Category: Culture

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SDCC 2015 Open Registration Success!

In theory, I will go to San Diego Comic-Con this year—as a paying customer. For that I am most grateful and for the ease of the Open Registration process. From 2009 to 2014, I attended as registered press, but for some reason my status wasn’t re-certified. There was no formal rejection, just no approval during the typical “within 6 weeks” period after verification document submission.

SDCC’s streamlined process is a grabbag of chance. If you have an active ID on the system (before a cut-off date) and attended the previous year, you receive a code to participate in the registration process. That means using the number and last name to enter the waiting room between 8 a.m. to 9 a.m. PST. Anyone in the room when sales commence at 9 o`clock can be randomly chosen to purchase passe(s). Chrome refreshed me to the buying queue about 20 minutes after sales started. 

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Comic-Con Heroes: The Bicyclists

I am quite reflective about San Diego Comic-Con on this fine Saturday. An hour from now, thousands of people will begin the registration process that, from 9 a.m. PST, will let them into the online waiting room where they might be chosen to purchase tickets. I will be among them, for the first time since moving to San Diego in October 2007. My attendance was always guaranteed, for being a news reporter.

But SDCC has yet to re-certify my press status, and as time drags on the likelihood diminishes. Earlier this week, I received email indicating eligibility to participate in Open Registration, for which I am hugely appreciative. I worried about my uncertain status locking me out from purchasing tickets. Press get free admission, which is a benefit I can take or leave; paying is no problem. It is the assured admission that matters to me. 

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Comic-Con Heroes: The Writer

Among the 12 profiles that are the core of my book Comic-Con Heroes: The Fans Who Make the Greatest Show on Earth, the one that follows offers the most interesting content for science fiction fans. The convention isn’t just about superheroes. Sci-fi is part of the core culture dating back to the very start during the 1970s, and it’s even stronger in the 2010s. Because what was niche more than 40 years ago is mainstream, and more, today.

This profile also introduces some valuable historical insight—if 10 years can be considered old, and measured by Internet time it most certainly is. Fans’response to a new sci-fi television show, and their torrenting it, kicked the pebbles eventually unleashing an avalanche of legitimately-available streamed TV programming. So-called video pirates of 2005 are indirectly responsible for there being Hulu, Netflix streaming, and Google’s purchase of newbie service YouTube. 

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Comic-Con Heroes: The Nerd Culturist

Comic-Con’s contractual commitment to San Diego expires in 2016, and the event already entertains offers to move to another city. While conducting interviews during SDDC 2013 for Comic-Con Heroes: The Fans Who Make the Greatest Show on Earth, I asked numerous attendees about relocation. Among them: Tauri Miller, whose profile appears in the ebook.

For whatever it’s worth, I favor keeping the Con in San Diego. While the convention center limits the number of participants to about 130,000 over four days, the city already is a tourist destination with all the right amenities, which include hotels and the Gaslamp Quarter. Getting in out and around (including the airport) is much easier than Los Angeles, by contrast. 

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Comic-Con Heroes: The Fighter

One week ago, I started serializing my ebook, Comic-Con Heroes: The Fans Who Make the Greatest Show on Earth, which will go into the public domain after the last segment posts on July 8, 2015, after my current commitment for Amazon KDP Select ends. The first installment featured Ken Camarillo, as The Dark Knight. There is no shortage of people like Ken who dress up as someone else during the Con.

But the pop-culture event, and others like it, come around just once a year. Some people wear costumes, and assume other personas considerably more often—and that is the case with today’s Comic-Con Hero. She and her wonderful cohorts reach back into the past, recreating in modern times flavors of an era few people remember but should. 

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Comic-Con Heroes: The Dark Knight

For San Diego Comic-Con 2015, I am required to reverify my press status—the second time since starting to attend as news media in 2009. I submitted the required documents and story links in early December 2014 and now anxiously await my SDCC fate. If denied, I will unlikely attend this year’s Con, having missed other opportunities to register. If that happens, the world won’t end. Life will go forward. But my birthday, which occurs during the July 9-12 dates, will be somewhat sorrowful this year.

I love Comic-Con for what it represents: Storytelling and attendees being or associating with the people they wish they could be. I laid out my thoughts on the latter concept in July 2010 post “The Roles We Play“, which I adapted as the introduction to my 2013 event project: Comic-Con Heroes: The Fans Who Make the Greatest Show on Earth. I had much hope for the ebook, when published about 18 months ago. But sales were never good—and as distance grows greater from the events told, time diminishes the content’s value. 

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Flickr a Day 5: ‘Style Over Speed’

At age 25, I begrudgingly got my driver’s license. How un-American, right? Or strange given I grew up in Northern Maine, where snow covers the ground seven months of the year. But anywhere I couldn’t walk, I biked. So it is with delight that today’s Flickr pic represents a bicycle enthusiast, and he has so many great photos posted (more than 26,000) choosing one is challenging. Self-titled “Style Over Speed” is by no means his best, not by any measure, but it’s such a poser I couldn’t resist.

