Category: Leica

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San Diego County Partly Reopens, But Not Soon Enough for Some Businesses

One year ago today, California bars, breweries, and eateries stopped serving customers indoors, shifting to delivery and take-out services only—as ordered by Governor Gavin Newsom. On March 19, 2020, he issued a “stay-at-home” order for all Californians that went into effect the next day. Restrictions would later lift only to be reimposednearly as harsh during the Thanksgiving and Christmas holidays as the pandemic‘s early-declaration days.

Today, after months of onerous prohibitions upon local businesses, San Diego County rose from the most restrictive tier, which permits malls and retailers to operate at 50-percent capacity; aquariums, churches, movie theaters, museums, restaurants, and zoos to allow customers indoors at 25-percent capacity; and gyms and hotels to operate at 10-percent capacity. Oh joy. Beat me with the stick, because it feels so good compared to the baseball bat you were whacking with.

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The Cats of University Heights: Mane

We return to Alabama for the sixty-first kitty from the street, between boundaries Adams and Lincoln. This magnificent ginger is also sixty-third seen behind door or window. The longhair is third, following Goose and Olive, of five newcomers on the same block. And, finally, the cat resides in the apartment directly below the flat where once lived Holiday (family moved away). For fabulous ruff, the animal earns nickname Mane.

I first spotted the beauty on Sept. 7, 2020, sitting on a cat tree looking out an open window. But I couldn’t produce a portrait on that day or others; unsatisfactory lighting is reason. Then, unexpectedly, on Feb. 18, 2021, Mane appeared in a side window, while workers whacked to pieces a beautiful palm tree in front of the building. The Featured Image comes from Leica Q2. In post-production, I used DxO ViewPoint 3 to align the lines. Vitals, aperture manually set: f/5.6, ISO 100, 1/1250 sec, 28mm; 11:33 a.m. PST.

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Fear is the Contagion

The four words of this essay’s title are exactly my reaction to learning about China’s massive quarantine for the Novel Coronavirus in late-January 2020. I warned my wife and anyone else to prepare for the spread of fear: How it would infect and disrupt distribution of goods and services; how panic would lead to supply shortages; how desperation might cause people to react violently. But following the World Health Organization declaring a pandemic, one year ago today, the outcome over 12 months is much worse than I expected.

Society didn’t suddenly break down from widespread contagion, like portrayed by Hollywood films and TV shows. Instead, the economic and social fabrics shredded over longer time, as well-meaning citizens obeyed orders to “shelter-in-place“, “social distance“, and close their businesses. My contention: When Science catches up with collated data, the forensic analysis will show that governments over-reacted with lockdowns that inflicted more harm than the virus that everyone feared. Meaning: The cure is far more damaging than the disease, which danger is overblown.

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The Cats of University Heights: Aisho

Seventeen year-old Aisho (real name) is surprisingly spry, considering his advanced years. Along Maryland near Madison, I passed the ginger and his owner as she chatted with another neighbor on March 4, 2021. I used Leica Q2 to capture the Featured Image at 10:58 a.m. PST. Vitals, aperture manually set: f/5.6, ISO 100, 1/400 sec, 28mm.

For people who have trouble pronouncing or remembering his name, Aisho also goes by Mr. Jones.

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A Plea for Continued Relevance

On March 1, 2021, as I walked along University Ave. in San Diego’s Hillcrest neighborhood, a huge banner beckoned my attention. I frequently see signs like this in apartment and house windows but nothing this large nor with Still added. I used iPhone XS to snap the companion to the Featured Image, which I captured the next day with Leica Q2 Monochrom. Vitals for the smartphone shot, which is composed as taken: f/2.4, ISO 16, 1/761 sec, 52mm (film equivalent); 9:05 a.m. PST. For the camera, aperture manually set: f/8, ISO 200, 1/400 sec, 28mm; 10:27 a.m.

Why is such a banner, with Still added, seen as necessary? The trial of former police officer Derek Chauvin is underway in Minneapolis. He is implicated in the death of George Floyd, whose alleged homicide sparked racial riots and protests in the city and across the country—with loud voices crying “defund the police” and “no justice, no peace”. Nearly ten months later, Americans have largely stopped rallying for racial reckoning—and the organization that gathered them before isn’t yet, if it ever will, marshaling masses together. Black lives still matter, but the movement apparently does not.

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Now There are Two

Last September, my path crossed what I called the “Sidewalk Gym“, along Meade Ave. near Utah Street in San Diego’s North Park neighborhood. The padding wrapped around a tree evoked make-shift, outdoor Mixed Martial Arts arena—and space to workout whenever Governor Gavin “Gruesome” Newsom issued a new lockdown order meant to slow the SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—also known as COVID-19pandemic.

