Tag: Sigma fp

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Why I Returned Sigma fp

Lesson learned: Sigma makes cameras that are innovative but idiosyncratic. As I have often expressed, balance is the hallmark of good product design—whether the physical handing, how features/benefits mesh together, or, most often, combination of both characteristics. For me as an arguably amateur photographer, Sigma DP1 and DP2s didn’t measure up, and I parted with both. Now, many years later, the company’s marvelous full-frame shooter joins them. I ended the decade by sending back Sigma fp and its accessories for refund. Strike three!

Perhaps if I were a videographer, Sigma fp would be perfect. It is tiny, shoots hours of uninterrupted footage, and can be rigged by expansion to need. As a still photographic tool, the fp charms by capturing photos with rich colors and crisp contrast from a 35mm sensor packed into the smallest interchangeable body available anywhere. The rear controls are conveniently and intelligently laid out, particularly those placed below the LCD screen. But, and here it comes, the shooting experience—at least in my hands—disappoints. Like its predecessors, Sigma fp is (being polite) somewhat unbalanced, with respect to end-user benefits and overall device handling.

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The Cats of University Heights: Sparkle

The last in a trio of window watchers—and fifty-second for the series—comes as a surprise to me, since it’s coincidence rather than advance planning. This gorgeous longhair, whom I nickname Sparkle, joins Squint and Poinsettia. She appeared along Campus, between Meade and Monroe, on Dec. 11, 2019. I captured the Featured Image, using Sigma fp and 45mm F2.8 DG DN | C lens. Vitals, aperture manually set: f/5.6, ISO 100, 1/250 sec, 45mm; 3:06 p.m. PST.

The cropped portrait is a compromise composition, to remove the building number. In post-production, I emphasized highlights, increased whites, but pulled back shadows, using Adobe Photoshop Lightroom Classic.

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Some Sigma fp Continuing First Impressions

I am not exactly loving Sigma fp with 45mm F2.8 DG DN | C kit lens. Steve Huff’s glowing hands-on review compelled me to buy the diminutive full-frame shooter and sell overly-large Fujifilm GFX 50R. The compact camera checked off many of the benefits I sought in replacing the Fuji medium-format beast—or so seemed the case based on his reactions, and a few other early adopters.

Steve’s January 2010 Leica X1 review inspired me to purchase that camera, too. Much as the image quality and manual controls appealed, the X1 didn’t work well for me, and I sold it six months later. In retrospect, I should have remembered mainly why: Backside LCD as primary means for framing and focusing subjects. I much prefer, really require, an integrated optical or digital viewfinder. In the bright San Diego sunlight, handling Sigma fp, I struggle to compose photos, like Leica X1. Manual dials are gone, as well, and they are greatly longed for.

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San Diego Snowman Dresses Up

What a difference that three weeks make. On Dec. 1, 2019, I shared “San Diego Snowman” adorning a home along Maryland Street, here in the community of University Heights. Since, my walking path deliberately passed by, as I looked for something to return: His black hat that I recall topping his rock-for-brains head before heavy rains pelted Southern California and presumably washed it away. I hadn’t mentioned his missing adornment for concern it was imagined; a false memory.

But look at him now! Stoneman is dapper wearing the topper, scarf, and something else: Smile replacing frown. He’s happier perhaps for Christmas being three days away. I am overjoyed to snag a portrait of his fine wear before rains return, starting overnight.

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Once a Mighty Palm

Strange story the stump tells. Gone is the magnificent palm tree that dominated the corner of Monroe and Cleveland, nearby the Wilcox’s old apartment, in our San Diego neighborhood. This morning, while driving by, on my way to North County, I saw a tree cutter toss down the last frond before lopping off the top. Late afternoon, walking back, the devastation confronted me.

I haven’t written much about this tree over the years, but fleeting mentions are significant enough: “Fallen Fronds” (December 2017) and “Bell” (November 2016) from my “Cats of University Heights” series, where the kitty sits by the palm trunk that is now a stump.

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The Cats of University Heights: Poinsettia

While walking along Panorama Drive, today, my wife stopped to admire Poinsettia’s on porch steps before seeing a smushy-faced feline looking out a window. Dismissing Annie’s concerns about overly-anxious neighbors and their surveillance cameras, I pulled out Sigma fp with 45mm F2.8 DG DN | C lens attached and captured three portraits. The Featured Image is first of the lot. Vitals, aperture manually set: f/5.6, ISO 640, 1/125 sec, 45mm; 9:47 a.m. PST.

The pretty kitty, who is the series‘ fifty-first furball looking out from behind window or door, earns her nickname for the home’s holiday plants.

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Sigma fp and the Stormy Day

Torrential rains and overly-gusty winds pelt San Diego this Thanksgiving Day. I mark the moment with the first photo from Sigma fp and 45mm F2.8 DG DN | C lens. The last letter refers to “Contemporary”. The kit arrived last week, but I waited to take the first shot—so that it would be memorable, which it’s not. I put the quest for the Holy photo behind me and set instead to practical matters.

The Featured Image is a nearly 100-percent crop of the companion pic. The water droplets on my home office window serve as a quick test of the fp’s autofocus capabilities and image quality—how much detail is revealed. The Fujifilm GFX 50R and Fujinon GF63mmF2.8 R WR lens, which I sold over the weekend, spoiled me with respect to IQ. The Sigma shooter satisfies so far—not that one pic is much of a measure. But, hey, miniature palm trees within the  droplets encourage me.

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Fly Away, Fujifilm GFX 50R

Yesterday, I sold my medium-format camera to a fascinating Millennial living in Oceanside, Calif., where we met at his family’s small business to complete the transaction, which included my receiving a 2020 wall calendar with illustrative photos that he had taken (oh, they’re impressive). Yep. My Fujifilm GFX 50R is gone.

I had considered letting go the digicam for some time, reluctantly. While the 50R’s image quality is magnificent, the massive camera and attached Fujinon GF63mmF2.8 R WR lens often scares off animals or intimidates people (e.g., I get suspicious reactions). Time had long-ago come to go discreet, for the street.