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Scooter Booter

Did you know that mopeds typically are bigger air-polluters than cars or trucks? Kind of diminishes their mystique, don’t you think? Yeah. Yeah. But I would still consider riding (and owning) one. Some newer models’ emissions are cleaner (and, yes, that’s a justification).

I shot this scooter nearby the bridge that crosses Washington Street to The Hub shopping plaza, on March 2, 2017, at 11:41 a.m. PST, using Fujifilm X100F, which settings were changed to those used by photographer Kevin Mullins, with Classic Chrome film simulation. Vitals: f/4, ISO 400, 1/950 sec, 23mm. 

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My Fujifilm X100F Acros Romp

I see a fair number of professional photographers raving about Fuji’s black-and-white simulation, which I finally gave a try while walking the neighborhood today. Gotta say, as an admitted amateur, I am impressed by Acros—available on the X-Pro2, X-T2, and X100F—but more for what it enables: To shoot things that I otherwise wouldn’t; stepping back and looking differently. There are reasons why some mirrorless digital cameras are right for the street.

Take the Featured Image. Numbers on a building? I wouldn’t have bothered if not for Acros, which adds surprising dynamism by taking away something—color. The capture isn’t a favorite, honestly, but there’s something pleasing about the tone—the mood—that makes harsh shadows and sheering sunlight more palatable. Vitals: f/4, ISO 200, 1/2000 sec, 23mm; 8:42 a.m. PST.

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Lemonade Stand

The Fujifilm X100F is now my nearly-always outdoor companion—a role iPhone 7 Plus had filled. The camera is compact and light and comfortably slings over the shoulder attached to the ONA Lima strap. Earlier today, my wife and I walked down Maryland Ave. toward The Hub plaza in Hillcrest. Along the way, we passed a lemonade stand, with some kids fundraising for the local elementary school, Alice Birney. They had already raised $60 when I snapped the pic, at 1:15 p.m. PST. Somebody paid more than the requested 25 cents a cup. Hehe.

The Featured Image is a crop of the original, which is visible below the fold. Both versions are unaltered, except for horizontal cropping to the first and straightening of both. The visual cue is different in each, though. The first is aligned vertically with the lemonade stand and the original against the house in the background. 

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How Did It Come to This?

Surely somewhere in the collapse of retailer American Apparel there is a metaphor appropriate for the policy platform put forth by Donald Trump. The President talks about bringing jobs back to the United States and renegotiating the North American Free Trade Agreement. Ironically, with AA, we see the demise of an iconic, hip “Made in the USA” brand, with its remaining assets being sold to Canadian-based Gildan. What’s up with that? Eh?

The Featured Image, and the pic following below the fold, tells a different story: Recent remembrance of another American Apparel, which allure popped pop culture’s cherry, for coolness and sex-appeal. On May 8, 2010, the retailer’s San Diego store held a rummage sale that drew long lines that wrapped around the block such that the end overlapped the beginning. I captured the moment with the Sigma DP2s. What a change in 7 years—and not just for the one clothier. Last year, local company Sports Chalet went out of business, around the same time as national chain Sports Authority. The Limited is shuttering all its stores, and Macy’s nearly 70. Should we blame China or, hehe, Amazon

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Fujifilm X100F

Today, UPS delivered a new toy, from Wolfe’s Camera—my first acquisition there, because everywhere else was out of stock (backordered)—via Amazon. I had originally ordered the Fujifilm X100F on announcement day, Jan. 19, 2017, from Adorama, but foolishly, and accidentally, cancelled on February 16, when the digicam was supposed to release (turned out to be a week later, instead). For now, the new Fuji is companion to the X-T1, which will take secondary street photography role, as I shoot more frequently.

Passing of my father-in-law, who required lots more care than either my wife or I would admit, means more available time for other things. Creative endeavors top the list. Additionally, eye surgery last summer rejuvenated my vision, renewing interest in amateur photography and returning me to professional writing. The X100F will be a documentary tool supporting both efforts. That’s not to complain about the X-T1, which is a fantastic dSLR-like mirrorless—to be used whenever I need interchangeable lenses (there are three in my camera bag). 

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After the Rain

In nearly 10 years living in San Diego, I have not seen such lush, inviting foliage as visible this Winter—or what I call late Summer (the other two seasons are early Summer and mid Summer). Typical yearly rainfall is 25 cm (9.9 inches). Through yesterday’s massive storm, totals exceeded that amount, or more than 150 percent the annual average, according to the National Oceanic and Atmospheric Administration. Eh, so much for the Southern California drought.

Forgive my botanical ignorance, regarding the Featured Image, the leaves are from the tree adjacent to the stairs leading down from our apartment. I couldn’t resist a quick shot as my wife and I headed out for an afternoon walk, using Fujifilm X-T1 with Fujinon XF35mmF2 R WR lens. Vitals: f/5.6, ISO 200, 1/80 sec, 35mm. I had set the camera for street shooting beforehand. 

