Happy New Year! Here’s a worthy resolution that my wife and I saw today, chalked on the Madison Ave. sidewalk near Massachusetts in San Diego’s University Heights neighborhood. I used Leica Q2 to capture the […]
Tag: photography
The Cats of University Heights: Lovely
Our fifth New Years kitty to appear in the series, joining Gem (2020), Storm (2019), Norman (2018), and Chub (2017), is almost certainly the last. My wife and I are plotting to escape California soon as logistically possible. As such, I will rush through the backlog of photographed but unpublished kitties and close down the series, which later may become an ebook—because why not? But that’s a future topic.
For today, let us meet the Calico whom we shall nickname Lovely. My wife and I met her on Dec. 11, 2020, along Maryland near Monroe. That’s a treacherous area because of cars and coyotes—and females will soon leave the nearby canyon searching for prey to feed the pups. Be safe, Lovely!
Flickr a Week 53a: ‘Donna’
On January 1, I introduced this series; now comes the final post of 2020 on the last day of the year. Longstanding Internet tradition demands a cat, who joins two others in entries “Devil’s Eye” and “Lotta Love, Lijah“. Wolfgang Franzen used Leica Q2 Monochrom to capture self-titled “Donna” on Nov. 30, 2020. Vitals: f/1.7, ISO 6400, 1/60 sec, 28mm. The portrait is a keeper for beautiful bokeh, compelling composition, creamy black-and-white, and high-ISO detail. Then there is the feline’s mood-setting character.
I came to this photo when searching Flickr, which Wolfgang joined eight years ago this month, specifically for the camera. If you wonder why: I am the proud owner of the Q2 Mono, which arrived from Leica Store Miami on December 28.
Flickr a Week 53: ‘Blue Lives Matter meets ACAB’
The final Wednesday of the year brings us to the second-to-the-last post in the series, should it conclude as previously planned. I am undecided. For now, our selection captures some of 2020’s most important themes—triple-P: pandemic, politics, and protests; for sure one overlaps another in some manner or another. My first choice, self-titled “Respirator Life“, by David Geitgey Sierralupe, is unfortunately All Rights Reserved. So I had to pick another selection, one Creative Commons-licensed, from the carpenter who lives in Eugene, Ore.
“Rally for Democracy“—with a nurse wearing KN95 mask and typifying fallout from the Presidential Election and SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2), better known as COVID-19—was a contender. But the choice came down to a coin-toss between two street shots with the same self-title: “Blue Lives Matter meets ACAB“. The acronym stands for “all cops are bastards”. The second choice (blame the quarter for landing tails).
Flickr a Week 52b: ‘Winter afternoon at the Boston Public Garden’
The unexpected COVID-19 pandemic, caused by SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2), dramatically changed this series‘ planned character. There is much less street photography, fewer candid portraits, and more landscapes or scenes where people might be expected but are absent. Bleak black and white, or scant color, are common for what they represent during a year where, as I warned my wife in late January: “Fear is the contagion”. Examples relevant to today’s selection: “A Spring Snow Fall In Prescott, Wisconsin“, “A Yukon Quest Team“; “Barns in Snow“, “Break“, “Foggy Morning“, “Forever Silence“, or “Ice, Ice Baby“. The tonal change began in May, rather than March—my habit of curating two months ahead.
Our third Monochrom moment in a row comes from Subhash Roy, who used Leica SL2 to shoot self-titled “Winter afternoon at the Boston Public Garden” on Dec. 20, 2020. Vitals: f/8, ISO 200, 1/500 sec. I used to live nearby that lovely locale, and it’s wonderful to see a statue—of George Washington—still standing months after so-called peaceful protestors and rioters defaced or destroyed iconic (and some controversial) American statues and monuments. The winter scene takes the Sunday spot for composition, film-like quality, and mood.
The Bee Tree
I am not a photographer and bear no illusions about ever being one. My composition skills are raw, and rarely cooked, and I lack the post-production sense that someone else would use to create art. My camera, the Leica Q2, is professional grade and seemingly beyond my skills. But I handle the all-in-one well enough, and it is satisfying to use—enjoyable and versatile.
