I can say with some confidence that this sofa had three cushions a few days before Aug. 19, 2021, when my Leica Q2 captured the Featured Image. Vitals, aperture manually set: f/5.6, ISO 100, 1/800 […]
Tag: urban photography
They’re Ready for Picking
Perhaps you remember the green grapes from early July that had started ripening red and violet two weeks ago. On Aug. 16, 2021, they had turned deep purple, suggesting to my uniformed eye that they are of the Concord variety and ready to pick. I assume a neighbor planted the vine and that the many clusters won’t be wasted.
Three-quarters of the way through a 6.5-kilometer (4-mile) round-trip walk on an errand to nearby Hillcrest, and carrying Leica Q2 Monochrom, I decided to shoot with street settings rather than go Macro mode. Vitals for the Featured Image: f/5.6, ISO 200, 1/500 sec, 28mm; 3:52 p.m. PDT. I would have preferred color but black and white works, with the berries’ dark hue that also emphasizes dusty particles on the skin.
Why the Maine Coons Lost Their Home
To see where was the golf cart accident that led to yesterday morning’s dramatic chase and capture, my wife and I walked along Florida to Adams, where I shot additional photos. We returned the same way, passing by a man leaning on the porch railing of the house where feral felines Mimi and Sweet Pea lived for about eight years in the spacious backyard. I profiled both animals in my “Cats of University Heights” series in May 2018.
I asked the gentleman about clearcutting the property, which he confirmed started on Aug. 10, 2021. The action was taken at the behest of the broker, who believes there is a 98-percent chance an investor will buy the place, rather than a resident; removing the lush greenery and trees emphasizes the lot’s large size for the neighborhood and increases likelihood of higher bidding during the September 11 auction.
Mimi and Sweet Pea are Homeless
If only SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 eviction moratoriums applied to feral felines, the habitat of Mimi and Sweet Pea would not have been utterly destroyed. The luscious, and humungous, yard they shared was intact a few days ago—my wife and I can’t recall if Tuesday or Wednesday (today is the only Friday the 13th of the year). This morning, we peaked in—shocked to see nearly complete clearcutting.
The saga starts as we walked along the alley separating Alabama and Florida. As we moved down the block between Monroe and Madison, I saw a kitty beyond the cross street going towards Adams. From the coloration, and our recently seeing Pace (pronounced paw-chay, according to his owner) in the vicinity, I assumed it must be the aged Norwegian Forest Cat. Oddly, though, the animal disappeared and reappeared, as if going into and out of different backyards along the alley.
Spanish Village Art Center
The camera you carry is always the best—and for most people that will be a smartphone. On Jan. 26, 2013, that shooter would be the LG-manufactured, Google-branded Nexus 4, as my wife and I walked […]
A Splendid Spectacle
Along Georgia, my wife and I walked on the opposite side of the street from where we would normally go when looking for Reddy or Zero—both of which are profiled in my “Cats of University Heights” series. A canopy of green greeted us; one of our neighbors is growing grapes and extended the vines over the sidewalk. What a treat.
The Featured Image shows the vantage as we first saw the splendid spectacle of San Diego gardening. Vitals, aperture manually set for this one and its companion: f/5.6, ISO 100, 1/250 sec, 28mm; 4:02 p.m. PDT, today.
Lettuce Grow for You
Perhaps you remember “Carport Lettuce” from July 2020. The grower, located in my San Diego neighborhood of University Heights, is preparing to take his hydroponic garden to one of the area’s farmers markets—and possibly to several. My wife chatted with him yesterday, and we returned to his mobile grower today.
The Featured Image and companions come from Leica Q2, and I scold myself for not rushing to get the shots. When Annie and I ventured out on a late-morning walk, the sky was overcast. By the time I remembered the lettuce cart, the sun had come out, casting hard shadows. Diffuse light would have made for better photos. First of the set is cropped to remove, from down the street, two cars with visible license plates. Vitals, aperture preset for all: f/8, ISO 100, 1/200 sec, 28mm; 12:34 p.m. PDT.
How `Bout a Bunch?
The grapes I shared with you one month ago are not the green variety that they appeared to be—as can be seen by their rapid ripening. To reiterate: the cluster is positioned between sidewalk and street, not on someone’s property, along Meade between Cleveland and Maryland in the San Diego neighborhood of University Heights.
Leica Q2 is equipped with a dedicated Macro mode that is enabled by turning a ring around the lens. I used the mechanism to capture the Featured Image and companion. Vitals for the first, aperture manually set for both: f/4, ISO 200, 1/125 sec, 28mm; 9:26 a.m. PDT.
Garbage In, Garbage Out
Yesterday, a homeless dude slept on this sofa when I walked by. Today, somebody surely seems determined to discourage his return. That is, unless he stacked up the recyclable refuse to protect his siesta spot. I observed the jacket with him when sauntering past and respectively choosing not to take his photo.
Best I can do is the Featured Image, and companion, both captured using Leica Q2. Vitals, aperture manually set for both: f/8, ISO 400, 1/125 sec, 28mm; 9:13 a.m. PDT.
Hoops, Anyone?
The Featured Image exists because I wanted to provide context for the companion shot—both of which come from Leica Q2, today. I walked along Panorama Drive in San Diego’s University Heights neighborhood, trying to recover from a night robbed of some hours sleep. My daughter got herself into a mess, and I stayed up late securing her a motel room after other plans unexpectedly collapsed.
Something about the hoop seems so idyllic, pulled to the side of the street, sitting before lush greenery and palms and the homes behind. I cropped to remove two license plates, unfortunately. Vitals, aperture manually set for both: f/5.6, ISO 100, 1/500 sec, 28mm; 10:16 a.m. PDT.
Our Lady of Guadalupe
Remember the local postal place forced to close so that the block could be redeveloped? On July 12, 2021, when walking by to look at “No Trespassing” signs posted on adjacent buildings, I saw something passed probably dozens of times without my noticing: A holy plaque placed on the outside wall.
Not being Catholic, I conducted an online image search to identify “Our Lady of Guadalupe”. I used Leica Q2 to capture the Featured Image, which is composed as shot. Vitals, aperture manually set: f/5.6, ISO 100, 1/400 sec, 28mm; 10:15 a.m. PDT. She is the shuttered shop’s lone protector until the demolition tractors level all the buildings. May her vigil not be in vain.
Birds in a Tree (Hey, It’s Art!)
I rarely walk along Georgia Street between El Cajon and Meade but traipsed there today, hoping to see either Husky or Romper—both profiled in my “Cats of University Heights” series after separate sightings. Approaching El Cajon, I came upon the oddest thing: a metal mobile hanging from a tree alongside the outside wall of a commercial building. I wondered: Why here? Home decoration makes sense, but before a facade of bricks? How odd. That said, what’s more appropriate than birds in a tree?
Location presented excellent opportunity to capture mobile and The Boulevard sign in the background. The Featured Image, which is composed as shot, comes from Leica Q2. Vitals, aperture manually set: f/4, ISO 100, 1/640 sec, 28mm; 3:41 p.m. PDT. In post-production, I experimented with several different lighting scenarios—one that silhouettes tree and metallic birds—before choosing the one you see.