Seventeen year-old Aisho (real name) is surprisingly spry, considering his advanced years. Along Maryland near Madison, I passed the ginger and his owner as she chatted with another neighbor on March 4, 2021. I used Leica Q2 to capture the Featured Image at 10:58 a.m. PST. Vitals, aperture manually set: f/5.6, ISO 100, 1/400 sec, 28mm.
For people who have trouble pronouncing or remembering his name, Aisho also goes by Mr. Jones.
On March 1, 2021, as I walked along University Ave. in San Diego’s Hillcrest neighborhood, a huge banner beckoned my attention. I frequently see signs like this in apartment and house windows but nothing this large nor with Still added. I used iPhone XS to snap the companion to the Featured Image, which I captured the next day with Leica Q2 Monochrom. Vitals for the smartphone shot, which is composed as taken: f/2.4, ISO 16, 1/761 sec, 52mm (film equivalent); 9:05 a.m. PST. For the camera, aperture manually set: f/8, ISO 200, 1/400 sec, 28mm; 10:27 a.m.
Why is such a banner, with Still added, seen as necessary? The trial of former police officer Derek Chauvin is underway in Minneapolis. He is implicated in the death of George Floyd, whose alleged homicide sparked racial riots and protests in the city and across the country—with loud voices crying “defund the police” and “no justice, no peace”. Nearly ten months later, Americans have largely stopped rallying for racial reckoning—and the organization that gathered them before isn’t yet, if it ever will, marshaling masses together. Black lives still matter, but the movement apparently does not.
Last September, my path crossed what I called the “Sidewalk Gym“, along Meade Ave. near Utah Street in San Diego’s North Park neighborhood. The padding wrapped around a tree evoked make-shift, outdoor Mixed Martial Arts arena—and space to workout whenever Governor Gavin “Gruesome” Newsom issued a new lockdown order meant to slow the SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—also known as COVID-19—pandemic.
The space remained a fixture since, with the appropriately-toned motorcycle and SUV typically parked beside the MMA studio. But, today, moseying past, I saw something new: A second motorcycle, which is change enough to assault you with a new Featured Image captured using Leica Q2. Vitals, aperture manually set: f/5.6, ISO 100, 1/400 sec, 28mm; 3:39 p.m. PST.
Along Madison near Park Blvd, I observed a fine black-and-white shorthair looking out from an apartment window on Jan. 17, 2021. I snapped a couple of shots and planned to add the animal to the series. He reappeared scrunched in front of the same blinds on several subsequent occasions but never with light as right for a portrait.
Then came the unexpected meeting: February 26, the cat romped about on the same property, nearby sidewalk, and parked cars. He sure looked like an escapee to me, which is why the nickname Alcatraz—for the infamous California prison from which no one (supposedly) successfully made a break and lived.
Outside the house where Hamlet the pig and his family used to live, a young kitty pranced over to my wife and I on Jan. 26, 2021. We had seen (and heard) the shorthair in a window on several previous days’ walk-bys. She seemed beyond excitement to be outside, which suggests to me a temporary escape from indoor living.
The Featured Image and companion come from iPhone XS, which I will choose over my camera when a cat is moving about quickly or coming over to me and rubbing my legs. Vitals: f/2.4, ISO 16, 1/406 sec, 52mm (film equivalent); 11:01 a.m. PST. The other is the same but 1/372 sec and a few seconds later. The grey Calico earns nickname Breezy for the lightly-windy day and how she breezed by us.
I really want to know. That sentence, the title, and a short list of TV Shows about viral epidemics is as far as this post proceeded when I started it on April 26, 2016. I meant to come back many times over the nearly five years since and really regret the failure following the World Health Organization’s declaration of SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 as a pandemic on March 11, 2020.
Still contemplating writing this essay, but not getting to it, I shot and edited the Featured Image on June 11, 2017. San Diego’s Museum of Man (since then renamed to “Us”) featured exhibit “Cannibals: Myth & Reality”. With so many of the virus movies or TV series focused on Zombie apocalypses, the exhibit artwork seemed so perfect illustration. Vitals, aperture manually set: f/5.6, ISO 100, 1/1000 sec, 28mm; 2:07 p.m. PDT, Leica Q.
