I really am not obsessed with cats, contrary to impressions the last couple months of posts might suggest. I just needed a breather from tech writing and the stress caused by American politics—or better stated, […]
The Cats of University Heights: Veruca
Last night, a calico that I had been looking for since Oct. 29, 2016 finally appeared—about the same time of day and different location on her owner’s porch. I shot the Featured Image at 6:52 p.m. PDT; 10 minutes before sunset. The portrait is straight from the Fujifilm X100F; no post-processing (and big file at 13MB). Vitals, with Velvia film simulation: f/2, ISO 200, 1/90 sec, 23mm.
I met the couple who owns “Veruca”—or “Rukie”; the name will mean something to anyone who is familiar with Charlie and the Chocolate Factory. She is five years old and not a big eater, despite from some vantage points appearing to be overstuffed. One of the caretakers calls her voluptuous.
The Cats of University Heights: Ash
Yes, you are experiencing déjà vu. We have been to this yard before—three times in six days. The furballs are resident pets of the “Wildlife Habitat”, as an official sign states. They must have a time-sharing arrangement, as cats are quite territorial. While walking to The Hub, my wife and I spotted Ash (his real name) around 1:20 p.m. PDT today. I observed the other two, Sebastian and Booger, in mid-morning and late-afternoon, respectively, on different days. The Maine Coon is about two years old and vision-impaired.
I captured the moment using Fujifilm X100F, with Velvia film simulation. Both pics are crops—the Featured Image 100 percent. That one is Anne’s preferred composition, and the other (below the fold) is mine. In both, the framing attempts to use the stones to lead the eye to the kitty. I shot the first photos with aperture manually set to f/8; they didn’t make the cut because Ash was turned away nibbling a plant. The keepers are auto-everything—and meant to see how well the camera handles contrasting light (in the yard) and shadows (where is the cat). Except for slight straightening and the aforementioned cropping, the two portraits are not tweaked for light or color, beyond what the camera does.
Kuma’s House For Sale
Out the alley behind our apartment building and across Monroe is what the Wilcox clan calls “Kuma’s house”. When our Maine Coon was still with us, and the 1,300-square-foot Craftsman, built in 1917, was a foreclosure, he […]
Caturday Centered
Time comes to revisit a couple of furballs from my “Cats of University Heights” series: Biscuit, Frenemy, and Slumber. As an unabashed amateur photographer, I tend to avoid putting the capture’s subject in the centerfield. But sometimes, there is no other choice or such placement pleases the eye—so I believe (gulp) about these two portraits. Both animals live on different blocks along Maryland Ave.
The Featured Image gives better view of the black cat who is Morla the tortoise’s front-yard companion. The fence leads the eye down to the feline, which offset dinosaur adds character to the yard. The JPEG is straightened but otherwise as shot today using the Fujifilm X100F, with Velvia film simulation applied in camera. Vitals: f/5.6, ISO 200, 1/420 sec, 23mm; 9:38 a.m. PDT.
Sign of the Times
Two weeks ago, while walking around Hillcrest, my wife and I briefly stopped by the local, massive, used bookstore. To my surprise, the place was three-quarters emptied and going out of business. Yikes! I hadn’t shopped there for nearly a year, when purchasing a paperback for myself later given to my father-in-law. While 5th Avenue Books is gone, online counterpart Schrader’s Books will continue selling used titles through Amazon. As someone who almost exclusively reads ebooks, I occasionally—but, honestly, rarely—shopped out-of-prints not available in digital format, almost always finding the sought-after read.
That last purchase: The Past Through Tomorrow by Robert A. Heinlein, an old-time favorite selling for three bucks. When I first bought the anthology in high school, it came as a set with two other titles: Stranger in a Strange Land and Time Enough for Love. During the last year of my father-in-law’s life, reading became his main recreation. I donated the Heinlein title to that cause. Following the 95 year-old’s death nine weeks ago, I reclaimed the book to read and as remembrance.
The Cats of University Heights: Booger
Late yesterday afternoon, as I walked home from Trader Joe’s, I sighted a short-haired tabby in the same yard where Sebastian slept on the Ides of March. The cat came up a side alley, and I worried he might skitter away. So I got off a quick shot, forgetting that the Fujifilm X100F was set to Acros film simulation. I desperately changed to Velvia and auto-everything. Problem: The sun shone sharply over the animal to the camera. Rays are visible in the first shots. The cropped Featured Image is better-balanced from my getting down lower to the sidewalk, my using the left hand as make-shift hood, and the kitty moving to where the house blocked glare.
