Category: Culture

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All That Remains

I more frequently walk down the Louisiana block between El Cajon and Meade, here in University Heights, looking to see when (now vacant) houses and shops at the corner will be leveled and another—ah-hum, morbid—San Diego redevelopment project begins. Two months ago, I explained how the forthcoming demolition led to the sudden closure of Postal Convenience Center, after 35 years in business.

Across the street is the abandoned Twisted Taps, which flatlined during last year’s SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 lockdowns. On Aug. 24, 2021, while scouting Louisiana, I stopped to gawk at the mural on the side of the closed brewery/eatery and captured the Featured Image. Vitals, aperture manually set: f/5.6, ISO 100, 1/160 sec, 10:06 a.m. PDT.

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Yeah, Let’s Lower Old Glory to Honor Them

Since the disastrous defeat in Afghanistanself-imposed, but denied, by the current Administration in Washington, D.C.—I have observed a number of American flags flying half-mast in my neighborhood of University Heights. The question: Why aren’t they all?

San Diego is still very much a military town, and Marine Corps Base Camp Pendleton is located in the Northern section of the county. Nine Marines and a Sailor stationed there were killed in the Kabul Airport bombing about 10 days ago. The White House ordered half-staff flags for the fallen heroes—yeah, let’s lower Old Glory to honor them. So why are only a few of my neighbors doing so—again, remembering the area’s military heritage, the Navy, especially.

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Graffiti? Message? Warning?

What a surprise is this. While walking in San Diego’s North Park neighborhood today, I spotted the oddest thing: The pictured graphic and text on a utility pole at Monroe and Utah. Is that sign meant to alert Antifa members? During last year’s racial riots and protests, I frequently passed persons all-black-clad—the group’s de facto uniform—hanging about some University Heights streets, presumably waiting for rides.  Seeing such scribbling, self-labeled anti-fascists would know where to gather—or maybe the scrawling is nothing more than graffiti.

I used Leica Q2 to capture the Featured Image. Vitals, aperture manually set: f/5.6, ISO 100, 1/640 sec, 28mm; 2:47 p.m. PDT. In post-production, I over-saturated purple and red; sunlight had faded both colors.

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Some Common-Sense Perspective

Two coincidental reports published today put fresh perspective on the demonstration that breached the U.S. Capitol on Jan. 6, 2021. The Featured Image pairs the headlines and illustrating photos side-by-side: Reuters on the left and Wall Street Journal right. Heretofore I have cautiously opined about the incident because of political polarization that taints any reasonable discussion. My missives (in order published—all January 2021): “Flowers, Anyone?“; “Citizens are the True Symbols of Our Democracy“; “Divided We Stand“.

This week’s collapse of the Afghan government and violent ruling return of the Taliban stands in stark contrast to the unarmed dweebs dumb enough to breach the Capitol building some seven months ago. I don’t mean to diminish the clash that occurred between some zealous Trump supporters and law enforcement, but wonder: How can anyone call that an insurrection after the actual overthrow of the government in Afghanistan? Let’s briefly discuss the two stories, for some common-sense perspective.

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Lettuce Grow for You

Perhaps you remember “Carport Lettuce” from July 2020. The grower, located in my San Diego neighborhood of University Heights, is preparing to take his hydroponic garden to one of the area’s farmers markets—and possibly to several. My wife chatted with him yesterday, and we returned to his mobile grower today.

The Featured Image and companions come from Leica Q2, and I scold myself for not rushing to get the shots. When Annie and I ventured out on a late-morning walk, the sky was overcast. By the time I remembered the lettuce cart, the sun had come out, casting hard shadows. Diffuse light would have made for better photos. First of the set is cropped to remove, from down the street, two cars with visible license plates. Vitals, aperture preset for all: f/8, ISO 100, 1/200 sec, 28mm; 12:34 p.m. PDT.

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Garbage In, Garbage Out

Yesterday, a homeless dude slept on this sofa when I walked by. Today, somebody surely seems determined to discourage his return. That is, unless he stacked up the recyclable refuse to protect his siesta spot. I observed the jacket with him when sauntering past and respectively choosing not to take his photo.

