Category: Fuji

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The Cats of University Heights: Mao

The Alabama cat contingent continues, with the thirty-first sighted along the street between its boundaries of Adams and Lincoln. Yesterday, as we walked to Smart & Final, my wife saw a putty-tat scurry among parked cars across the roadway. I pulled around Fujifilm GFX 50R, with attached Fujinon GF63mmF2.8 R WR lens, and approached the building, which is the same one where lives the kitty I call Dizzy. The shorthair retreated to a spot before the apartment complex’s security gate, which access to me was blocked by the mailman filling boxes.

He left. Feline and human regarded one another. A few meows later, the shorthair let me move in close to offer pats and to read the name tag (Mao). Snap. Snap. Two satisfying shots later, a quandary came: Should I let Mao inside the courtyard, by way of the unsecure security door? I pulled slightly open, and the friendly furball nosed forward. I closed in doubt, then let Mao through. The kitty crossed to a stair and climbed to the second level, where home awaited. (I hope.) 

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Overlook

Sometimes, I stop where Adams Ave. ends in my neighborhood to see if the Pacific Ocean is visible along the horizon. The location is sentimental—for our long time living nearby; the overlook’s majestic view; and […]

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How Much Has It Rained in San Diego?

Record rainfall pummels Southern California, as a series of storms continue. In my neighborhood, according to official government weather stats, 3.7 cm (1.45 inches) fell during the Valentine’s Day downpour. Totals for the month, as measured at Lindbergh Field: 7 cm (2.8 inches). That same storm walloped Palomar Observatory with 28 cm (10.9 inches) of rain. Yikes! Rivers overflow. Flooding wreaks havoc in the community Ramona, among others. And nobody uses the dreaded D word (e.g. drought).

The sun shines through puffy, cumulus, cumulonimbus, and nimbus clouds stretching across the horizons upon the wet asphalt, earth, and fallen palm fronds—brief respite before the next storm surges. But the air is chill, and record low temperatures are expected tonight. Already, ice accumulations have led authorities to close both major roads leading into the quaint, mountain community of Julian—where we nearly bought a house last year. Being President’s Day, the town would typically bustle with tourists. 

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The Cats of University Heights: Tony

The Fujifilm GFX 50R, paired with Fujinon GF63mmF2.8 R WR lens, delivers outstanding image quality; today’s cropped Featured Image and fuller-size companion demonstrate the camera’s capabilities. Rather than use a telephoto, I prefer to shoot with a prime lens on a camera that can capture lots of detail, allowing me to crop-in, or recompose, during post-production. The 50R is an IQ over-achiever, and its handling and ergonomics suit my shooting style, too.

I encountered the sleepy white beauty along Golden Gate somewhere between Cleveland and Maryland. Snowball—nickname my wife suggested—is the thirty-seventh feline found behind glass (and/or screen) and usually looking out rather than snoozing. The main portrait is cropped from the other, to spotlight the incredible detail the medium-format camera captures. Vitals, aperture manually set: f/5.6, ISO 100, 1/210 sec, 63mm; 9:25 a.m. PST, yesterday. 

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The Cats of University Heights: Siamese Twins

On Feb. 1, 2019, as I walked down Monroe where it hugs the canyon behind Maryland, a bonded pair presented on adjoining properties. I captured several portraits, using Leica Q, planning to return for closer-up shots. I would see the chunkier beastie again, doing its business in another yard—and, well, even felines deserve some dignity, if not their owners. No photo.

While preparing to add the Siamese Twins to the series, using the Leica Q portraits, FedEx delivered the Fujifilm GFX 50R camera and Fujinon GF63mmF2.8 R WR lens. I intended the medium-frame shooter to replace my departed full-frame Leica M10, which a Mexican wedding photographer purchased four months ago. But the Fuji is considerably larger than imagined, and I strongly considered boxing up without even one shot and returning. 

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The Cats of University Heights: Valentine

Some kitties pull your heartstrings—to somber notes—as did this black and white seen yesterday along Campus Avenue, at the same property where lives the grey that I call Blue. The putty-tat earns its nickname for the day being profiled and for me thinking when looking at its face: “Be mine”, like the text on one of those candy hearts.

Valentine also has the distinction of being the first cat appearing in the series shot using the Fujifilm GFX 50R, which I received four days ago, and Fujinon GF63mmF2.8 R WR lens. Vitals for the Featured Image: f/5.6, ISO 100, 1/70 sec, 63mm; 9:13 a.m. Same for the other, but 1/100 sec.

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The Cats of University Heights: Grape

Strangely, feline sightings along Shirley Ann Place are rare. I have only ever seen two kitties outdoors, and you will meet both consecutively as the series resumes pace after a deliberate slowdown. The first earns nickname Triumph—chosen for posture and demeanor. Our first encounter was Sept. 24, 2018, sitting atop a recycle can. The Featured Image, from Leica Q, was captured the next day. Vitals: f/5.6, ISO 100, 1/60 sec, 28mm, 5:42 p.m. PDT.

I shot the companion portrait, during the first meeting, using Google Pixel 2 XL. Vitals: f/1.8, ISO 50, 1/289 sec, 4.459 mm; 8:30 a.m. The kitty has triumphantly presented several times since, but these two humble photos are the best ones so far. 

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You’re So Vane

Late afternoon today, I took a purposeful walk around the neighborhood carrying Leica M10 with Macro-Elmar-M 1:4/90 attached. I had hoped to shoot the first portraits from the lens for my “Cats of University Heights” series. I met no felines, sadly, but some of their prey tickled my fancy around the property at Cleveland and Madison.

I captured the Featured Image  and its companion at 5:03 p.m. PDT. Vitals for the first: f/11, ISO 200, 1/180 sec, 90mm. The other is same except for 1/250 sec shutter speed. I cropped both, but only really edited the second—seeking to make the birds more lit than silhouette, so to speak. 

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Fujifilm X100F Review

During the camera film era, Fujifilm battled kingpin Kodak with brighter, more vibrant colors that either photographers loved or hated—perhaps both. That was last century. In the 21st, Kodak is a shadow cast against aged Kodachrome, while its rival has successfully transitioned from print to digital—and with amazing bravado. Fuji’s transformation started six years ago with the cleverly-engineered, retro-designed X100, which I reviewed in May 2011.

The compact digital camera’s success led Fuji to develop a series of additional bodies and lenses; all are designed with professional shooters in mind. The X series family features compact, mirrorless designs that incorporate digital SLR-size sensors and manual controls—meaning dials and buttons to directly manipulate settings rather than rely on software menus. The X100 line—from the original to the S, T, and now F—remains the most distinctive for how well features and benefits balance set against truly innovative design concepts.