The photostream of Rennett Stowe is delightful—filled with, as he says, “stock photographs, art photos, and a few family photos”. The stock stuff is fine example of what this type of work should be. Composition, […]
The photostream of Rennett Stowe is delightful—filled with, as he says, “stock photographs, art photos, and a few family photos”. The stock stuff is fine example of what this type of work should be. Composition, […]
Although self-titled “Tiger the Dog” appealed to be selected, cuteness could not prevail over composition and color. “Fruit Stand around Gulou” takes the Day, also for lighting and being interesting. Jens Schott Knudsen captured the moment on Nov. 8, 2014, using the Sony Alpha ILCE-7R, a magnificent full-frame mirrorless compact that is primped for street photography. Vitals: ISO 1600, 1/160 sec. He may have used a manual lens, which would explain why f-stop and focal length were not measured.
Jens lives Beijing, China, which is where he captured today’s selection, but he is from Haderslev, Denmark. For a real treat, and to get some insight about his photographic heritage, click through to his November 2013 blog post “50 years Ago“.
Three words describe the photography of Roland C. Vogt. Stark. Somber. Sad. Colors and hue evoke how I often imagined Eastern Europe looked like before the Wall fell in Germany, where he is from (Freiburg […]
Some pics jump from the photostream and demand to be chosen, as is the case with today’s selection. Simon Evans shot self-titled “Street Lads” on Sept. 20, 2014—around the time that he started blogging—using Fujifilm X-Pro1 and Fujinon XF 27mm F2.8 lens. Vitals: f/5.6, ISO 800, 1/450 sec, 27mm.
The pancake lens makes the Fuji mirrorless camera a relatively smaller shooter—well, compared to bulky dSLRs—while offering dramatic benefits of hybrid optical and digital viewfinder. Motion more typically describes Simon’s street shots. The Day Maker is rare exception. “This is what happens when you give in and ‘spare a bit of change'”, he jokes.
If you asked reasons for today’s selection, several would stand out. Top of list: Exhaustion that makes me identify with the subject. That’s how I feel after searching the photostream of Oliver Degabriele; I could choose any and most every image for the Day. Composition, color, and contrast also appeal, and I find something old-worldly and interesting about self-titled “Old Lady”.
But I like “Soundcheck” as much, but passed even though it more topically represents the photographer, who also is a musician. As the series progresses, increasingly my choices are influenced by previous picks. We bad musical performance themes on Days 12, 16, 92, and 100.
Today’s selection comes from Italian Fiammetta Bruni, who joined Flickr in February 2008. She’s generally a street shooter of artistic flavor whose sense of composition differs from my own. That said, she makes the Day […]
For once I am glad for a photostream with so many images licensed All Rights Reserved, which means instant disqualification. This series only features Creative Commons works. There isn’t a Hamed Parham pic I wouldn’t pick otherwise, making the selection next to impossible, if not for the small number designated CC.
Some photos command character. Hamed goes further, by way of composition and perspective revealing each subject’s character. His street portraits are classic. Iconic. They’re ripped from the present and transported into the past.
How unexpected. For the second time within three days, I spotlight photography that won’t be part of my Flickr a Day series but should be. The project, which reaches No. 136 this fine Saturday, only features […]
Motion describes the street style of Nadine Heidrich. From Mölln, Germany, but living in Hamburg, she is a relative Flickr newcomer, joining in August 2013. What a contribution her black-and-white portfolio brings. Each photo is a […]
I chose today’s selection mainly for what it isn’t. Color. Absence makes the street portrait more curious; provocative. You lean forward into the screen to better see the detail, then click to look larger. My preference would be different composition, but the subject’s expression, particularly his eyes, evokes something—sadness perhaps—that is moving.
Tobi Gaulke used Leica Camera AG M Monochrom and Leica Summilux-M 35mm f/1.4 ASPH lens to shoot self-titled “Don’t be Judgemental” on March 5, 2015. Vitals: f/1.4, ISO 800, 1/30 sec. This is the third photo featuring the Monochrom (see Days 87 and 120).
The best street photography, and also photojournalism, is about opportunity and seizing the moment. That’s what Ville Miettinen did on Oct. 13, 2007. “Some thick rubber mats caught fire in the building next door to my […]
We conclude an unexpected trio of candid kids-on-the-street shots (see Days 125 and 126) with the delightfully composed self-titled “Takeway”. Gerry Balding captured the young ladies on Oct. 5, 2013, using the Fujifilm X10. The […]