoxJun 29, 20239:30 pm

Don’t Be Angry

San Diego Comic-Con commences with Preview Night, on July 19, 2023. Early buzz isn’t so much about what attendees will see but what they won’t. The Writer’s Guild of America is on strike and could be joined by SAG-AFTRA, which represents 160,000 actors, as early as tomorrow.

In the midst of the mayhem, Hollywood studios suddenly are pulling presence from this year’s Con. The infamous Hall H, where some of the best panels and previews take place, is suddenly an unpopular presentation venue. Pick any number of reasons, among them: Nobody to be on stage for fans to gawk at; picketers parading placards outside the convention center.

Photo by Joe WilcoxMay 13, 20239:00 pm

Bon Appétit!

In April 2016, I started to write “Why is Hollywood Obsessed with Viral Armageddon?” In June 2017, I shot a photo to illustrate the post, which wasn’t finally finished until March 2021—nearly a year after the World Health Organization declared SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 to be a pandemic.

San Diego’s Museum of Us exhibit “Cannibals: Myth & Reality” must be ongoing because I came upon the same sign still in place six years later—as you can see from the Featured Image, captured using Leica Q2 Monochrom, on April 20, 2023. Vitals, aperture manually set: f/5.6, ISO 200, 1/160 sec, 28mm; 3:23 p.m. PDT.

Photo by Joe WilcoxFeb 9, 20238:55 pm

Because It’s Garbage Day

I am not as wowed with the photos coming from Samsung Galaxy S22 Ultra as anticipated. Inconsistency best describes my overall gripe. I have possessed the smartphone since Dec. 15, 2022. The pics are a bit too artificial, even by small-sensor mobile standards, and color could be more accurate or as the eyes see. That said, if unique look is standard of measure, then the sometimes somewhat smudgy shots are impressionistic-painting worthy.

The Featured Image is one of the better (cropped) captures, which underwent a fair amount of post-production tweaking—or as much as can be expected when working with a JPEG original. Vitals: f/1.8, ISO 12, 1/220 sec, 23mm (film equivalent); 2:26 p.m. PST.

Photo by Joe WilcoxDec 26, 202210:35 pm

The Mouse House

Almost every holiday, the residents of this house located along Campus Avenue in San Diego neighborhood University Heights bring out decorations galore. My wife and I passed by on Christmas Day. Walking on without taking a photo would have been absolute negligence. The Featured Image, composed as shot, comes from Leica Q2. Vitals, aperture manually set: f/8, ISO 100, 1/125 sec, 28mm; 10:17 a.m. PST.

I am not an overly enthusiastic fan of all things Disney. The Magic Kingdom lost its spell about the time I reached adulthood. That’s not a criticism. We all grow out of something.

Living by Joe WilcoxOct 13, 20229:51 pm

Some Things are Better in Black and White

In late-May 2022, we cut the cord for good—and for real—this time. Our first attempt was during June 2013, and we reconnected not long later. Streaming services couldn’t compare for video quality or, when aggregated, price compared to AT&T U-Verse. Each subsequent effort to cord-cut ended with the Wilcox household returning to IPTV or cable connection.

But recent launches of AMC+, Apple TV, Disney+, HBO Max, Peacock, and Paramount+, to name a few, along with content improvements from standard-bearers like Amazon Prime, Hulu, and Netflix, make streaming not only appealing but overwhelming. There is too much content. We had opportunity to switch to a local, 5G wireless Internet provider—and ditched U-Verse at the same time. Now we’re cord-cutters in the purest sense since we no longer have wired Internet.

Storytelling by Joe WilcoxOct 1, 20229:27 pm

Return to ‘Game of Thrones’

Over the last couple of weeks, I watched the original “Game of Thrones”, all eight seasons, streamed from HBO Max. My overall impression is much better—with respect to the final, tumultuous episodes that had many fans screaming loud criticism. Continuity is stronger storytelling viewed as a flow from first to the last—stark (no pun intended) difference during the final airing in 2019, when weekly nail-biting waits created so much anxiety and animosity about how the show runners chose to end a story that had advanced beyond the source material (In 2022, George R.R. Martin has yet to catch up the books).

I have two major complaints, though, and both are with the last episode. (Spoilers start here, so stop reading if you haven’t watched the series.) Jon Snow asks Tyrion Lannister about murdering the Dragon Queen: “Was it right? What I did. It doesn’t feel right”. Her death feels wrong. Whoever wrote the dialogue was right to ask the question. Daenerys Targaryen had overcome so many obstacles to reclaim the Iron Throne, only to have everything snatched away so carelessly by a wimpish hand. If Jon Snow had been a fraction of the man that Daenerys was woman, maybe the betrayal would have been better received—or better storytelling, if not at all.