The space remained a fixture since, with the appropriately-toned motorcycle and SUV typically parked beside the MMA studio. But, today, moseying past, I saw something new: A second motorcycle, which is change enough to assault you with a new Featured Image captured using Leica Q2. Vitals, aperture manually set: f/5.6, ISO 100, 1/400 sec, 28mm; 3:39 p.m. PST.

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Why is Hollywood Obsessed with Viral Armageddon?

I really want to know. That sentence, the title, and a short list of TV Shows about viral epidemics is as far as this post proceeded when I started it on April 26, 2016. I meant to come back many times over the nearly five years since and really regret the failure following the World Health Organization’s declaration of SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 as a pandemic on March 11, 2020.

Still contemplating writing this essay, but not getting to it, I shot and edited the Featured Image on June 11, 2017. San Diego’s Museum of Man (since then renamed to “Us”) featured exhibit “Cannibals: Myth & Reality”. With so many of the virus movies or TV series focused on Zombie apocalypses, the exhibit artwork seemed so perfect illustration. Vitals, aperture manually set: f/5.6, ISO 100, 1/1000 sec, 28mm; 2:07 p.m. PDT, Leica Q.

Half a decade later, I wonder: How much did pandemic feature films and TV shows create soil for COVID-19 to grow into a state of global fear—and, as I will opine in six days, far exceeds the real risk posed to the majority of people; whether or not they are infected? Surely, you can guess my answer.

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The Twilight Zone of Pandemic Politics

Some things go so oddly together that you must stop and regard them and wonder. Today, while walking along Shirley Ann Place in San Diego’s University Heights neighborhood, a “Recall Newsom” sign surprised me; it’s the first one seen anywhere here. My wife fixated on the Easter eggs hanging from a tree in the same yard. She missed the one thing, and I the other. Mmmm, what does that say about selective vision and being drawn to what interests you while having a blindspot for what doesn’t?

As strangely as the cheerful eggs and hopeful sign are juxtaposed, something else made the scene feel even more Twilight Zone-like: The house beyond with the American flag flew something different before the Presidential election: Old Glory with spray-painted BLM. Well, I couldn’t leave without photos, which were captured using Leica Q2. The Featured Image (warning: 27MB file), which is composed as shot, shows the street. The cropped companion brings together the three elements. Vitals, aperture manually set for both: f/5.6, ISO 100, 1/200 sec, 28mm; 12:25 p.m. PST. The other is f/2.8 and 1/640 sec.

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The Cats of University Heights: Olive, Too

Our sixtieth feline from Alabama Street, between boundaries Adams and Lincoln, is the second Olive to appear in the series. In the Featured Image, her brother Goose is to the lower right. She sits on the railing where I last photographed Lupe before she and her bondmate Laramie were abandoned by a previous tenant (both were later adopted into a new home).

The portrait comes from Leica Q2, on Feb. 3, 2021. Vitals, aperture manually set: f/4, ISO 200, 1/125 sec, 28mm; 4:54 p.m. PST.

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The Cats of University Heights: Goose

The number of Alabama cats increases, again—fifty-nine featured in the series for the street between boundaries Adams and Lincoln. Goose (yep, real name) is the first of five recent newcomers, who all live on the same block. In fact, he and his sister Olive reside where once was the home of Laramie and Lupe before they were abandoned by their previous owner, who moved to Arizona, and eventually were adopted after spending nearly a year in foster care.

I used Leica Q2 to shoot the Featured Image on Nov. 5, 2020 and iPhone XS for the companion four days earlier. Vitals, aperture manually set: f/5.6, ISO 100, 1/200 sec, 28mm; 9:30 a.m. PST. The other: f/1.8, ISO 25, 1/122 sec, 26mm (film equivalent); 3:26 p.m. The two growing kittens are let out for romping around time but, by my observation, they spend more time (safely) indoors.

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Message to the Homeless?

While walking with my wife along Panorama Drive, in San Diego’s University Heights community, we passed by a sign that I ignored, then turned back to capture. What does “dumping” mean, I wonder. Could it be throwing garbage into the canyon, which access would be difficult but possible from that location? Or could it refer to the business that people do when they need to, ah, relieve themselves?

Pricey Panorama, where are some of the costliest homes in UH, would be one of the neighborhood’s least welcoming of the homeless—and more are seen in the area everyday, although likelier two to three blocks closer to El Cajon Blvd. And, yes, they are known to “dump” in unexpected places. With SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 restrictions keeping eatery dining rooms closed and most retailers barring bathrooms to the public, everyone is limited on where to go when nature calls. So I got to wonder, who is the sign meant for?