Like eleven years ago, July 12 is a Sunday. While the dates and days sync up, something else doesn’t: San Diego Comic-Con concluded on this date in 2015. The 2026 gathering won’t start for another 10 days, with Preview Night. I will be there on Thursday and Sunday, my first dalliance since 2017.
The Featured Image is among the last dozen photos taken using Fujifilm X-T1 and XF18-55mmF2.8-4 R LM OIS lens on this date 11 years ago. Vitals: f/3.2, ISO 250, 1/60 sec, 18mm; 1:49 p.m. PDT.
Over four days and Preview Night, San Diego Comic-Con presents people opportunity to cosplay as someone whom they aspire to be. Cosplayers are popular with any camera-carrying attendees, which could be anyone and everyone because of ubiquity and versatility of smartphones.
But the event is demanding, especially when costumes and accompanying gear are bulky or heavy. People tire, as you can see from the Featured Image, which hardly shows two people in character.
Don’t bother asking. Joe has no idea what are Link Monks–—if he ever knew. I used Fujifilm X-T1 and XF18-55mmF2.8-4 R LM OIS lens to shoot the Featured Image, eleven years ago today during San Diego Comic-Con 2015.
Vitals: f/3.2, ISO 200, 1/2500 sec, 18.8mm; 10:44 a.m. PDT. The portrait is a horizontal crop from a vertical original. See how sharp the shot still is? I loved the X-T1, BTW.
Eleven years ago today, I stomped about San Diego Convention Center shooting photos of Comic-Con 2015. Next week, I return for two days—Thursday and Sunday—marking my first attendance since (gasp) 2017. Oh, I tried but failed to secure passes.
During 2015 Con, I purchased the Fujifilm X-T1, bundled with two lenses, from Best Buy and made good use of the kit during most of the four full days. I used the X-T1 and XF18-55mmF2.8-4 R LM OIS lens to capture the Featured Image. Vitals: f/4, ISO 2500, 1/60 sec, 18mm; 4:31 p.m. PDT, July 9, 2015.
San Diego Comic-Con is still six months away (July 25-28). Late last year, I missed the first chance for a 2024 pass and skipped the second opportunity. My attendance days long ago ended when the convention chose not to renew my press credentials (and when I was still a working journalist). Subsequently, I wasn’t (supposedly) randomly chosen to purchase a pass.
On this fine Thursday evening, for no particular reason, let’s peek at what was SDCC before the culturally woke put to sleep my interests in participating. The Con is gone, or at least as I remember it.
One of the benefits of our old apartment was the frequent nesting of hummingbirds. They typically made their appearance about this time of year, which is why I chose the Featured Image taken on April […]
Amazon’s decision to shutter (absolutely no pun intended) photography site DPReview demonstrates why I recommend that creators own their content whenever possible. Speaking from personal experience, I bleed for the hardworking editors, reviewers, and writers (among other staffers) whose body of work may soon be whisked away.
Seven years ago, I discovered that during a publishing system upgrade, CNET expunged my byline from my thousands of stories written for the site. In a separate incident, the analyst firm I had worked for merged with another and all my online musings vanished. What I consider to be the most valuable, posted to the Apple Watch and Microsoft Watch blogs between 2006-09, disappeared from the web in 2010. You wouldn’t know I had written anything professionally online for the 10 years 1999-2009. All was deleted when publishers decided to scrub the sites (or in the case of CNET modernize).
Seven years ago today, I posted a lengthy, revised review of the Nexus 9 tablet. In 2022, I use an 11-inch iPad Pro M1. That’s the state of my current computing life, which is matched by iPhone 13 Pro and 16.2-inch MacBook Pro. Not long ago, I was all-in with Google devices—as recently as 2019. But I eventually bit into the bitter fruit that is Apple, partially because Big G introduced excellent gear that later would be abandoned. Also, I saw increasing need not to be bound to constant Internet access.
That said, I had some satisfying digital lifestyle days using Chromebook Pixel and LS successor, among other Google devices. Pixel C remains one of my all-time favorite tablets, in part for the crisp display and Android utility. I still have one in the closet, languishing; four or five Android versions ago, support stopped. I also still own Pixel 2 XL, which similarly can’t be updated.
To close out the month, and first half of the year, we connect the somewhat distant past with the not-so-far-off future. San Diego Comic Con returns July 21-24, 2022 with Preview Night on the 20th. The show floor, or break-out sessions, will look nothing like the Featured Image, taken seven years ago.
SDCC apparently didn’t get the memo that SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 is endemic and no longer pandemic. Locally, people move freely about without being required to wear masks, be tested, or verify vax status. Based on the official tally, the cumulative-calculated case fatality rate in San Diego County is 0.64 percent. Meaning: Your chance of surviving Coronavirus is better than 99 percent, while more than 85 percent of those infected likely show no symptoms.
What could be better to celebrate my dad’s 79th birthday than something he might see loose on the family farm? Stephanie Young Merzel delivers, with self-titled “Intimacy“, which is a keeper for clarity, color, and […]
Today, SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—aka COVID-19—claimed an expected victim and long holdout being one. For the first time since its humble 1970 inception, San Diego Comic-Con will not happen as planned (July 23-26). The event joins the County Fair and a multitude of vertically-oriented industry conventions as Novel Coronavirus casualties.
For me, SDCC 2020 already was a non-event: Like the previous two Cons, I failed to secure a pass during Open Registration. For San Diego, which economy depends on tourism, the non-event pandemic is catastrophic. According to the San Diego Tourism Authority, tourism is the “second largest segment of [the local] economy”, employing approximately 200,000 people—or about 13 percent of the jobs across SD County. “It is vitally important to the economic health of the region”.
Self-titled “Selfie” easily takes the Sunday spot for character, clarity, composition, and expression (of the subject and his artistic presentation). Chris Bird used Fujifilm X-T1 and Fujinon XF35mmF2 R WR lens to capture himself, on June 22, 2016. Vitals: f/13, ISO 200, 1/180 sec, 35mm.
In February 2014, Chris joined Flickr, where he posts a vibrantly, intoxicating Photostream. His website is as dynamic.