Photo by Joe WilcoxSep 12, 20229:41 pm

Serve One Up for Linus

Shouldn’t September 12 be considered a wee bit early for Halloween? Can we not wait until October? But marketing seasonal spicy drinks knows no bounds. The sign stands on the corner of Alabama and Mississippi, outside Mystic Mocha, which is an iconic coffee shop and eatery in my San Diego neighborhood.

The Featured Image comes from Leica Q2, today, but I first saw the advert on the eighth. I made shots at two different apertures and fiercely debated with myself about which to share. In the end, I prefer the wider depth of field of the narrower aperture, which keeps the University Heights sign and storefront in the range of focus. Vitals: f/5.6, ISO 100, 1/400 sec, 28mm; 1:02 p.m. PDT.

Photo by Joe WilcoxMay 31, 202210:54 pm

We Say Sad Goodbye to AT&T U-verse

The Wilcox family was an early adopter when AT&T U-verse arrived in our San Diego neighborhood in February 2008. The IPTV service came with 18Mbps DSL Internet, which we upgraded to 24Mbps in May 2010. During July 2014, we switched off the service in a cut-the-cord experiment that failed; we still needed wired Internet and streaming options turned out to be cumbersome and not cost-savings enough. U-verse returned until November 2015, when we tried all-streaming once more. But AT&T IPTV won us back, not long later.

In October 2017, we moved to a different apartment in University Heights, where seven blocks changed everything: AT&T offered 18Mbps Internet (rather than the 75Mbps we then had) but no U-verse. Cancellation was the only option and switch to competitor Cox. By June 2019, the company could deliver the previous Internet speed and IPTV. We gladly returned to being customers. At Midnight tonight, the relationship ends—and I feel nostalgic about the necessary change.

Living by Joe WilcoxMay 3, 202210:34 pm

‘Soylent Green’ Warned Us About Twenty-Twenty-Two

My preview of this year came during summer 1973 when one of mom’s drive-in movie adventures ended with showing of “Soylent Green”, starring Charlton Heston and Edward G. Robinson—both pictured, respectively, in the first screenshot. Mama would have been 32 years old, with four kids piled into an overly spacious, blue Chrysler Plymouth that by today’s gas-guzzling standards was more akin to a boat on four wheels.

I got to thinking about the film a few months back, seeing as how its dystopian future is 2022, when there is supposed to be environmental devastation, famine, overpopulation, riots, war, and wide gulf of wealth and poverty separating the elite class from everyone else. Hold on, does that not describe the year to date?

Photo by Joe WilcoxDec 12, 20218:27 pm

Hang On, Woody!

In what could be a real-life scene from film Toy Story, Sheriff Woody precariously hangs from the back of a Toyota Tacoma spotted along Mission Avenue in San Diego’s University Heights neighborhood. Where is Buzz Lightyear to the rescue? Take a closer look at either the Featured Image or companion and you will see that the cowboy doll is pad-a-locked in.

Both photos come from iPhone 13 Pro, yesterday. Vitals: f/1.5, ISO 50, 1/1698 sec, 26mm; 1:07 p.m. PST. The other: f/2.8, ISO 32, 1/319 sec, 77mm; 1:06 p.m. When I showed my wife the second shot, taken first, she observed that it’s not absolutely apparent that Woody hangs off the ground. So I took another.

Living by Joe WilcoxSep 11, 20218:06 pm

You Will Remember the Day in a New Way

On this solemn Saturday, commemorating the tragic Tuesday 20 years ago, I can’t add much more than past recollections in 2005, 2006, 2015, and 2020. I can strongly, strongly, strongly recommend that you watch National […]

Photo by Joe WilcoxApr 15, 20218:50 pm

If You Work (or Live) Here, I’m Jealous

On the same day, April 11, 2021, that my wife and I walked across the Spruce Street Suspension Bridge, we footed down 1st Avenue towards downtown. We wanted to reminisce about our delightful after-theater walk—planes flying low overhead to land—after watching Jesus Christ Superstar on stage at the San Diego Civic Center. That was Nov. 16, 2019, near the start of the 50th anniversary tour, which SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 lockdowns would end earlier than the planned Aug. 30, 2020 final performance.

At the corner of First and Kalmia, we came across the magnificent structure that is the Featured Image (warning: 30MB file), captured using Leica Q2. Vitals, aperture manually set: f/5.6, ISO 100, 1/320 sec, 28mm; 12:44 p.m. PDT. I reduced exposure in post-production, should you feel that the photo is too dark; that’s deliberately done.