I am a storyteller, however, and use photos to mark moments or to illustrate a narrative. Take as example the Featured Image (warning: 30GB file), which I captured today along Georgia Street between Lincoln and Polk in San Diego’s University Heights neighborhood. Vitals, aperture manually set: f/5.6, ISO 100, 1/320 sec, 28mm; 11:36 a.m. PST. The original was portrait, but I cropped square.
Flickr a Week 52a: ‘Where Mozart Lives’
Happy Christmas! For months, I searched for a holiday-specific, Creative Commons-licensed photo and found none that wowed me. Instead, we go non-traditional but other timely—when bow and string made merry music and smartphone distractions were beyond the imaginations of even the most prolific, prophetic science fiction writers.
Roman Boed captured self-titled “Where Mozart Lives” on Dec. 28, 2017, using Leica M and Summilux-M 1:1.4/50 ASPH lens. The EXIF doesn’t identify specific camera model. Vitals: f/1.4, ISO 3200, 1/60 sec, 50mm. The string quartet portrait is a keeper for atmosphere, composition, film-like texture, and timelessness (just ignore the lamp’s pull-string).
The Cats of University Heights: Measure
I really should be more observant about where kitty portraits are taken. This one is on North—or could be Campus—nearby Madison or Monroe. For some reason I failed to use the iPhone XS camera for quick, GPS-marking shot. Sigh. The Featured Image comes from Leica Q2, on Dec. 4, 2020. Vitals, aperture manually set: f/5.6, ISO 125, 1/125 sec, 28mm; 9:41 a.m. PST.
The black earns nickname Measure, for how it sized up my approach and the motion of nearby birds.
Flickr a Week 52: ‘Llama Love’
What’s not to like about a child receiving a little “Llama Love“? Ian Sane used Canon EOS 5DS R and EF 50mm f/1.4 USM lens to capture the self-titled portrait on March 23, 2019. Vitals: f/2.8, ISO 250, 1/800 sec, 50mm.
About the moment: “Here’s my granddaughter, Penelope, getting a kiss from an unlikely source at Riverfront Park in Salem, Oregon. Full disclosure: I love her wild looking hair”.
Flickr a Week 51a: ‘Someone left These’
Brrr. Does self-titled “Someone left These” make you feel cold? I shiver just looking at this fine photo, which Jack Wallsten captured on Feb. 15, 2017, using Fujifilm X-T2 and Fujinon XF35mmF2 R WR lens. Vitals: f/5, ISO 400, 1/1800 sec, 35mm. The provocative, but simple, shot takes the Sunday spot for color, composition, contrast, and creativity—then there is use of light.
The “professional videographer and editor” shoots “mainly street photography, pictures of my beautiful girlfriend, or sights from my balcony in Örnsberg, a southern suburb of Stockholm”. He wants “to improve as a photographer. I believe that no matter what skills you inhabit you are never too experienced to become better or to discover something new about yourself”.
Cali’s Cushion
Buzz about the Leica Q2 Monochrome piques my interest in black-and-white shooting using the standard model, which I purchased on Dec. 27, 2019. B&W is what I see in the EVF (electronic viewfinder) when composing, but the sensor saves color as RAW and black and white as JPEG. Seriously? DNG me something I can meaningfully edit.
Last night, Cali hopped up on Neko‘s chair, which he hasn’t used much lately. So I grabbed the Q2 for a quick, spontaneous portrait, which is close-cropped but otherwise not manually altered. Vitals for the Featured Image, aperture manually set: f/2.8, ISO 4000, 1/125 sec, 28mm; 6:19 p.m. PST.
The Fiddler
The National Weather Service has issued Winter Storm Warnings for Boston and New York, with expected snow accumulations between 20 and 38 cm (8 and 15 inches). Washington, DC: Mixed perception, which if typical means freezing rain. Well, perhaps I don’t miss the East Coast as much on this fine Wednesday. The third season of the year, Late Summer, brought breezy air and blazing sunshine to San Diego for a high temperature of 22 degrees Celsius (72 F).
My wife and I spent much of the late morning through early afternoon in Ocean Beach, packing up our daughter’s apartment. Molly’s plan to vacate the place by the end of the month was interrupted last week by an emergency trip to the hospital, where she spent 24 hours on a ventilator (unbelievably not for COVID-19, which is caused by SARS-CoV-2, severe acute respiratory syndrome Coronavirus 2).