Film director Mikael Colville-Andersen, who joined Flickr in August 2006, lives in Copenhagen, Denmark. His street photography is art. He writes: “Zakkatography is a state of mind. It’s a taste in your mouth, a warm fuzzy feeling. It’s groovy interior design shots, stunning architectural studies and it’s especially raw streetaciousness. Urban fragments with urban creatures. Zakkatography is your friend. Embrace it”. I will, and so should you! 

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Who Should Get This Found Money?

Two days before Christmas, I sat in the local coffee shop waiting to meet someone who was late. Way late. Bored, I switched between cleaning crap mail out of my iPhone 6 inbox and watching patrons. Looking up from a text message, I spotted something green under a chair about 5 meters away. I walked over and picked up unexpected cash, and an amount someone surely would miss. What to do with it?

Found money is a blessing if you need it, but a curse to the loser. This particular WiFi-equipped barista bar, LeStat’s on Park, is popular with college students. I imagined some impoverished, scholarshiper losing the last of his or her Christmas cash, and I wanted to return it. But how? To whom? You can help answer the latter question, either here or on one of the social networks where I will link. This post is plea for advice. 

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Vinyl is Vogue

Four days before Christmas, my 20 year-old daughter texted: “Out of the `60s, `70s, and `80s, which was your favorite?” That question, her reason for asking (“been listening to lots of Beatles”), and presents’ preference (“just like vintage things, haha—and music”) led me to make a last-minute purchase: Crosley turntable, from Urban Outfitters for 20 percent off. I also grabbed The Beatles “White Album”, which will be returned December 26 for full refund.

Vinyl is vogue right now. Nielsen SoundScan’s midyear report put vinyl record sales at 4 million units, a 40-percent increase over the same time period in 2013. The pace remains fairly constant, with sales approaching 8 million for all 2014—259,000 units over Black Friday weekend, a 50-percent year-over-year increase. In a time when online music purchases are easy and selective, vinyl’s tactile experience of holding the disc and setting the needle to it feels authentic; more intimate.  In the not-so-distant future, some people will feel the same about caressing the printed page, when ebooks have displaced boundbacks like CDs did vinyl. 

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Syfy ‘Ascension’ Review

Not since (what was then) SciFi Channel televised the Battlestar Galactica miniseries in 2003 has science fiction storytelling been so good as Ascension, which aired last week. BSG changed the tone and tenure of speculative drama, that felt altogether more real in the aftermath of the 9-11 terrorist attacks on U.S. soil. Later watchers won’t feel the same about the miniseries or full seasons that followed. They’re beret of the shared context that amplified the emotional content.

Ascension’s showrunners smartly seek something similar, but playing reminiscent emotions rather than anger or fear. For aging Baby Boomers, and even their descendants, Ascension is a time tunnel to the early 1960s, perfectly preserved 51 years later. Pop! Let’s look inside the time capsule! i09 calls Ascension “Mad Men in Space”, and there’s something to that allusion. But unlike later Mad Men seasons, which carried the characters forward into the decade’s crises and conflicts, Ascension harkens a golden era of innocence before Civil Rights, Vietnam, war protests, hippies, political assassinations, or even the Beatles. 

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What the Hell is a Biter?

Not long ago, I considered myself still tapped into popular vernacular. I am a people and culture junkie, after all. But today, three barbers showed how clueless and out of touch is this 55 year-old man. I’m not sure which depresses more, the realization or confessing it.

My barber personalizes his workspace with Jack Daniels jars and other signature items described but I couldn’t see. Hey, he takes off my glasses to cut what little hair I have, and my vision blows without them. His coworker in the next chair complained about another guy who comes in to buy hair-cutting supplies and selfies in front of my barber’s chair space. The evidence is on Instagram. 

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The Best Content is Original

A dozen or so times a day, I figuratively puke all over my iPad Air, out of disgust when reading stories that are plagiarism aggregated, rumors that source nothing more original than some blog or would-be news site, or an echo chamber of repetition—news posts repeating the same, unsourced or poorly-sourced allegations. But occasionally, original content shines through, like Josh Lowensohn’s “I used Apple’s AirDrop to troll strangers with photos of space sloths (And it’s been going on for months)” for The Verge.

Josh doesn’t recap another blogger’s experience, by aggregating something original into a shallow repeat. He produces something enthralling, a story told with vigor, drawn from experience. It’s a confessional. About something sneaky. Invasive. Maybe even illegal. But fun, and activity the reader might wish he or she had been clever enough to have imagined or fearless enough to have done.