Half a decade later, I wonder: How much did pandemic feature films and TV shows create soil for COVID-19 to grow into a state of global fear—and, as I will opine in six days, far exceeds the real risk posed to the majority of people; whether or not they are infected? Surely, you can guess my answer.
Some things go so oddly together that you must stop and regard them and wonder. Today, while walking along Shirley Ann Place in San Diego’s University Heights neighborhood, a “Recall Newsom” sign surprised me; it’s the first one seen anywhere here. My wife fixated on the Easter eggs hanging from a tree in the same yard. She missed the one thing, and I the other. Mmmm, what does that say about selective vision and being drawn to what interests you while having a blindspot for what doesn’t?
As strangely as the cheerful eggs and hopeful sign are juxtaposed, something else made the scene feel even more Twilight Zone-like: The house beyond with the American flag flew something different before the Presidential election: Old Glory with spray-painted BLM. Well, I couldn’t leave without photos, which were captured using Leica Q2. The Featured Image (warning: 27MB file), which is composed as shot, shows the street. The cropped companion brings together the three elements. Vitals, aperture manually set for both: f/5.6, ISO 100, 1/200 sec, 28mm; 12:25 p.m. PST. The other is f/2.8 and 1/640 sec.
Our sixtieth feline from Alabama Street, between boundaries Adams and Lincoln, is the second Olive to appear in the series. In the Featured Image, her brother Goose is to the lower right. She sits on the railing where I last photographed Lupe before she and her bondmate Laramie were abandoned by a previous tenant (both were later adopted into a new home).
The portrait comes from Leica Q2, on Feb. 3, 2021. Vitals, aperture manually set: f/4, ISO 200, 1/125 sec, 28mm; 4:54 p.m. PST.
The number of Alabama cats increases, again—fifty-nine featured in the series for the street between boundaries Adams and Lincoln. Goose (yep, real name) is the first of five recent newcomers, who all live on the same block. In fact, he and his sister Olive reside where once was the home of Laramie and Lupe before they were abandoned by their previous owner, who moved to Arizona, and eventually were adopted after spending nearly a year in foster care.
I used Leica Q2 to shoot the Featured Image on Nov. 5, 2020 and iPhone XS for the companion four days earlier. Vitals, aperture manually set: f/5.6, ISO 100, 1/200 sec, 28mm; 9:30 a.m. PST. The other: f/1.8, ISO 25, 1/122 sec, 26mm (film equivalent); 3:26 p.m. The two growing kittens are let out for romping around time but, by my observation, they spend more time (safely) indoors.
While walking with my wife along Panorama Drive, in San Diego’s University Heights community, we passed by a sign that I ignored, then turned back to capture. What does “dumping” mean, I wonder. Could it be throwing garbage into the canyon, which access would be difficult but possible from that location? Or could it refer to the business that people do when they need to, ah, relieve themselves?
Pricey Panorama, where are some of the costliest homes in UH, would be one of the neighborhood’s least welcoming of the homeless—and more are seen in the area everyday, although likelier two to three blocks closer to El Cajon Blvd. And, yes, they are known to “dump” in unexpected places. With SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 restrictions keeping eatery dining rooms closed and most retailers barring bathrooms to the public, everyone is limited on where to go when nature calls. So I got to wonder, who is the sign meant for?
Soon after shooting the Monarch on the aromatic purple flowers, on Feb. 23, 2021, I captured a delightful collection of daffodils; but they bleached out in the sunlight and they weren’t focused within the narrow […]
The Featured Image of our sixty-second putty seen behind window or door won’t win awards—or even be considered for one. The make-do portrait is from a single sighting, along Madison near Monroe. I used Leica Q2 to capture the moment, Adobe Lightroom Classic to crop and edit, and DXO ViewPoint 3 to align the perspective of vertical and horizontal lines. Vitals, aperture manually set: f/5.6, ISO 100, 1/1250 sec, 28mm; 12:50 p.m. PST, Nov. 22, 2020. As the shooting date reveals, we’re still working through the backlog of photographed but unpublished kitties.
The tuxedo earns nickname Paws for the distinctive black color between its toes. The contrast is becoming.