Best I can do is the Featured Image, and companion, both captured using Leica Q2. Vitals, aperture manually set for both: f/8, ISO 400, 1/125 sec, 28mm; 9:13 a.m. PDT.

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An Independence Day Reflection

I can’t attest to other San Diego neighborhoods, but University Heights has undergone dramatic, observable changes since start of the SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 lockdowns in mid-March 2020. Many of the older, long-time residents sold their homes during the bubble boom and much younger folks—many of them couples with small children—moved in; more new renters can be seen than buyers, and a good number of the arrivals are Northern California escapees.

The question: How much does the demographic shift affect observable patriotic behavior—and, perhaps, installation of a more liberal administration in Washington, D.C. diminishing Donald Trump’s brand of rah-rah Americanism? I ask because this Fourth of July noticeably differs from every other seen since our first here in 2008. Most notable: The significantly smaller number of U.S. flags hanging from houses or multi-unit dwellings and absence from Park Blvd, which is the main business street. Other reasons may include progressives’ success spotlighting the country’s racial wrongs. Dunno, but I can say that this year’s celebration is muted—more so than even during pandemic lockdowns. Also observed: A surge in rainbow flags, which considerably outnumber the Stars and Stripes—that, too, diverges from all previous years.

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The Bicycle

My wife typically goes to bed and rises earlier than do I. When getting up to feed the cats, Cali and Neko, Annie saw bicycle handlebars sticking up behind a parked car; about 3:30 a.m. PDT. She assumed that one of the apartment building’s other tenants had a visitor who left the bike locked on the sidewalk. But daylight revealed a wayward fixed-speed roadster, apparently abandoned and unlocked. We both wondered where it came from and how in a neighborhood rife with bicycle thieves no one had ridden off with the thing.

Someone stole two of our then three bikes from a locked garage, in February 2010. Annie sees frequent posts on Nextdoor about bikes taken from behind locked fences or about neighbors reporting random two-wheeler chop shops. We wondered where the women’s rider came from. Perhaps someone, ah-hum, borrowed—then abandoned—it?

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The Question is Why?

If I rightly recall from past signage, the same neighbor also believes that the U.S. government was behind the Sept. 11, 2001 terrorist attacks. Looking at this simple statement, perhaps he is among conspiracy theorists convinced that SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 vaccines also inject nanites. If I could be so bold to suggest: Should Deep State operatives really want to track you, the 4G or 5G smartphone already carried would be more than sufficient. My question: What makes you (or me) so important that anyone would bother?

We already live in a surveillance society. If not cameras from any other house, it’s Facebook, Google, your Internet Service Provider, or a host of other online entities watching—and creating profiles about you. Because bungling bureaucracy is so certain, I would welcome government snooping over the efficiencies of high-tech money-grubbers committed to turning you (or me) into a profitable commodity. Suddenly, writing this paragraph, I am convincing myself that “No 4G/5G Here”—or any Internet access—has merit. Or maybe it’s time to install the VPN software that I licensed long ago but never activated. 🙂

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Cheerful, But Serious

I don’t recall seeing this friendly graffiti yesterday—or the day before. I walk past the intersection of Adams and Florida often enough that surely my ever-roving eyes would have seen something and registered so in aging synapses. New or not, zooming in on the Featured Image suggests that the message wasn’t painted but slapped on and glued (look to the apparent air-bubbles typical of paper pressed onto a surface).

Maybe coincidence, or not, the flower is opposite the alley location where I found the “Yellow Peril Supports Black Power” protest placard two days ago. You got to wonder if something—person(s) and/or event—connects the two. The utility box is outside the Adams Substation, which is visible behind, located in San Diego’s University Heights neighborhood.

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The Discarded Sentiment

What demonstration marched through the neighborhood unbeknownst to me? While walking with my wife through the alley separating Alabama and Florida streets, I stopped to wonder about the forlorn placard that is the Featured Image. I captured a single photo using Leica Q2. Vitals, aperture manually set: f/5.6, ISO 100, 1/125 sec, 28mm; 4:33 p.m. PDT, today.

The message piqued my interest—and as a photographic object, I liked the mood created by bands of light shining through the fence. For your edification (and mine), according to Wikipedia: Yellow Peril “is a racist color-metaphor that represents the peoples of East Asia as an existential danger to the Western world”. Yikes!