The definition of frustration is an artist like Göran Johansson, whose Photostream presents too many superb street shots to choose from. Almost any image is worthy, but the Sunday spot goes to self-titled “Truck Bed Friends” […]
Category: Storytelling
Flickr a Week 19a: ‘Afterbath’
Happy Mother’s Day, readers. We celebrate with self-titled “Afterbath“, which Gerry Dincher shot on April 4, 2020, using Canon PowerShot SX10 IS. Vitals: f/4, ISO 80, 1/250 sec, 5mm. Released more than 11 years ago, […]
Flickr a Week 18: ‘Smile’
We end a month mostly dominated by SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—also known as COVID-19—viral pandemic posts and begin fresh focus on lively, or inspiring, storytelling. “Smile“, by Nana B. Agyei, is anecdote to […]
Flickr a Week 17a: ‘The New Gardener’
During the past seven days, seemingly spontaneous protests have erupted demanding the end to government-ordered lockdowns that have shuttered most businesses and public spaces and all schools, ordered citizens to stay at home (e.g., “shelter-in-place“), and established strict guidelines for “social distancing“, hand washing, and mask wearing. Unemployment soars, economies are wrecked, and millions of people are sick or dying—all because of the SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—also known as COVID-19—pandemic and drastic measures to slow its spread.
Citizens’ frustrations are understandable, particularly given that because economic and social isolation is working, overwhelmed emergency rooms and ICUs or the number of casualties are below worst projections. Accompanying self-titled “The New Gardener“, Neil Moralee has a message for those looking for a return to the old normal.
Flickr a Week 16a: ‘Young Team’
For our Sunday spot, the Ricoh GR makes an appearance, in the capable hands of David Knollmann, who captured self-titled “Young Team” on July 23, 2015. He captions: “öpnv-mannschaft is angry”; the German-language portion translates […]
Flickr a Week 16: ‘Overwhelming Life’
We present another portrait that, like “Willing Prisoner“, was taken in one context but is appropriate for another. Duke Yeh captured self-titled “Overwhelming Life” on Jan. 29, 2018, using Fujifilm X100F. About the photo, he says: “Whispering under his breath, I couldn’t capture what the gentleman was saying. But surely his posture says it all”.
The subject’s “life complexity at a glance” sadly suits the current global crisis, where the SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—also known as COVID-19—pandemic has shattered economies, driven a wedge between people (“social distancing” and “shelter-in-place” orders), isolated entire nations (government-imposed quarantines), and turned cities into scenes from post-apocalyptic movies. Then there are the millions infected, ill, or deceased.
Flickr a Week 15: ‘Passover’
For one of the most celebrated Jewish holidays, we present a small family gathering that is sadly evocative for 2020. The COVID-19—aka SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—pandemic compels people to socially isolate (e.g. […]
Lupe and Laramie are Adopted
In February 2019, a gent moved from my neighborhood to Arizona, abandoning his two outdoor cats and goldfish. (He did take the dog!) The perennial renter of 17 years left behind a ramshackle residence for his landlord to sell and animals for the real estate agent to dispatch. She should be thanked for taking responsibility for them.
I was quite familiar with the kitties—Lupe and Laramie—which had been profiled in my “Cats of University Heights” series. The realtor trapped the pair, and my wife and I helped care for them until the fine folks from Rescue House took them away. For the full saga, please see “Lupe’s Last Day“. Periodically, I checked the RH website, only to be disappointed that nobody had taken them. Eleven months passed before the two would finally be adopted. Together!
Flickr a Week 13a: ‘Selfie’
Self-titled “Selfie” easily takes the Sunday spot for character, clarity, composition, and expression (of the subject and his artistic presentation). Chris Bird used Fujifilm X-T1 and Fujinon XF35mmF2 R WR lens to capture himself, on June 22, 2016. Vitals: f/13, ISO 200, 1/180 sec, 35mm.
In February 2014, Chris joined Flickr, where he posts a vibrantly, intoxicating Photostream. His website is as dynamic.
Someone Tried to Steal Bruce
As my wife and I walked along Monroe today, a voice called from behind: “Hey, there’s something I have to tell you about Bruce“—not an exact quote but the gist is right. She approached, with her dog leashed and the tabby trotting behind. He was profiled for my “Cats of University Heights” series in May 2017.
Three days ago, someone came pounding frantically on her door, agitated: “Something happened to Bruce”. The tiger tabby likes to hang out and watch the kids at a nearby daycare, and he had stretched out on the sidewalk waiting for them to come outdoors to play. They didn’t, as the place is temporarily closed—along with most other businesses in the city because of state and county orders that everyone should “stay at home” as a means of slowing spread of SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2), better known as COVID-19.
Flickr a Week 13: ‘La Rambla Ice Cream’
Stop if you are easily tempted by icy, smooth, sugary sweets. Close your eyes! Rick Schwartz captured self-titled “La Rambla Ice Cream” on Oct.27, 2018. Is your mouth watering yet?
Rick, who chimes “Through images, I see”, made the moment using Sony α7R III and FE 85mm F1.8 lens. Vitals: f/1.8, ISO 1250, 1/500 sec, 85mm. The portrait takes the week for bokeh, character, color, and composition.
Flickr a Week 12a: ‘The Starting Grid’
Vroom, the race is on, in self-titled “The Starting Grid“, which Dennis Freeland captured on July 13, 2016, using Olympus OM-D E-M10. Vitals (incomplete): ISO 1250, 1/1600 sec. “If my time comes for a scooter, I will have a camera built in”, he chimes. Sentiment I share, if, and hopefully never.
The street shot is a no-brainer choice for our Sunday spot. This is a moment that could only work in black and white; colors would distract from the three gents. I got to ask about the last: Why is he considerably younger? His presence gives more sense of a race than would a trio of geezers riding about. Why does the lead rider look so miserable? The answer to these and other questions is the kind of storytelling that this series seeks to spotlight with each and every selection.