Tag: SARS-CoV-2

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Don’t They Know It’s a Pandemic?

I will be pissed if any of these people, who irresponsibly risk exposure to Novel Coronavirus, take a hospital bed before someone trying to more safely #StayTheFuckHome. We are in the midst of a fraking global pandemic and the banning of social gatherings everywhere. My two living sisters were supposed to vacation 10-days hence in Florida, with Disney World being the main activity. The theme park, like many, many others, is closed. That plan changed.

But a few blocks from my apartment, Pop Pie Co. and sister shop Stella Jean’s Ice Cream kept their Pi Day celebration going, gathering a crowd of would-be spreaders of SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—also known as COVID-19. Today, France and Spain imposed restrictions that, like Italy, essentially lock down (e.g., quarantine) the entire countries. Hours earlier, Apple Stores closed globally outside of China until March 27. Yesterday, President Trump declared a national emergency in response to the contagion’s rapid spread. Everyone is advised to stay home and avoid crowds. Not create them!

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Pandemic!

A new era of uncertainty makes this an historic Wednesday, as the most transformative event in generations advances with rapacity. This morning (Pacific Daylight Time), and taking too long doing so, the World Health Organization officially classified SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—also known as COVID-19—as a pandemic. This evening, President Trump announced an unprecedented 30-day European travel ban—excluding United Kingdom—starting at 11:59 p.m. EDT on Friday the 13th. How appropriately unlucky is that?

The goal: To limit the contagion’s spread from the Continent, where Italy is besieged and has essentially quarantined (e.g. locked down)  the entire country. Earlier today, the government there ordered the closure of all stores, other than banks, pharmacies, and supermarkets. Yikes!

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Flickr a Week 9b: ‘Willing Prisoner’

Strange how foreshadowing metaphor can be a single street shot and its accompanying caption. Quinn Dombrowski captured self-titled “Willing Prisoner” on Sept. 23, 2012, using Canon EOS Rebel T2i and EF 70-300mm f/4-5.6 IS USM lens. Vitals: f/7.1, ISO 400, 1/400 sec, 240mm. The gas mask and woman bound are eerily appropriate illustrations for the SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—also known as COVID-19—pandemic spreading across the Continents from China.

As I write, more than 3,000 people have died globally from the virus, which has infected around 90,000 in at least 60 countries. But those numbers are likely low, because of unreported cases—for numerous reasons: Inadequate testing; influenza confusion; political  coverups; and the extremely long, asymptomatic period when the infected are contagious. In the United States, six people have died from the disease in about 72 hours (four announced today)—mostly in a cluster within Washington State, where experts estimate unobserved transmission occurred for about six weeks. As such, the infection is likely widespread.

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Tortoises in Black and White

Yesterday, my wife suggested a walk around San Diego Zoo, which wasn’t nearly as bustling as I would expect it to be on a summer-like-weather Friday afternoon. The place was by no means desolate of people, just not overly crowded. I wonder if increasing paranoia about Coronavirus Disease 2019 (COVID-19) is one reason. People infected or showing symptoms are being treated or quarantined at UCSD Medical Center, which is just 3.7-km drive (2.3 miles) from the zoo. My apartment is even closer: 2 km (1.3 miles) as the crow flies and 3 km (1.9 miles) by road. If—gulp, when—the virus spreads locally, my family will be at the epicenter.

But back to the lovely afternoon spent with the animals—calm before SHTF, as the country’s self-described Preppers call it—I brought along Leica Q2, with the Film Style set to Monochrome. The result wasn’t as anticipated. Importing into Adobe Photoshop Lightroom Classic, after returning home, the RAWs came in as color. I wrongly assumed that the setting would apply to the native files. Nope, only to the JPEGs.