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Katris Cali

Somewhere, several months ago, I came across Katris Blocks by Papercut Lab. We discussed their risked-impracticality for price paid—after all, cats are notoriously finicky, and truest folklore meme is their playing more with the box the toy came in. Finally, discussion led to purchase; on Feb. 6, 2017, I ordered from the seller, through Amazon, the colorful City SF set, which was discounted 20 percent from the price seen before Christmas. Less than 48 hours later, yesterday, UPS delivered the 30-kilo box (67 pounds) much sooner than ever expected; free shipping.

My wife and I made a production of the unpacking, by taking out some blocks but leaving others to support cardboard compartment play areas inside the sturdy shipping box, which we later moved to another room for continued overnight feline fun. We set up the modular blocks in the living room for nighttime cat shenanigans. This morning, I dragged the big box down to the garage and cleared the blocks from the living room sun zone, where the kitty’s frolic and tussle over territory, to the bedroom. 

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The Cats of University Heights: Kit

On, Jan. 30, 2017, as my wife and I walked down the alley behind Campus Ave. approaching Madison, we spotted a frisky young kitty in a window. No way could we resist stopping to say hello to this cutie, whom I nickname Kit. I shot a half-dozen quickies using iPhone 7 Plus. I little-bit blame the bright, blinding sun for obscuring my vision and obliterating the screen for the Featured Image‘s weak composition.

The second photo gives better perspective of the window. Vitals for the closeup:  f/1.8, ISO 20, 1/833 sec, 3.99mm. The other is same except for shutter: 1/791 sec. 

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Apple Fiscal Q1 2017

The measure of Apple fiscal first quarter 2017 isn’t record revenues ($78.35 billion) but comparison to major competitors: More than three times Google ($26.06 billion) or Microsoft ($24.1 billion). Amazon announces tomorrow, Groundhog Day. Will the retailer’s CEO, Jeff Bezos, see his shadow? The 3x multiplier nearly applies to net income: $17.89 billion, versus $6.64 billion and $5.2 billion, respectively, for the two rivals. Looked at differently, compared to Apple’s same quarter in fiscal 2010, seven years later, profits exceed total revenues ($15.68 billion). That’s an astounding comparison.

The results defy pundits’ prognostications, including my own, about gravity pulling the company back to Earth. iPhone, as major source of revenue, can only stay up for so long, before slowing smartphone sales wreck havoc. That said, credit where it’s due: CEO Tim Cook is, as I’ve asserted before, a logistics and manufacturing genius. He is a strategist, but not an innovation leader like predecessor Steve Jobs. Cook masterfully manages his inheritance, but he, nor Apple observers, should get lost in the quarter’s glow: iPhone remains boon and bane. 

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Amazon Books San Diego

My wife and I drove to Westfield UTC to walk around on this bright sunny day, and to reminisce. Soon after we moved to San Diego in late 2007, my daughter started skating at Ice Town (since renamed UTC Ice), which is inside the mall’s food court. There, Firefighters gave her a Santa’s hat on Christmas Eve, 2008. We hadn’t visited the La Jolla retail complex for at least six months, and I suspect much longer. Hehe, we missed out. In September 2016, the second Amazon Books store opened there. The first is in Seattle, and there is another in Portland, Oregon.

Eleven months ago, when Wall Street Journal broke Amazon’s plan to open the shops, I offered some good reasons why the strategy makes sense, even if it might seem nonsensical when bookstores are shutting around the nation— the online retailer’s Kindle ebook business being a major reason. I had no idea then, or until today, that San Diego was among the locations. UTC is a good choice. Amazon Books is diagonally across from Apple Store, in a mall that is very outdoor shopping/walking friendly and courts a clientele that would shop for titles they can hold and read; no device or screen required. 

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Grado GS1000e

After Grado Labs shipped to me the GS1000e headphones, but before they arrived, I realized my mistake. Big sound comes in matching size. So used to the Brooklyn-based company’s signature on-ear designs, I somehow overlooked that the pricey Statement Series audiophile cans are over-ear and overly large. It’s all about the earcups and pads. The RS1e, which I previously owned and sold, measure 17 x 8 x 19 cm (6.69 x 3.15 x 7.48 inches). The GS1000e: 23.11 x 8.89 x 23.88 cm (9.1 x 3.5 x 9.4 inches). As I feared, the Grados look enormous on my head, unbecoming. But, Hell, I accept the indignity of a big slab of iPhone against my face—why fuss?

Size isn’t the only difference from other Grados. I don’t hear the classic audio signature, but something else. Something better. Out of the box, with no burn-in, sound is smooth, expansive, and detailed. Well-rounded. Finely balanced. The open-air, over-ear styling truly is circumaural, spreading soundstage in placement you can close your eyes and see. Feel. There is an audio authenticity unlike any other headphones ever to touch (or cover) my ears—and that’s with less than 10 hours use. Cans like these improve with age; burn-in is everything.

BTW, I used the Fujifilm X-T1 with Fujinon XF35mmF2 R WR lens to shoot the Featured Image, which I considerably edited to remove some of the yellowish tint from the Jan. 25, 2017 evening capture (8:26 p.m. PST). Vitals: f/4, ISO 5000, 1/60 sec, 35mm.