Vitals for the color pic: f/3.6, ISO 200, 1/125 sec, 23mm. Black and white (which is below the fold): f/5, ISO 200, 1/125 sec, 23mm. The sun situation actually adds character to the B&W photo. If not for the plastic containers, the portrait could be from days gone-by. Time taken: 5:37 p.m. PDT and a minute later for the color capture.
The News I Choose
Strange isn’t it, the quotes that cling to you. In August 2009, the New York Times rightly asked: “What’s a Big City Without a Newspaper?“—when many reputable reporting organizations contemplated erecting paywalls after too long bleeding advertising revenues to the Google Free Economy. Journalist Michael Sokolove interviewed Brian Tierney, who then led a group trying to salvage two major dailies following bankruptcy: “He wants to begin charging for online content. As he told me this, he banged a bagel on a conference table, which sounded like a rock as it hit. ‘You hear that?’ This bagel stinks, he said. ‘It’s got the same consistency inside and out, but if you went down to our cafeteria, it costs like $1.25. That’s what people pay for stuff like this, so you mean to tell me I can’t get them to pay that for online access to all the incredible stuff in The Inquirer and Daily News online? People who say that all this content wants to be free aren’t paying talented people to create it'”.
Perhaps because I am a working journalist, or maybe being someone who seeks news that he can trust, the sources most valuable to me aren’t free. I pay for them—and in putting together a list, much more than expected. But before continuing, qualification: I started to draft this post in September 2015, coming back many times with intention to complete—only to perennially procrastinate. Perhaps I subconsciously intuited that my main news sources would dramatically change, as they have following Donald Trump’s unexpected presidential election victory.
The Cats of University Heights: Spot
For several days in May 2014, a daring but skittish kitty skirted around my father-in-law’s apartment complex on Campus near Madison. I never managed to capture his image—he always ran from me. But the furball tolerated my wife, who snagged several photos, from which comes the first in this series snapped by someone other than me.
I cropped a vertical shot to make the Featured Image. Look for the original below the fold. Annie captured the moment on the 9th of the month at 6:21 p.m. PDT, using the HTC One M8 smartphone. Vitals: f/2, ISO 125, 1/302 sec, 3.82mm. I shot Farfisa, who also appears in this series, with the M8 as well, but in April 2014.
The Cats of University Heights: Sebastian
This morning, my wife and I jaunted down Maryland Ave., on our way to The Hub for groceries. Nearly to the Washington Street bridge, in a yard with “Wildlife Habitat” sign, and lush foliage, Anne spotted a furball belly up. I shot several back-to portraits, using the Fujifilm X100F. When we returned, the feline had flipped around my way.
The Featured Image is Annie’s preferred crop. The other, below the fold is mine. Vitals on the first: f/5.6, ISO 200, 1/450 sec, 23mm. The other: f/8, ISO 200, 1/280 sec, 23mm. Time on both: 10:38 a.m. PDT, using Velvia film simulation.
My Comic-Con Luck Runs Out
I dreaded this day but mentally prepared—or so it seemed. San Diego Comic-Con 2017 Early Registration commenced this morning. Passes sold out in about an hour, and I got none for any of the four days or Preview Night. I attended continuously, starting in 2009—the first six years as registered press. For reasons unknown to me, SDCC did not “verify” my media status for 2015 or 2016, but I was able to register and pay for the entire event.
Open Registration is still to come, and the convention changed the press submission schedule for the July 19 (Preview Night) – 23 event. Past years: December. Now it’s end of April. Before the new week starts, I will resubmit legitimate materials that, if my luck isn’t exhausted, might lead to press certification and attendance.
The Cats of University Heights: Henry
The Fujifilm X100F and I are still getting acquainted, bringing big digital lifestyle change: always-carry. The compact camera is lightweight and unobtrusive attached to ONA Lima strap, such that I sling it and bring it with ease and capture the moment where iPhone 7 Plus would miss. I only lugged larger Fuji X-T1 when planning to use it, thus making the Apple smartphone my primary street camera. That all changed February 28. The new digicam, with its 24.3-megapixel APS-C sensor and fixed f/2 lens, is classic—for style and shooting. I previously owned the original and preceding T model.
Rushing out for a twilight walk on March 9, I spotted, not for the first time, a tiger-striped cat in the yard at Campus and Monroe. Our eyes met yet again, around the same time of day; he lurked where he had several weeks before, cast in the shadows. I shot Featured Image at 6:09 p.m. PST—about 20 minutes after sunset. Except for straightening, the JPEG is unaltered from the X100F. Vitals: f/2, ISO 3200, 1/26 sec, 23mm. Despite its f/1.8 aperture, based on past efforts, iPhone 7 Plus would have botched the shot—or using flash to set focus, scared off the feline.