Two afternoons ago, while waiting for my wife outside Apple Store Fashion Valley, nearby flowers beckoned me to try out the Leica Q dedicated Macro mode. The Featured Image is as shot, converted from DNG […]
The morning of May 12, 2017, as my wife and I turned from Cleveland to walk down Meade Ave., a flash of Siamese sped from the sidewalk into a heavily-foliaged front yard. As we passed, […]
Last week, driving up Texas Street—one of the neighborhood’s major boundaries—road work compelled my wife and I to go home by way of Monroe instead of Madison. I sat in the passenger’s seat; a woman walking a dog accompanied by a cat riveted my attention. At home, soon as Anne pulled over, parked, and stepped out of the Honda Fit, I slipped into the driver’s seat and sped away to capture a portrait of the handsome, fluffer-tail cat walking the dog on Monroe. Of course, after pulling to the curb, and walking about several streets, I couldn’t find the beast—or his owner. But the Fujifilm X100F was ready.
Ten minutes later, I abandoned the hunt and started to drive home. Damn, I had gone one block too far and passed a doorway just in time to see the dog-walker, her mutt (that’s affectionately meant), and the feline disappear into an apartment (or perhaps duplex). I noted the building’s address number and nearest cross-street (Alabama) for future scouting. Last night, on my second day twlight’s attempt looking, I spotted the handsome furball waiting for his master’s return. Oh yeah!
You don’t see them here, but this feline hissed and bared teeth as I safely shot her portrait from the sidewalk, with fence and some distance between us. Meet one black cat that maybe could bring bad luck if crossing your path. Hehe. I spotted the feisty furball yesterday morning, on Maryland Ave. somewhere beyond Meade.
Note: Date and timestamp in the metadata are both wrong, being incorrectly set in the camera—the interesting Leica Q, which ISO had been preset for low-light on another day (I should have checked and changed before shooting). Vitals: f/16, ISO 3200, 1/2500 sec, 28mm; 9:19 a.m. PDT. The Featured Image was cropped and converted, but not otherwise edited, from DNG to JPEG.
Vivid is how I describe the street photography of Matthias Ripp. His art exudes a rich, contrasty quality that is natural; what the eye sees. Today’s selection, as do many others, feels like film. The Regensburg, […]
We wrap up our three days focusing on the Leica X2 (see 312 and 313). Maybe it’s technique of the photographer’s I chose, or the camera. But I don’t find any of their photos shot […]
Following yesterday’s camera spotlight, we continue with Leica X2—the pricey compact succeeded by the X-E. Lorna Brooks commands the Day with self-titled “Morning Light”, taken on July 15, 2015. Vitals: f/3.2, ISO 100, 1/8 sec, 24mm. […]
Some shooters swear by the “Leica look“, that the German manufacturer’s cameras produce distinctive color and contrast. The attribute is applied to rangefinders, but I’ve seen supporting claims for others—like the fixed-lens mirrorless compacts. I […]
Is this one instance where color would work better than black and white? When shooting the Leica Camera AG M Monochrome and Summicron-M 35mm f/2 lens, as Mick Orlosky did on Nov. 2, 2013, color […]
If not for the Nike, this photo could easily be the 1940s rather than the 2010s. Look at the woman’s outfit to the left and those sunglasses on the lass to the right. This ambiance […]
That is the title I gave this photo half-decade ago captured on July 24, 2010, during my second San Diego Comic-Con. In the six years attended so far, Leica X1 is unmatched for the photos produced. […]
I chose today’s selection mainly for what it isn’t. Color. Absence makes the street portrait more curious; provocative. You lean forward into the screen to better see the detail, then click to look larger. My preference would be different composition, but the subject’s expression, particularly his eyes, evokes something—sadness perhaps—that is moving.
Tobi Gaulke used Leica Camera AG M Monochrom and Leica Summilux-M 35mm f/1.4 ASPH lens to shoot self-titled “Don’t be Judgemental” on March 5, 2015. Vitals: f/1.4, ISO 800, 1/30 sec. This is the third photo featuring the Monochrom (see Days 87 and 120).